This article needs additional citations for verification . (August 2009) (Learn how and when to remove this template message)
The Théâtre du Vaudeville (today the Gaumont Opéra cinema) was a theatre in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles.
After it burned down in 1838, the Vaudeville temporarily based itself on boulevard de Bonne-Nouvelle before in 1841 setting up in the Salle de la Bourse on the Place de la Bourse in the 2e arrondissement. This building was demolished in 1869. Eugène Labiche and Henri Meilhac put on several of their works there, and it also hosted Jules Verne's play Onze jours de siège (1861). Other writers whose works were put on there were Edmond Gondinet, Alexandre Bisson, Théophile Marion Dumersan, Jean-François Bayard, Narcisse Fournier and Gaston Arman de Caillavet.
In 1852, La Dame aux camélias by Alexandre Dumas fils was put on here. For the first time in the era, there were over 100 consecutive performances. Verdi was in the audience at this theatre and wrote La Traviata (1853) based on the play.
From 1866 to 1868, a new Théâtre du Vaudeville was built on boulevard des Capucines, at the corner of Rue de la Chaussée-d'Antin, in the 9e arrondissement. Although the Vaudeville continued as a commercial boulevard playhouse, it occasionally leased its stage to new experimentalist plays of the Independent Theatre movement. On 20-21 May 1891, Paul Fort's Théâtre d'Art presented a benefit for Paul Verlaine and Paul Gauguin, consisting of a program of poetry readings and five short plays, including, most notably, the premiere of Maurice Maeterlinck's Symbolist landmark work Intruder .
In 1927, this building was acquired by Paramount and transformed into the cinema it is today, under the name the Paramount Opéra then (from 31 October 2007) the Gaumont Opéra. It has seven auditoria and is served by Opéra on the Paris Metro.
The 2nd arrondissement of Paris is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is colloquially referred to as deuxième.
The 9th arrondissement of Paris is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is referred to as neuvième.
The name Théâtre de la Renaissance has been used successively for three distinct Parisian theatre companies. The first two companies, which were short-lived enterprises in the 19th century, used the Salle Ventadour, now an office building on the Rue Méhul in the 2nd arrondissement.
This "quartier" of Paris got its name from the rue de la Chaussée-d'Antin in the 9th arrondissement of Paris. It runs north-northwest from the Boulevard des Italiens to the Église de la Sainte-Trinité.
The Théâtre de l’Ambigu-Comique, a former Parisian theatre, was founded in 1769 on the boulevard du Temple immediately adjacent to the Théâtre de Nicolet. It was rebuilt in 1770 and 1786, but in 1827 was destroyed by fire. A new, larger theatre with a capacity of 2,000 as compared to the earlier 1,250 was built nearby on the boulevard Saint-Martin at its intersection with the rue de Bondy and opened the following year. The theatre was eventually demolished in 1966.
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1975.
The Théâtre des Variétés-Amusantes was a theatre company in Paris.
Théâtre de la foire is the collective name given to the theatre put on at the annual fairs at Saint-Germain and Saint-Laurent in Paris.
The Boulevard des Capucines is a boulevard in Paris. It is one of the 'Grands Boulevards' in Paris, a chain of boulevards built through the former course of the Wall of Charles V and the Louis XIII Wall, which were destroyed by the orders of Louis XIV.
The Palais Berlitz is an office building built in Paris in the 1930s on a block formed by the Boulevard des Italiens, the Rue Louis-le-Grand, the Rue de la Michodière and the rue du Hanovre.
The 1st arrondissement of Lyon, France is one of the nine arrondissements of the City of Lyon. It is located below the hill of Croix-Rousse and on the north part of the Presqu'île formed by the Saône and the Rhône, the two rivers in Lyon.
The Théâtre des Folies-Dramatiques was a theatre in Paris in the 19th and 20th centuries. Opened first in 1832 in the site of the old Théâtre de l'Ambigu-Comique on the Boulevard du Temple, under Frédérick Lemaître it became a noted venue for the genre of mélodrame.
The Théâtre des Nouveautés is a Parisian theatre built in 1921 and located at 24 boulevard Poissonnière. The name was also used by several earlier Parisian theatre companies and their buildings, beginning in 1827.
The Salle de la Bourse was a Parisian theatre located on the rue Vivienne in the 2nd arrondissement, across from the Paris Bourse, hence the name. It was successively the home of the Théâtre des Nouveautés (1827–1832), the Opéra-Comique (1832–1840), and the Théâtre du Vaudeville (1840–1869). The theatre was demolished in 1869.
This article presents the main landmarks in the city of Paris within administrative limits, divided by its 20 arrondissements. Landmarks located in the suburbs of Paris, outside of its administrative limits, while within the metropolitan area are not included in this article.
Boulevard Voltaire is a well-known boulevard in the 11th arrondissement of Paris. It was created by Baron Georges-Eugène Haussmann during the reign of French emperor Napoleon III. Originally named Boulevard du Prince-Eugène, it was renamed Boulevard Voltaire on 25 October 1870 in honour of the French Enlightenment writer, historian, and philosopher Voltaire.
Théâtre de l'Athénée or Salle de l'Athénée was the name of a theatre in the basement of a building built in 1865 by the banker Bischoffsheim at 17 rue Scribe in the 9th arrondissement of Paris. The Athénée was initially small, with a capacity of 760 spectators, but was enlarged to 900 places by the addition of a top gallery in 1867. The interior was decorated by Charles Cambon. The venue was used by a variety of companies, including the Théâtre des Fantaisies-Parisiennes (1869), the Théâtre Lyrique (1871–1872), the Théâtre Scribe (1874–1875), and the Athénée-Comique (1876–1883). It closed permanently in 1883.
Eugène Grangé was a French playwright, librettist, chansonnier and goguettier.
Alfred Duru was a 19th-century French playwright and operetta librettist who collaborated on more than 40 librettos for the leading French composers of operetta: Hervé, Offenbach, Lecocq and Audran.
The following outline is provided as an overview of and topical guide to Paris:
|Wikimedia Commons has media related to Théâtre du Vaudeville .|