Théobald Michau (1676–1765) was a conservative Walloon painter of landscapes, more famous in his own time than he is today.
Michau was born in Tournai and was a pupil of Lucas Achtschellinck.
Subjects of the country festivals ( Kermesse ) that were popularized by David Teniers, father and son to the extent that paintings and tapestries showing such rustic themes were called Ténières.Michau painted designs and perhaps provided full-scale cartoons for tapestry weavers, for surviving records of the Brussels tapestry workshop of Pieter van der Borcht record Teniers peints par le fameux Sr Michau, such Teniers-like subjects painted by "the famous Sieur Michau".
Among his work, on wooden or copper panels, in public collections are the Summer and Winter landscapes in Vienna.
Also he was a teacher and died in Antwerp. Among his pupils was Martin J. Geeraerts, who specialised in painted bas-reliefs en camaïeu.
Bernard van Orley, also called Barend or Barent van Orley, Bernaert van Orley or Barend van Brussel, was a versatile Flemish artist and representative of Dutch and Flemish Renaissance painting, who was equally active as a designer of tapestries and, at the end of his life, stained glass. Although he never visited Italy, he belongs to the group of Italianizing Flemish painters called the Romanists, who were influenced by Italian Renaissance painting, in his case especially by Raphael.
Lucas Achtschellinck, was a Flemish landscape painter. He is counted among the landscape painters active in Brussels referred to as the School of Painters of the Sonian Forest who all shared an interest in depicting scenes set in the Sonian Forest, which is located near Brussels.
David Teniers the Younger or David Teniers II was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
David Teniers III, also referred to as David Teniers junior was a Flemish painter and tapestry designer who was mainly active in Antwerp, Madrid and Brussels. He is known for his portraits, religious compositions and genre scenes.
Victor Honorius Janssens or Victor Honoré Janssens was a Flemish painter of religious and mythological works and a tapestry designer. He spent a substantial period of his career abroad and worked in Germany, Italy, Vienna and London. He was court painter of Emperor Charles VI of Austria in Vienna. He is mainly known for his mythological and history paintings.
Antonio Tempesta, also called il Tempestino, was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp.
Events from the year 1676 in art.
Henry Anderton was an English painter, mainly known for his portraits.
Prosper Henricus Lankrink (1628–1692) was a Flemish painter.
Richard Brakenburgh or Brakenburg, was a Dutch Golden Age painter.
Alexander van Bredael was a Flemish painter known for Italianate landscapes and genre scenes of fairs, cattle markets and villages. He was a prominent member of the Antwerp artistic family van Bredael.
Philipp Hieronymus Brinckmann or Brinkman was a German painter and engraver
Pierre-Charles Canot (c.1710–77) was a French engraver who spent most of his career in England.
François Duchatel or Du Chastel (1616–1694) was a Flemish painter.
Brussels tapestry workshops produced tapestry from at least the 15th century, but the city's early production in the Late Gothic International style was eclipsed by the more prominent tapestry-weaving workshops based in Arras and Tournai. In 1477 Brussels, capital of the duchy of Brabant, was inherited by the house of Habsburg; and in the same year Arras, the prominent center of tapestry-weaving in the Low Countries, was sacked and its tapestry manufacture never recovered, and Tournai and Brussels seem to have increased in importance.
Jan Anton Garemyn (1712-1799), a Flemish painter and engraver, was born at Bruges, and studied under Louis Boons and Matthias de Visch. He painted numerous altar-pieces for the churches at Bruges and Courtrai; and others for private persons at Brussels and Ghent. His pictures are highly esteemed by his countrymen for their warmth of colouring. He painted several pictures in imitation of Rembrandt and Teniers, and designed and executed several of the plates for the Chronyke van Vlaenderen, published in 1736. He became professor in the Academy of Bruges, and died in that city in 1799.
Carel Beschey or Karel Beschey was a Flemish painter and draughtsman who mainly painted landscapes that were in the style of, or inspired by, the Flemish masters of the previous century and in particular Jan Brueghel the Elder.
Jan van Helmont was a Flemish painter of history subjects, genre scenes and portraits.
Augustin Coppens or Aurelius Augustinus Coppens was a Flemish painter, engraver, draughtsman and tapestry designer active in Brussels. He specialized in landscape and city views. He is now mainly known for his tapestry designs and for his drawings and prints documenting the devastating effect on the civil buildings caused by the Bombardment of Brussels by French troops in 1695.
Jan van Orley or Jan van Orley II was a Flemish painter, draughtsman, printmaker and designer of tapestries. Van Orley was one of the major figures of Flemish tapestry design in the late 17th and early 18th century.