|Born||10 June 1911|
South Kensington, London, England
|Died||30 November 1977 66) (aged|
|Other names||Terence Mervyn Rattigan|
Sir Terence Mervyn Rattigan CBE (10 June 1911 –30 November 1977) was a British dramatist and screenwriter. He was one of England's most popular mid-20th-century dramatists. His plays are typically set in an upper-middle-class background.  He wrote The Winslow Boy (1946), The Browning Version (1948), The Deep Blue Sea (1952) and Separate Tables (1954), among many others.
A troubled homosexual who saw himself as an outsider,  Rattigan wrote a number of plays which centred on issues of sexual frustration, failed relationships, or a world of repression and reticence.  
Terence Rattigan was born in 1911 in South Kensington,  London, of Irish extraction.  He had an elder brother, Brian. They were the grandsons of Sir William Henry Rattigan, a notable India-based jurist and later a Liberal Unionist Member of Parliament for North-East Lanarkshire. His father was Frank Rattigan CMG, a diplomat whose exploits included an affair with Princess Elisabeth of Romania (future consort of King George II of Greece) which resulted in her having an abortion.  The Royal House of Romania is considered to be the inspiration of Rattigan's play The Sleeping Prince . 
Rattigan's birth certificate and his birth announcement in The Times indicate he was born on 9 June 1911. However, most reference books state that he was born the following day; Rattigan himself never publicly disputed this date. There is evidence suggesting that the date on the birth certificate is incorrect.  He was given no middle name, but he adopted the middle name "Mervyn" in early adulthood.[ citation needed ]
Rattigan was educated at Sandroyd School  from 1920 to 1925, at the time based in Cobham, Surrey (and now the home of Reed's School), and Harrow School. Rattigan played cricket for the Harrow First XI and scored 29 in the Eton–Harrow match in 1929.  He was a member of the Harrow School Officer Training Corps and organised a mutiny, informing the Daily Express . Even more annoying to his headmaster, Cyril Norwood, was the telegram from the Eton OTC, "offering to march to his assistance".  He then went to Trinity College, Oxford.
Success as a playwright came early, with the comedy French Without Tears in 1936, set in a crammer. This was inspired by a 1933 visit to a village called Marxzell in the Black Forest, where young English gentlemen went to learn German; his time briefly overlapped with his Harrow classmate Jock Colville. 
Rattigan's determination to write a more serious play produced After the Dance (1939), a satirical social drama about the "bright young things" and their failure to politically engage. The outbreak of the Second World War scuppered any chances of a long run. Shortly before the war, Rattigan had written (together with Anthony Goldsmith) a satire about Nazi Germany, Follow My Leader; the Lord Chamberlain refused to license it on grounds of offence to a foreign country, but it was performed from January 1940. 
During the war, Rattigan served in the Royal Air Force as a tail gunner; his experiences helped inspire Flare Path . In 1943 Rattigan, then an RAF Flight Lieutenant, was posted to the RAF Film Production Unit to work on The Way to the Stars (a substantial reworking and adaption for film of Flare Path ) and Journey Together . 
After the war, Rattigan alternated between comedies and dramas, establishing himself as a major playwright: the most successful of which were The Winslow Boy (1946), The Browning Version (1948), The Deep Blue Sea (1952), and Separate Tables (1954).
Rattigan's belief in understated emotions and craftsmanship was deemed old fashioned and "pre-war" after the overnight success in 1956 of John Osborne's play Look Back in Anger began the era of kitchen sink dramas by the writers known as the Angry Young Men. Rattigan responded to this critical disfavour with some bitterness. His later plays— Ross , Man and Boy , In Praise of Love , and Cause Célèbre —although showing no sign of any decline in his talent, are less well-known than his earlier works. Rattigan explained that he wrote his plays to please a symbolic playgoer, "Aunt Edna", someone from the well-off middle-class who had conventional tastes; his critics frequently used this character as the basis for belittling him.  "Aunt Edna" inspired Joe Orton to create "Edna Welthorpe", a mischievous alter ego stirring up controversy about his own plays. 
Rattigan was homosexual,  with numerous lovers but no long-term partners, a possible exception being his "congenial companion ... and occasional friend" Michael Franklin.  From 1944 to January 1947 he enjoyed a volatile affair with the politician Henry "Chips" Channon who detailed the relationship in his diary published posthumously in 2022. 
