|Born|| 25 February 1799|
|Died|| 23 May 1854 55) (aged|
Théodore Nézel (25 February 1799 – 23 May 1854) was a 19th-century French playwright and librettist.
A playwright or dramatist is a person who writes plays.
A libretto is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.
An employee at the ministry of public instruction, he was appointed managing director of the Théâtre du Panthéon in 1838. His plays, often signed "Théodore" or "Théodore N." were presented on the most important Parisian stages of the 19th century including the Théâtre de l'Ambigu, the Théâtre des Nouveautés, the Théâtre du Palais-Royal, and the Théâtre des Variétés.
The Théâtre du Panthéon was a theatre building in Paris, at 96 rue Saint-Jacques. It opened in 1832 and closed in 1844. It was named after the nearby Panthéon.
A play is a form of literature written by a playwright, usually consisting of dialogue or singing between characters, intended for theatrical performance rather than just reading. Plays are performed at a variety of levels, from Broadway, Off-Broadway, regional theater, to Community theatre, as well as university or school productions. There are rare dramatists, notably George Bernard Shaw, who have had little preference as to whether their plays were performed or read. The term "play" can refer to both the written texts of playwrights and to their complete theatrical performance.
The Théâtre des Nouveautés is a Parisian theatre built in 1921 and located at 24 boulevard Poissonnière. The name was also used by several earlier Parisian theatre companies and their buildings, beginning in 1827.
A melodrama is a dramatic work in which the plot, which is typically sensational and designed to appeal strongly to the emotions, takes precedence over detailed characterization. Characters are often simply drawn, and may appear stereotyped. Melodramas are typically set in the private sphere of the home, and focus on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress”, an aristocratic villain.
Nicolas Brazier was a French chansonnier and vaudevillist.
Vaudeville is a theatrical genre of variety entertainment born in France at the end of the 18th century. A vaudeville is a comedy without psychological or moral intentions, based on a comical situation. It was originally a kind of dramatic composition or light poetry, usually a comedy, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent.
Louis Charles Achille d'Artois de Bournonville was a French writer, libretist and dramatist.
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