Théobald Michau (1676–1765) was a conservative [1] Walloon painter of landscapes, more famous in his own time than he is today. [2]
Michau was born in Tournai and was a pupil of Lucas Achtschellinck.
Subjects of the country festivals ( Kermesse ) that were popularized by David Teniers, father and son to the extent that paintings and tapestries showing such rustic themes were called Ténières. [3] Michau painted designs and perhaps provided full-scale cartoons for tapestry weavers, for surviving records of the Brussels tapestry workshop of Pieter van der Borcht record Teniers peints par le fameux Sr Michau, such Teniers-like subjects painted by "the famous Sieur Michau". [4]
Among his work, on wooden or copper panels, in public collections are the Summer and Winter landscapes in Vienna. [5]
Also he was a teacher and died in Antwerp. Among his pupils was Martin J. Geeraerts, who specialised in painted bas-reliefs en camaïeu. [6]
Lucas Achtschellinck was a Flemish landscape painter. He is counted among the landscape painters active in Brussels referred to as the School of Painters of the Sonian Forest who all shared an interest in depicting scenes set in the Sonian Forest, which is located near Brussels.
David Teniers the Younger or David Teniers II was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
David Teniers the Elder, Flemish painter, was born at Antwerp.
David Teniers III, also referred to as David Teniers junior was a Flemish painter and tapestry designer who was mainly active in Antwerp, Madrid and Brussels. He is known for his portraits, religious compositions and genre scenes.
Victor Honorius Janssens or Victor Honoré Janssens was a Flemish painter of religious and mythological works and a tapestry designer. He spent a substantial period of his career abroad and worked in Germany, Italy, Vienna and London. He was court painter of Emperor Charles VI of Austria in Vienna. He is mainly known for his mythological and history paintings.
Antonio Tempesta, also called il Tempestino, was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures.
Events from the year 1676 in art.
Willem van Herp (I) or Willem van Herp the Elder (variations on first name: 'Guilliam', 'Gilliam' and 'Guillaume') (c. 1614 in Antwerp – 1677) was a Flemish Baroque painter specializing in religious paintings and small cabinet paintings of "low-life" genre scenes. He operated a large workshop and through his good connections with Antwerp art dealers helped spread the Flemish Baroque style internationally.
Lodewijk de Vadder was a Flemish Baroque landscape painter, draughtsman, engraver and tapestry designer. His landscapes represent a move away from the Mannerist tradition of landscapes painting in Flemish art towards a more naturalistic approach exemplified by looser brushwork and an emphasis on atmospheric effects. He was the first Flemish landscape painter who painted dune landscapes as the primary feature of his landscapes. While his loose brush handling shows the influence of Rubens and Adriaen Brouwer, his restrained palette shows his awareness of developments in the Dutch Republic.
Henry Anderton was an English painter, mainly known for his portraits.
Samuel Bernard, also known as Jacques-Samuel Bernard was a French miniature painter and engraver.
Richard Brakenburgh or Brakenburg, was a Dutch Golden Age painter.
Alexander van Bredael was a Flemish painter known for Italianate landscapes and genre scenes of fairs, cattle markets and villages. He was a prominent member of the Antwerp artistic family van Bredael.
Pierre-Charles Canot (c.1710–77) was a French engraver who spent most of his career in England.
Brussels tapestry workshops produced tapestry from at least the 15th century, but the city's early production in the Late Gothic International style was eclipsed by the more prominent tapestry-weaving workshops based in Arras and Tournai. In 1477 Brussels, capital of the duchy of Brabant, was inherited by the house of Habsburg; and in the same year Arras, the prominent center of tapestry-weaving in the Low Countries, was sacked and its tapestry manufacture never recovered, and Tournai and Brussels seem to have increased in importance.
Jan Baptist Francken was supposed to be a painter from the Francken family and/or the son of Sebastian Vrancx, but is now considered to have been an error and to have never existed. The confusion was created by the many painters named Francken, some poor attributions, and a portrait by Anthony van Dyck of a certain Johannes Baptist Franck, aged 32, of whom nothing more is known. He is sometimes said to be the same as Hans Francken, another obscure member of the same family.
Carel Beschey or Karel Beschey was a Flemish painter and draughtsman who mainly painted landscapes that were in the style of, or inspired by, the Flemish masters of the previous century and in particular Jan Brueghel the Elder.

Augustin Coppens or Aurelius Augustinus Coppens was a Flemish painter, engraver, draughtsman and tapestry designer active in Brussels. He specialized in landscape and city views. He is now mainly known for his tapestry designs and for his drawings and prints documenting the devastating effect on the civil buildings caused by the Bombardment of Brussels by French troops in 1695.
Jan van Orley or Jan van Orley II was a Flemish painter, draughtsman, printmaker and designer of tapestries. Van Orley was one of the major figures of Flemish tapestry design in the late 17th and early 18th century.
Joseph Powell (1780–1834) was an English watercolour painter and printmaker. He was largely engaged as a teacher of painting in watercolours. He executed landscapes chiefly drawn from English scenery, and was a frequent exhibitor at the Royal Academy exhibitions from 1796 to 1829.