It has been claimed his work is essentially autobiographical, containing coded references to his sexuality, which was known by some in the theatrical world but not known to the public. There is some truth in this, but it risks being crudely reductive; for example, the repeated claim that Rattigan originally wrote The Deep Blue Sea as a play about male lovers, turned at the last minute into a heterosexual play, may be unfounded,  though Rattigan said otherwise. 
On the other hand, for the Broadway staging of Separate Tables, he wrote an alternative version of the newspaper article in which Major Pollock's indiscretions are revealed to his fellow hotel guests; in this version, those whom the Major approached for sex were men rather than young women. However, Rattigan changed his mind about staging it, and the original version proceeded.  
Rattigan was fascinated with the life and character of T. E. Lawrence. In 1960, he wrote a play called Ross , based on Lawrence's exploits. Preparations were made to film it, and Dirk Bogarde accepted the role. However, it did not proceed because the Rank Organisation withdrew its support, not wishing to offend David Lean and Sam Spiegel, who had started to film Lawrence of Arabia . Bogarde called Rank's decision "my bitterest disappointment". Also in 1960, a musical version of French Without Tears was staged as Joie de Vivre, with music by Robert Stolz of White Horse Inn fame. It starred Donald Sinden, lasted only four performances, and has never been revived. Rattigan was diagnosed with leukaemia in 1962 but seemingly recovered two years later. He fell ill again in 1968. He disliked the so-called "Swinging London" of the 1960s and moved abroad, living in Bermuda, where he lived off the proceeds from lucrative screenplays including The V.I.P.s and The Yellow Rolls-Royce . For a time he was the highest-paid screenwriter in the world. 
In 1964, Rattigan wrote to the playwright Joe Orton congratulating the latter on his very dark comedy Entertaining Mr Sloane , to which Rattigan had escorted Vivien Leigh in its first week. He had invested £3,000 in getting the play transferred to the West End. Although an unlikely champion of the risqué Orton, Rattigan recognised the younger man's talent and approved of what he considered a well-written piece of theatre. He also acknowledged in retrospect that, "in a way, I was not Orton's best sponsor. I'm a very unfashionable figure still, and I was then wildly unfashionable critically. My sponsorship rather put critics off, I think." 
Rattigan was knighted in the Queen's Birthday Honours of June 1971 for services to the theatre, being only the fourth playwright to be knighted in the 20th century (after Sir W. S. Gilbert in 1907, Sir Arthur Wing Pinero in 1909 and Sir Noël Coward in 1970).  He had previously been appointed Commander of the Order of the British Empire (CBE), in June 1958. He moved back to Britain, where he experienced a minor revival in his reputation before his death. 
Rattigan died in Hamilton, Bermuda, from bone cancer on 30 November 1977, aged 66. His cremated remains were deposited in the family vault at Kensal Green Cemetery. 
In 1990, the British Library acquired Rattigan's papers consisting of 300 volumes of correspondence and papers relating to his prose and dramatic works. 
There was a revival of The Deep Blue Sea in 1993, at the Almeida Theatre, London, directed by Karel Reisz and starring Penelope Wilton. A string of successful revivals followed, including The Winslow Boy at the Chichester Festival Theatre in 2001 (with David Rintoul, and subsequently on tour in 2002 with Edward Fox), Man and Boy at the Duchess Theatre, London, in 2005, with David Suchet as Gregor Antonescu, and In Praise of Love at Chichester, and Separate Tables at the Royal Exchange, Manchester, in 2006. His play on the last days of Lord Nelson, A Bequest to the Nation , was revived on Radio 3 for Trafalgar 200, starring Janet McTeer as Lady Hamilton, Kenneth Branagh as Nelson, and Amanda Root as Lady Nelson.
Thea Sharrock directed his rarely seen After the Dance in the summer of 2010 at London's Royal National Theatre. She directed a major new production of Rattigan's final and also rarely seen play Cause Célèbre at The Old Vic in March 2011 as part of The Terence Rattigan Centenary  year celebrations. As well as this, Trevor Nunn marked the occasion with a West End revival of Flare Path at the Theatre Royal, Haymarket, between March and June 2011, starring Sienna Miller, James Purefoy and Sheridan Smith. 
