Edmond Gondinet was a French playwright and librettist. This author, nearly forgotten today, produced forty plays of which several were successful. He collaborated with Alphonse Daudet and Eugène Labiche, among others.
Evangeline Estelle Gazina, better known under her stage name, Kate Santley, was a German-born actress, singer and comedian. After spending her childhood in the US, she came to England in 1861, where she had a successful career, later also becoming a theatre manager.
Albert Vanloo was a Belgian librettist and playwright.
Théâtre des Arts may refer to:
Juliette-Joséphine Simon-Girard was a French soprano, principally in operetta. Her father, Philippe Lockroy, was an actor at the Comédie Française, and her mother was Caroline Girard, of the Opéra-Comique.
Comédie-Parisienne may refer to:
Jules-Antoine Castagnary was a French liberal politician, journalist and progressive and influential art critic, who embraced the new term "Impressionist" in his positive and perceptive review of the first Impressionist show, in Le Siècle, 29 April 1874.
Jules Brasseur was a French actor and singer, born 1829 in Paris and died in the same city in 1890, who achieved considerable popular success in Paris and around France in the second half of the 19th century.
Maurice Ordonneau was a French dramatist and composer. The son of a merchant of eau de vie, Maurice Ordonneau was a prolific author in creating theatrical works. He composed, often with the collaboration of other playwrights, composers and musicians, a great number of operettas, opéra-bouffes, comedies and vaudevilles.
Eugène Grangé was a French playwright, librettist, chansonnier and goguettier.
Pierre Zaccone was a popular 19th-century French novelist.
Albert Millaud was a French journalist, writer and stage author, born in Paris, 13 January 1844, and died in the same city on 23 October 1892.
Jules-Louis-Olivier Métra, was a 19th-century French composer and conductor.
Alceste Anastasie Hortense Cœuriot, also known under the stage name Madame Ismaël, was a French operatic mezzo-soprano. Her professional career ran from 1850 to 1888 under the last name Ismaël, which was her husband Jean-Vital Jammes' stage name, and she would keep the stage name even after their divorce in 1860. Throughout her onstage roles, she mostly portrayed roles of comic old women, "duègne" roles, or "Dugazon" roles, which were of young mothers and women past youth.
Raoul de Navery was the pseudonym of Madame Chervet, born Marie-Eugenie Saffray, a French Roman Catholic novelist.
