Sources
- Dingle, Christopher. The Life of Messiaen .
Related Research Articles
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In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these.
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The Vingt Regards sur l'Enfant-Jésus are a suite of 20 pieces for solo piano by the French composer Olivier Messiaen (1908–1992).
Louise-Justine Messiaen, more commonly known under her pseudonym Claire Delbos, was a French violinist and composer, and first wife of the composer Olivier Messiaen.
La Transfiguration de Notre Seigneur Jésus-Christ is a work written between 1965 and 1969 by Olivier Messiaen. It is based on the account found in the synoptic gospels of Jesus' transfiguration. The writing is on a very large scale; the work requires around 200 performers. The forces required include a mixed choir, seven instrumental soloists and a large orchestra; only being surpassed by his opera Saint François d'Assise.
Messe de la Pentecôte is an organ mass composed by Olivier Messiaen in 1949–50. According to the composer, it is based on twenty years of improvising at Église de la Sainte-Trinité, where Messiaen was organist since 1931.
The Variations, Interlude and Finale on a Theme by Rameau were composed by Paul Dukas between 1899 and 1902. The work was first performed in Paris in 1903.
Quatre Études de rythme is a set of four piano compositions by Olivier Messiaen, written in 1949 and 1950. A performance of them lasts between 15 and 20 minutes.
Fête des belles eaux, or Feast of the beautiful waters in English, is a 1937 composition by French composer Olivier Messiaen. The work is scored for six ondes Martenots and was commissioned for the 1937 Paris Exposition. The work was written to accompany the movement of the fountains at the Exhibition.
Danses concertantes is a work for chamber orchestra by Igor Stravinsky, composed in 1942. A performance lasts about twenty minutes. Although written as an abstract ballet for concert performance, it has been choreographed numerous times.
Préludes pour piano is an early work for piano by the French composer Olivier Messiaen composed in 1928–1929, when the composer was 20 years old. Messiaen considered it to be his first work of any value. The composition is based on Messiaen's modes of limited transposition, and betrays an influence of Debussy's preludes.
Méditations sur le Mystère de la Sainte Trinité is a work for organ by the French composer Olivier Messiaen. It was composed from 1967 to 1969 at Messiaen's house in Pétichet.
Monodie is the shortest stand-alone published composition for organ by French composer Olivier Messiaen.
The Prélude, usually affixed with the subtitle pour orgue, is an organ piece in E major by French composer Olivier Messiaen. The work, which dates from the 1920s, is, along with the Offrande au Saint Sacrement, the earliest surviving organ work of the composer. Scholars differ as to the exact date and purpose as to when and why it was composed.
Diptyque : essai sur la vie terrestre et l'éternité bienheureuse is a piece for organ by French composer Olivier Messiaen.
References
- ↑ Dingle, p. 49.
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