In 2011, the BBC presented The Rattigan Enigma by Benedict Cumberbatch,  a documentary on Rattigan's life and career presented by actor Benedict Cumberbatch, who, like Rattigan, attended Harrow.
A new screen version of The Deep Blue Sea , directed by Terence Davies, was released in 2011, starring Rachel Weisz and Tom Hiddleston. 
Many of Rattigan's stage plays have been produced for radio by the BBC. The first play he wrote directly for radio was Cause Célèbre , broadcast on BBC Radio 4 on 27 October 1975, based on the 1935 murder of Francis Rattenbury.
A number of Rattigan's plays have been filmed (he was the screenwriter or co-writer for all those made in his lifetime):
Terence Rattigan also wrote or co-wrote the following original screenplays:
Rattigan wrote or co-wrote the following screenplays from existing material by other writers:
John Kingsley Orton, known by the pen name of Joe Orton, was an English playwright, author, and diarist. His public career, from 1964 until his murder in 1967, was short but highly influential. During this brief period he shocked, outraged, and amused audiences with his scandalous black comedies. The adjective Ortonesque refers to work characterised by a similarly dark yet farcical cynicism.
Separate Tables is the collective name of two one-act plays by Terence Rattigan, both taking place in the Beauregard Private Hotel, Bournemouth, on the south coast of England. The first play, titled Table by the Window, focuses on the troubled relationship between a disgraced Labour politician and his ex-wife. The second play, Table Number Seven, is set about 18 months after the events of the previous play, and deals with the touching friendship between a repressed spinster and Major Pollock, a kindly but bogus man posing as an upper-class retired army officer. The two main roles in both plays are written to be played by the same performers. The secondary characters – permanent residents, the hotel's manager, and members of the staff – appear in both plays. The plays are about people who are driven by loneliness into a state of desperation.
The Browning Version is a play by Terence Rattigan, seen by many as his best work, and first performed on 8 September 1948 at the Phoenix Theatre, London. It was originally one of two short plays, jointly titled "Playbill"; the companion piece being Harlequinade, which forms the second half of the evening. The Browning Version is set in a boys' public school and the Classics teacher in the play, Crocker-Harris, is believed to have been based on Rattigan's Classics tutor at Harrow School, J. W. Coke Norris (1874–1961).
The Deep Blue Sea is a British stage play by Terence Rattigan from 1952. Rattigan based his story and characters in part on his secret relationship with Kenny Morgan, and the aftermath of the end of their relationship. The play was first performed in London on 6 March 1952, directed by Frith Banbury, and won praise for actress Peggy Ashcroft, who co-starred with Kenneth More. In the US, the Plymouth Theater staged the play in October 1952, with Margaret Sullavan. The play with Sullavan subsequently transferred to Broadway, with its Broadway premiere on 5 November 1953, and running for 132 performances.
Anthony William Landon Asquith was an English film director. He collaborated successfully with playwright Terence Rattigan on The Winslow Boy (1948) and The Browning Version (1951), among other adaptations. His other notable films include Pygmalion (1938), French Without Tears (1940), The Way to the Stars (1945) and a 1952 adaptation of Oscar Wilde's The Importance of Being Earnest.
The Winslow Boy is an English play from 1946 by Terence Rattigan based on an incident involving George Archer-Shee in the Edwardian era. The incident took place at the Royal Naval College, Osborne.
Man and Boy is a play by Terence Rattigan. It was first performed at The Queen's Theatre, London, and Brooks Atkinson Theatre, New York, in 1963, with Charles Boyer starring as Gregor Antonescu. It was poorly received, with a limited London run and only 54 performances on Broadway; but was revived by Maria Aitken in 2005 at the Duchess Theatre, London, with David Suchet as Gregor Antonescu, to great acclaim. Maria Aitken again directed the play for Roundabout Theatre Company on Broadway in the fall of 2011 at the American Airlines Theatre starring Tony Award winner Frank Langella as Antonescu.
Chris Shepherd is a double BAFTA nominated television/film writer and director. Born in Anfield, Liverpool, Lancashire, in 1967. He is mainly known for combining live action with animation. His work fuses comedy with commentary on the darker side of human nature.
