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The Théâtre du Vaudeville was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles.
After the theatre on the rue de Chartres burned down in 1838, the Vaudeville temporarily based itself on boulevard de Bonne-Nouvelle before in 1841 setting up in the Salle de la Bourse on the Place de la Bourse in the 2e arrondissement. This building was demolished in 1869. Eugène Labiche and Henri Meilhac put on several of their works there, and it also hosted Jules Verne's play Onze jours de siège (1861). Other writers whose works were put on there were Edmond Gondinet, Alexandre Bisson, Théophile Marion Dumersan, Jean-François Bayard, Narcisse Fournier and Gaston Arman de Caillavet.
In 1852, La Dame aux camélias by Alexandre Dumas fils was put on here. For the first time in the era, there were over 100 consecutive performances. Verdi was in the audience at this theatre and wrote La Traviata (1853) based on the play.
From 1866 to 1868, a new Théâtre du Vaudeville was built on boulevard des Capucines, at the corner of Rue de la Chaussée-d'Antin, in the 9e arrondissement. Although the Vaudeville continued as a commercial boulevard playhouse, it occasionally leased its stage to new experimentalist plays of the Independent Theatre movement. On 20–21 May 1891, Paul Fort's Théâtre d'Art presented a benefit for Paul Verlaine and Paul Gauguin, consisting of a program of poetry readings and five short plays, including, most notably, the premiere of Maurice Maeterlinck's Symbolist landmark work Intruder .
In 1927, this building was acquired by Paramount and transformed into the cinema it is today, under the name the Paramount Opéra then (from 31 October 2007) the Gaumont Opéra. It has seven auditoria and is served by Opéra on the Paris Metro.
The 2nd arrondissement of Paris is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is colloquially referred to as deuxième. It is governed locally together with the 1st, 3rd and 4th arrondissement, with which it forms the 1st sector of Paris.
The 9th arrondissement of Paris is one of the 20 arrondissements of the capital city of France. In spoken French, it is referred to as le neuvième.
The Palais Brongniart housed the historical Paris stock exchange. It is located at the Place de la Bourse, in the II arrondissement, Paris.
The name Théâtre de la Renaissance has been used successively for three distinct Parisian theatre companies. The first two companies, which were short-lived enterprises in the 19th century, used the Salle Ventadour, now an office building on the Rue Méhul in the 2nd arrondissement.
This "quartier" of Paris got its name from the rue de la Chaussée-d'Antin in the 9th arrondissement of Paris. It runs north-northwest from the Boulevard des Italiens to the Église de la Sainte-Trinité.
The Théâtre de l’Ambigu-Comique, a former Parisian theatre, was founded in 1769 on the boulevard du Temple immediately adjacent to the Théâtre de Nicolet. It was rebuilt in 1770 and 1786, but in 1827 was destroyed by fire. A new, larger theatre with a capacity of 2,000 as compared to the earlier 1,250 was built nearby on the boulevard Saint-Martin at its intersection with the rue de Bondy and opened the following year. The theatre was eventually demolished in 1966.
The Boulevard du Temple, formerly nicknamed the "Boulevard du Crime", is a thoroughfare in Paris that separates the 3rd arrondissement from the 11th. It runs from the Place de la République to the Place Pasdeloup, and its name refers to the nearby Knights Templars' Temple, where they established their Paris priory.
The Théâtre des Variétés-Amusantes was a theatre company in Paris.
Théâtre de la foire is the collective name given to the theatre put on at the annual fairs at Saint-Germain and Saint-Laurent in Paris.
Henri Sauvage was a French architect and designer in the early 20th century. He was one of the most important architects in the French Art nouveau movement, Art Deco, and the beginning of architectural modernism. He was also a pioneer in the construction of public housing buildings in Paris. His major works include the art nouveau Villa Majorelle in Nancy, France and the art-deco building of the La Samaritaine department store in Paris.
The 1st arrondissement of Lyon, France is one of the nine arrondissements of the City of Lyon. It is located below the hill of Croix-Rousse and on the north part of the Presqu'île formed by the Saône and the Rhône, the two rivers in Lyon.
La Rue de Créqui is a very long street located in the 7th, 3rd and 6th arrondissements of Lyon. It is a long straight line along the rue Duguesclin or the rue de Vendôme, that begins on the Grande Rue de la Guillotière in the 7th arrondissement and ends at the north in the 6th, on the Boulevard des Belges. It follows the Place Guichard, located in the 3rd arrondissement.
The Théâtre des Nouveautés is a Parisian theatre built in 1921 and located at 24 boulevard Poissonnière. The name was also used by several earlier Parisian theatre companies and their buildings, beginning in 1827.
The Salle de la Bourse was a Parisian theatre located on the rue Vivienne in the 2nd arrondissement, across from the Paris Bourse, hence the name. It was successively the home of the Théâtre des Nouveautés (1827–1832), the Opéra-Comique (1832–1840), and the Théâtre du Vaudeville (1840–1869). The theatre was demolished in 1869.
This article presents the main landmarks in the city of Paris within administrative limits, divided by its 20 arrondissements. Landmarks located in the suburbs of Paris, outside of its administrative limits, while within the metropolitan area are not included in this article.
Théâtre de l'Athénée or Salle de l'Athénée was the name of a theatre in the basement of a building built in 1865 by the banker Bischoffsheim at 17 rue Scribe in the 9th arrondissement of Paris. The Athénée was initially small, with a capacity of 760 spectators, but was enlarged to 900 places by the addition of a top gallery in 1867. The interior was decorated by Charles Cambon. The venue was used by a variety of companies, including the Théâtre des Fantaisies-Parisiennes (1869), the Théâtre Lyrique (1871–1872), the Théâtre Scribe (1874–1875), and the Athénée-Comique (1876–1883). It closed permanently in 1883.
Eugène Grangé was a French playwright, librettist, chansonnier and goguettier.
The concours de façades de la ville de Paris was an architecture competition organized by the city of Paris at the very end of the 19th century.
The Théâtre du Panthéon was a theatre building in Paris, at 96 rue Saint-Jacques. It opened in 1832 and closed in 1844. It was named after the nearby Panthéon.
The following outline is provided as an overview of and topical guide to Paris: