Teresa Berganza

Last updated

Teresa Berganza

Teresa Berganza 1957.jpg
Berganza in 1957
Teresa Berganza Vargas

(1933-03-16)16 March 1933
Madrid, Spain
Died13 May 2022(2022-05-13) (aged 89)
Education Madrid Royal Conservatory
  • Opera singer
  • Academic teacher
Organization Escuela Superior de Música Reina Sofía
(m. 1957;div. 1977)
Website www.teresaberganza.com

Teresa Berganza Vargas OAXS (16 March 1933 – 13 May 2022) was a Spanish mezzo-soprano. She is most closely associated with roles such as Rossini's Rosina and La Cenerentola, and later Bizet's Carmen, admired for her technical virtuosity, musical intelligence, and beguiling stage presence. Berganza was a key singer in a Rossini renaissance which explored less performed operas and restored the leading roles to mezzo register. She appeared as Zerlina in Joseph Losey's Don Giovanni film in 1979. She participated in the opening ceremonies of the Expo '92 in Seville and of the 1992 Summer Olympics in Barcelona.


Life and career

Teresa Berganza was born in Madrid on 16 March 1933. [1] [2] She studied piano and voice at the Madrid Royal Conservatory, voice with Lola Rodríguez Aragón  [ es ], [2] where she was awarded first prize for singing in 1954. She made her concert debut in Madrid in 1955. [3]

Berganza made her operatic debut as Dorabella in Mozart's Così fan tutte in 1957 at the Aix-en-Provence Festival. [2] [4] That same year, she made her La Scala debut. She first appeared at the Glyndebourne Festival in 1958, [4] as Cherubino in Mozart's Le nozze di Figaro , and later also in the title role of Rossini's La Cenerentola . [3] In 1959, Berganza made her first appearance at the Royal Opera House as Cherubino, and the following year performed there as Rosina in Rossini's Il barbiere di Siviglia , which became one of her signature roles. She repeated it at the Opernhaus Zürich, where she returned in 1979 as Charlotte in Massenet's Werther . [3]

She appeared in the U.S. first in 1958, at the Dallas Opera as Isabella in Rossini's L'italiana in Algeri and then as Neri in Cherubini's Médée alongside Maria Callas in the title role. [2] In 1967, she made her Metropolitan Opera debut, again as Cherubino, [3] [5] directed by Nikolaus Lehnhoff in his house debut, and conducted by Joseph Rosenstock, alongside Cesare Siepi as Figaro, Mirella Freni as Susanna, Tom Krause and Pilar Lorengar as the Almaviva couple. [6] She returned for Rosina the following year, first in a telecast performance conducted by Richard Bonynge, alongside Mario Sereni as Figaro, Luigi Alva and Fernando Corena as Bartolo. [5] A reviewer from the New York Daily News noted:

But the revival was really distinguished by the presence of Teresa Berganza as Rosina. The Spanish mezzo-soprano had not sung the role with the company before, although she has been a well-known recitalist here, and her way with Rossini's music is much admired. She is certainly the most charming Rosina at the Met since her compatriot Victoria de los Angeles. Like her, she sings the music in the low key, which makes it much more appealing to the ear than the constant chirping of coloratura sopranos one is usually subjected to. Short and dark, if not exactly petite, Miss Berganza is quite enchanting to look at, a pleasant if not volatile actress, and a singer of great style and skill. She lit the stage up whenever she was on it, without making any attempt to do so. [7]

Berganza was a leading singer for a renaissance of Rossini's operas, returning the roles to the original lower register according to critical editions by Alberto Zedda, promoted by conductors such as Claudio Abbado and Charles Mackerras. [2]

Teresa Berganza during a master class in May 2009 TeresaBerganza.jpg
Teresa Berganza during a master class in May 2009

Berganza appeared at the 1977 Edinburgh Festival as Bizet's Carmen, conducted by Abbado, [8] regarded as one of her greatest successes on stage, and repeated the role at the Paris Opera. [3] [9] She portrayed the character with intelligence, singing the Habanera with the flexibility of a lieder singer, and abrupt changes in timbre and dynamic, seemingly addressing the crowd but meaning one person, in a provokingly light tone demonstrating superiority. [2]