Rodney Ackland was an English playwright, actor, theatre director and screenwriter.
The Winslow Boy is a 1999 period drama film directed by David Mamet and starring Nigel Hawthorne, Rebecca Pidgeon, Jeremy Northam and Gemma Jones. Set in London before World War I, it depicts a family defending the honour of its young son at all cost. The screenplay was adapted by Mamet based on Terence Rattigan's 1946 dramatic play The Winslow Boy.
The Winslow Boy is a 1948 British drama film adaptation of Terence Rattigan's 1946 play The Winslow Boy. It was made by De Grunwald Productions and distributed by the British Lion Film Corporation. It was directed by Anthony Asquith and produced by Anatole de Grunwald with Teddy Baird as associate producer. The adapted screenplay was written by de Grunwald and Rattigan based on Rattigan's play. The music score was by William Alwyn and the cinematography by Freddie Young.
Anatole "Tolly" de Grunwald was a Russian British film producer and screenwriter.
The Deep Blue Sea is a 1955 British drama film directed by Anatole Litvak, starring Vivien Leigh and Kenneth More, and produced by London Films and released by Twentieth Century Fox. The picture was based on the 1952 play of the same name by Terence Rattigan. The movie tells the story of a woman unhappy in her passionless marriage leaving her husband for a younger and more ardent lover.
Michael Darlow is a British television producer, director and writer. After starting as an actor, his first short film was seen by documentary film maker John Grierson and shown on TV and at the 1960 Edinburgh Film Festival. Darlow's documentary, drama and arts programmes have won international awards including BAFTAs, an Emmy, and Gold at the New York Television Festival. His works include The World At War episode Genocide, The Barretts of Wimpole Street, Johnny Cash at San Quentin and Bomber Harris. He is a Fellow of the Royal Television Society.
Flare Path is a play by Terence Rattigan, written in 1941 and first staged in 1942. Set in a hotel near an RAF Bomber Command airbase during the Second World War, the story involves a love triangle between a pilot, his actress wife and a famous film star. The play is based in part on Rattigan's own wartime experiences, and was significantly reworked and adapted for film as The Way to the Stars.
After the Dance is a play by Terence Rattigan which premièred at the St James's Theatre, London, on 21 June 1939. It was not one of Rattigan's more successful plays, closing after only sixty performances, a failure that led to its exclusion from his first volume of Collected Plays. Critics have tended to attribute this relative contemporary failure to the play's darkness which may have reminded audiences of the approaching European war.
Neil North was a British actor, best known for his role in the 1948 film adaptation of Terence Rattigan's play The Winslow Boy. North appeared in four other films released between 1948 and 1951, but did not make acting a full-time career. After a hiatus of over 40 years however, he did return to the screen with three further credits towards the end of his life, including a role in the 1999 remake of The Winslow Boy.
Sean O'Connor is a British producer, writer, and director working in theatre, film, television and radio. He was the editor of the long-running BBC radio drama, The Archers from 2013 to 2016. He replaced Dominic Treadwell-Collins as the executive producer of EastEnders in June 2016. It was revealed in June 2017 that O'Connor had left EastEnders to focus on his career in feature films.
In Praise of Love, originally entitled After Lydia, is the first part of a 1973 double-bill play by the English playwright Terence Rattigan. It was the penultimate play he wrote.
Cause Célèbre or A Woman of Principle is a 1975 radio play, and the final play by the English author Terence Rattigan. It was inspired by the trial of Alma Rattenbury and her teenage lover in 1935 for the murder of her third husband Francis Rattenbury and first broadcast by the BBC on 27 October 1975. Alma was played by Diana Dors. Rattigan was then commissioned to rewrite it into a stage play ready to be produced in Autumn 1976, but his terminal cancer and casting problems meant he was only able to start work in January 1977, alongside director Robin Midgley. This stage version premiered at the Haymarket Theatre, Leicester in 1977 before its West End premiere on 4 July 1977 at Her Majesty's Theatre in London, with Glynis Johns as Alma Rattenbury and Helen Lindsay as Edith Davenport. It received largely positive reviews. Rattigan checked himself out of hospital to attend the opening night.
Wolfe, Peter. Terence Rattigan: The Playwright as Battlefield. Lexington, 2019.
Other works including discussions on Rattigan's theatre: