Théâtre Antoine-Simone Berriau

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Théâtre Antoine
Théâtre des Menus-Plaisirs (1866-1874  1877-1879  1882-1888)
Théâtre des Arts (1874-1876  1879-1881)
Opéra-Bouffe (1876-1877)
Comédie-Parisienne (1881)
Théâtre-Libre (1888-1897)

Theatre-Antoine.JPG

The Théâtre Antoine in 2007
Address 14 Boulevard de Strasbourg
Paris
Coordinates 48°52′14″N2°21′19″E / 48.870558°N 2.355367°E / 48.870558; 2.355367 Coordinates: 48°52′14″N2°21′19″E / 48.870558°N 2.355367°E / 48.870558; 2.355367
Capacity 780
Opened 1866
Website
www.theatre-antoine.com

Théâtre Antoine-Simone Berriau is a theater located at 14 boulevard de Strasbourg in the 10th arrondissement of Paris.

10th arrondissement of Paris French municipal arrondissement in Île-de-France, France

The 10th arrondissement of Paris is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is referred to as dixième.

Contents

The 800-seat Italian Style theater was built in the year 1866. It functioned under a variety of names through the years, opening as Theatre des Menus-Plaisirs [1] (1866–1874, 1877–1879, 1882–1888), then Théâtre des Arts (1874–1876, 1879–1881), Opéra-Bouffe (1876–1877), and the Comédie-Parisienne (1881).

Théâtre-Libre (1888-1897) and Théâtre-Antoine (1897-1906)

In 1888 it became the venue for the Théâtre Libre company of André Antoine. Although short-lived, lasting only eight years, the theater's pioneering naturalism proved extremely influential. Antoine departed in 1894 under financial pressure, the enterprise closed in 1896, but Antoine returned the following year to the renamed Théâtre Antoine [2] with a more deliberately provocative program that lasted until 1906.

Théâtre Libre theater

The Théâtre Libre was a theatre company that operated from 1887 to 1896 in Paris, France.

André Antoine French actor (1858–1943)

André Antoine was a French actor, theatre manager, film director, author, and critic who is considered the father of modern mise en scène in France.

Naturalism (theatre) movement in European drama and theatre

Naturalism is a movement in European drama and theatre that developed in the late 19th and early 20th centuries. It refers to theatre that attempts to create an illusion of reality through a range of dramatic and theatrical strategies. Interest in naturalism especially flourished with the French playwrights of the time, but the most successful example is Strindberg’s play Miss Julie, which was written with the intention to abide by both his own particular version of naturalism, and also the version described by the French novelist and literary theoretician, Émile Zola.

From 1943 onwards

The theater now bears the name of actress and director Simone Berriau, who presented the complete dramatic work of Jean-Paul Sartre here beginning in 1943. For instance the first production of his 1951 The Devil and the Good Lord opened here, directed by Louis Jouvet. On her death in 1984 her daughter Helena Bossis took charge; since the death of Bossis in 2008, her husband Daniel Dares has served as director.

Jean-Paul Sartre French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary critic

Jean-Paul Charles Aymard Sartre was a French philosopher, playwright, novelist, political activist, biographer, and literary critic. He was one of the key figures in the philosophy of existentialism and phenomenology, and one of the leading figures in 20th-century French philosophy and Marxism. His work has also influenced sociology, critical theory, post-colonial theory, and literary studies, and continues to influence these disciplines.

<i>The Devil and the Good Lord</i> literary work

The Devil and the Good Lord is a 1951 play by French philosopher Jean-Paul Sartre. The play concerns the moral choices of its characters, warlord Goetz, clergy Heinrich, communist leader Nasti and others during the German Peasants' War. The first act follows Goetz' transformation from vicious war criminal to a "good" person of noble deeds, as during a siege of the town of Worms, he decides not to massacre its citizens.

Louis Jouvet French actor

Jules Eugène Louis Jouvet was a French actor, director, and theatre director.

Premieres

Théâtre des Menus-Plaisirs

<i>Geneviève de Brabant</i> opera

Geneviève de Brabant is an opéra bouffe, or operetta, by Jacques Offenbach, first performed in Paris in 1859. The plot is based on the medieval legend of Genevieve of Brabant.

Jacques Offenbach German-born French composer, cellist and impresario

Jacques Offenbach was a German-French composer, cellist and impresario of the romantic period. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffmann remains part of the standard opera repertory.

Edmond Audran French composer

Achille Edmond Audran was a French composer best known for several internationally successful comic operas, including Les noces d'Olivette (1879), La mascotte (1880), Gillette de Narbonne (1882), La cigale et la fourmi (1886), Miss Helyett (1890), and La poupée (1896).

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Edmond Gondinet French playwright and librettist

Edmond Gondinet was a French playwright and librettist. This author, nearly forgotten today, produced forty plays of which several were successful. He collaborated with Alphonse Daudet and Eugène Labiche, among others.

Kate Santley Actress, singer, comedienne, theatre manager

Evangeline Estelle Gazina, better known under her stage name, Kate Santley, was a German-born actress, singer and comedian. After spending her childhood in the US, she came to England in 1861, where she had a successful career, later also becoming a theatre manager.

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Albert Vanloo was a Belgian librettist and playwright.

Théâtre des Arts may refer to:

Juliette Simon-Girard singer

Juliette-Joséphine Simon-Girard was a French soprano, principally in operetta. Her father, Philippe Lockroy, was an actor at the Comédie Française, and her mother was Caroline Girard, of the Opéra-Comique.

Comédie-Parisienne may refer to:

Jules-Antoine Castagnary French art critic

Jules-Antoine Castagnary was a French liberal politician, journalist and progressive and influential art critic, who embraced the new term "Impressionist" in his positive and perceptive review of the first Impressionist show, in Le Siècle, 29 April 1874.

Jules Brasseur French actor

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Maurice Ordonneau French playwright and composer

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Eugène Grangé French chansonnier, poet, librettist and playwright

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Pierre Zaccone French novelist and writer

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Albert Millaud French journalist and writer

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Olivier Métra French conductor and composer

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Alceste Anastasie Hortense Cœuriot, also known under the stage name Madame Ismaël, was a French operatic mezzo-soprano. Her professional career ran from 1850 to 1888 under the last name Ismaël, which was her husband Jean-Vital Jammes' stage name, and she would keep the stage name even after their divorce in 1860. Throughout her onstage roles, she mostly portrayed roles of comic old women, "duègne" roles, or "Dugazon" roles, which were of young mothers and women past youth.

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