As a recitalist, Berganza made her Carnegie Hall debut in 1964. [10] [11] Her concert repertoire includes Spanish, Italian, French, German, and Russian songs. From 1957 to 1977, Berganza was married to the composer and pianist Félix Lavilla, who accompanied her in recitals and recordings. [3] [12] The couple had three children, including soprano Cecilia Lavilla Berganza. [3] [13] She showcased songs from Spain, from medieval cantigas from the era of Alfonso X of Castile to miniatures by Manuel de Falla and Enrique Granados. [2]

For the opening of the National Auditorium of Music in Madrid, she performed in De Falla's Atlántida alongside Montserrat Caballé and Vicente. She participated in the concert for the opening of the Opéra Bastille in Paris on 13 July 1989. [3] In 1992, Berganza participated in the opening ceremonies of Expo '92 in Seville and the opening ceremonies of the 1992 Summer Olympics in Barcelona. [3]

Berganza's stage career ended in 2008. [14] She last taught singing at the Escuela Superior de Música Reina Sofía, continued to perform music of Spanish composers, and gave master classes all over the world. Her students have included María Bayo, Jorge Chaminé and Alicia Nafé. [3]

Berganza died on 13 May 2022 in San Lorenzo de El Escorial at age 89. [1] [15]


Berganza appeared in nine motion pictures, including Il barbiere di Siviglia in 1972, as Zerlina in Joseph Losey's Don Giovanni in 1979, and both Massenet's Werther and Carmen in 1980. [16] [17] [18] [19]


Berganza received a Gold Medal of Merit in Fine Arts from the Kingdom of Spain on 26 February 1982. [20] She shared the 1991 Prince of Asturias Award for arts and letters with six other Spanish singers. [21] [22] [23] In 1994, she became the first woman elected to the Real Academia de Bellas Artes de San Fernando. In 1996, she was awarded the Premio Nacional de Música. [24] She also received the Grand Prix Rossini. [25] She was awarded the Dame Grand Cross of the Civil Order of Alfonso X, the Wise from the Kingdom of Spain on 3 May 2013. [26] She received the Lifetime Achievement Award at the 2018 International Opera Awards. [27]


Related Research Articles

<i>The Barber of Seville</i> 1816 opera by Gioachino Rossini

The Barber of Seville, or The Useless Precaution is an opera buffa in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy The Barber of Seville (1775). The première of Rossini's opera took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli.

Cecilia Bartoli Italian opera singer

Cecilia Bartoli, Cavaliere OMRI is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best known for her interpretations of the music of Bellini, Handel, Mozart, Rossini and Vivaldi, as well as for her performances of lesser-known music from the Baroque and Classical period. She is known for having the versatility to sing both soprano and mezzo roles.

Vivica Genaux American coloratura mezzo-soprano (b1969)

Vivica Genaux is an American coloratura mezzo-soprano. She was born in Fairbanks, Alaska. She has sung in major operas such as The Barber of Seville at the Metropolitan Opera, L'italiana in Algeri at Opéra National de Paris, and La Cenerentola with Dallas Opera and the Bavarian State Opera.

Angelika Kirchschlager Austrian opera singer

Angelika Kirchschlager is an Austrian mezzo-soprano opera and lieder singer.

Jane Berbié French mezzo-soprano

Jane Berbié is a French mezzo-soprano particularly associated with Mozart and Rossini roles.

Susanne Marsee American mezzo-soprano

Susanne Marsee is an American mezzo-soprano of note, particularly acclaimed as a singing-actress.

Jennifer Larmore American opera singer

Jennifer Larmore is an American mezzo-soprano opera singer, particularly noted for her performances in coloratura and bel canto roles which she has performed in the world's major opera houses. She has been a professor at the Music College of Seoul National University since March 2021.

Anna Caterina Antonacci Italian soprano

Anna Caterina Antonacci is an Italian soprano known for roles in the bel canto and Baroque repertories. She performed as a mezzo-soprano for several years, particularly performing the Rossini canon.

Géraldine Chauvet is a French operatic mezzo-soprano.

Kate Lindsey American opera singer

Kate Lindsey is a mezzo-soprano opera singer from the United States. She is married to the documentary filmmaker Olly Lambert.

Julia Hamari is a Hungarian mezzo-soprano and alto singer in opera and concert, appearing internationally. She is an academic voice teacher in Stuttgart.

Jadranka Jovanović Serbian opera singer and politician

Jadranka Jovanović is a primadonna of Opera in the National Theatre in Belgrade, Serbia. She was born in Belgrade, and she is one of the most popular artists in the classic music in her country with a respected international career. She has also been a member of the National Assembly of Serbia since 2016.

Katarina Karnéus Swedish opera singer

Katarina Esmé Marie Karnéus is a Swedish mezzo-soprano opera singer, winner of the BBC Cardiff Singer of the World competition, active on many of the opera world's major stages such as the Metropolitan Opera and the Paris Opera, and named Hovsångerska by the King of Sweden in 2018.

Yukari Nonoshita studied at the Tokyo National University of Fine Arts and Music. She continued her studies in France at the Conservatoire National de Saint-Maur and the École Normale de Musique de Paris, with Camille Maurane, Hiroko Nakamura and Gérard Souzay.

Svetlina Stoyanova is a Bulgarian operatic mezzo-soprano.

<i>Mozart & Rossini Arias</i> 1976 studio album by Frederica von Stade

Frederica von Stade sings Mozart & Rossini Arias is a 52-minute studio album of operatic arias performed by von Stade and the Rotterdam Philharmonic Orchestra under the direction of Edo de Waart. It was released in 1976. A second, 69-minute version of the album, Frederica von Stade: Haydn, Mozart & Rossini Arias, released by Philips on CD, adds bonus tracks derived from von Stade's contributions to Antal Doráti's recordings of Joseph Haydn's operas La fedeltà premiata and Il mondo della luna. A third, 52-minute version released on SACD by PentaTone in 2005 reverts to the contents of the first version, but presents the music in quadraphonic surround sound.

Marina de Gabaráin was a Spanish mezzo-soprano. Her international career began at Glyndebourne in 1952, where she appeared in Rossini's La Cenerentola as Angelina (Cinderella), which became her signature role.

Vasilisa Berzhanskaya is a Russian operatic mezzo-soprano. Her repertoire encompasses roles of the Italian bel canto of Rossini and Bellini, Mozart, Baroque music such as Vivaldi and Purcell, and roles from Russian opera, by composers such as Rimsky-Korsakov and Tchaikovsky. Though Berzhanskaya is a mezzo-soprano, in the past she has sung roles ranging from dramatic coloratura soprano to contralto. As such, she has been described as possessing "a huge vocal range in which she display[s] impeccable coloratura."

Margarita Vitalievna Gritskova is a Russian mezzo-soprano in opera and lied singing. A member of the Vienna State Opera since 2012, she is focused on roles by Rossini such as Rosina in Il barbiere di Siviglia and La Cenerentola, but has also performed in Baroque opera and contemporary works such as Tri sestri by Péter Eötvös.

Silvia Tro Santafé Spanish mezzo-soprano

Silvia Tro Santafé is a Spanish lyric-coloratura mezzo-soprano. In her early career she was best known for her interpretations of Handel and became notable for her performances of Rossini, Bellini, Donizetti, and in recent years Verdi.


  1. 1 2 Roux, Marie-Aude (13 May 2022). "La cantatrice espagnole Teresa Berganza, inoubliable « Carmen », est morte". Le Monde (in French). Retrieved 13 May 2022.
  2. 1 2 3 4 5 6 7 Brachmann, Jan (14 May 2022). "Provokante Überlegenheit". FAZ (in German). Retrieved 14 May 2022.
  3. 1 2 3 4 5 6 7 8 9 10 Kutsch, K. J.; Riemens, Leo (2012). Berganza, Teresa. Großes Sängerlexikon (in German) (4th ed.). De Gruyter. p. 360. ISBN   978-3-59-844088-5.
  4. 1 2 "Spanish opera singer". Encyclopedia Britannica. 16 March 1935. Retrieved 13 May 2022.
  5. 1 2 "Berganza, Teresa [Mezzo Soprano]". archives.metoperafamily.org. 2022. Retrieved 13 May 2022.
  6. "Le Nozze di Figaro {211} Metropolitan Opera House: 10 November 1967". archives.metoperafamily.org. 2022. Retrieved 13 May 2022.
  7. "Il Barbiere di Siviglia {321} Metropolitan Opera House: 11 July 1968., Telecast". archives.metoperafamily.org. 2022. Retrieved 13 May 2022.
  8. Forsling, Göran (July 2018). "Teresa Berganza (mezzo-soprano) / Eighteenth-Century Portraits". musicweb-international.com. Retrieved 14 May 2022.
  9. Andrews, Jean (1 January 2014). "Teresa Berganza's re-appropriation of Carmen". Journal of Romance Studies. Liverpool University Press. 14 (1). doi:10.3167/jrs.2014.140102. ISSN   1473-3536.
  10. Parmenter, Ross (17 February 1964). "Teresa Berganza Sings at Carnegie". The New York Times . Retrieved 13 May 2022.
  11. Schonberg, Harold C. (6 February 1965). "Music: Teresa Berganza Sings at Carnegie Hall; Debussy, Poulenc and Ravel Works Heard". The New York Times . Retrieved 13 May 2022.
  12. Michelena, José Manuel. "Félix Lavilla Munárriz Uno de los grandes artistas del siglo XX" (PDF) (in Spanish). static.errenteria.eus. Retrieved 24 April 2022.
  13. "Cecilia Lavilla Berganza". Cecilia Lavilla Berganza. Retrieved 13 May 2022.
  14. "Spanische Opernsängerin Teresa Berganza mit 89 Jahren gestorben". Der Standard (in German). AP. 13 May 2022. Retrieved 13 May 2022.
  15. "Muere la mezzosoprano Teresa Berganza". La Vanguardia (in Spanish). 13 May 2022. Retrieved 13 May 2022.
  16. "Teresa Berganza". BFI. Retrieved 13 May 2022.
  17. "Teresa Berganza". vollfilm. 26 January 2000. Retrieved 13 May 2022.
  18. "Teresa Berganza – English". Académie musicale de Villecroze. 15 November 2021. Retrieved 13 May 2022.
  19. Dielitz, Alexandra (16 April 2020). "Teresa Berganza zum 85. Geburtstag: Ihre schönsten Rollen". BR-KLASSIK (in German). Retrieved 13 May 2022.
  20. Ministerio de Cultura / 5331 (in Spanish) Boletín Oficial del Estado 26 February 1982
  21. IT, Intermark (13 April 1953). "Victoria de Los Ángeles, Teresa Berganza, Montserrat Caballé, José Carreras, Pilar Lorengar, Alfredo Kraus and Plácido Domingo – Princess of Asturias Awards – The Princess of Asturias Foundation". The Princess of Asturias Foundation. Retrieved 13 May 2022.
  22. William, David (13 May 2022). "Spanish mezzo-soprano Teresa Berganza dies at 87". 24 Hours World. Retrieved 13 May 2022.
  23. IT, Intermark. "The mezzo-soprano Teresa Berganza will be giving the inaugural conference at the 2015 Princess of Asturias Foundation International Music School Summer Courses – Other News – Area of Communication and Media". The Princess of Asturias Foundation. Retrieved 13 May 2022.
  24. List of national music prize winners, Ministry of Culture (Spain). Retrieved 9 April 2011.
  25. Cummings, David M. (2000). International who's who in music and musicians' directory. p. 52.
  26. Ministerio de Educación, Cultura y Deporte / 4695 (in Spanish) Boletín Oficial del Estado 3 May 2013
  27. "Opera Awards Archive 2018". International Opera Awards. 29 January 2018. Retrieved 25 March 2021.

Further reading