Thérèse Elfforss | |
|---|---|
 Thérèse Elfforss | |
| Born | Antoinette Thérèse Öberg 30 November 1823 |
| Died | 16 April 1905 (aged 81) |
| Other names | Therese Öberg |
| Spouse(s) | Lars Erik Elfforss |
Antoinette Thérèse Elfforss (née Öberg; 30 November 1823 – 16 April 1905) was a Swedish stage actress and theatre director. She was the managing director of the travelling Elfforss Theater Company between 1869 and 1888. [1] [2]
Thérèse Elfforss was born in Stockholm, the daughter of the factory owner Anders Öberg and Maria Elisabeth Kannström. She was a student of the school of the Royal Swedish Ballet from 1837 and the Royal Dramatic Training Academy from 1839. [3]
She was active at the Royal Dramatic Theatre in 1837–42. Between 1842 and 1846, she was active at the Nya Teatern . In 1847, she married the actor Lars Erik Elfforss (1817-1869), director of his own recently formed theater company. Subsequently, she performed under the name Thérèse Elfforss. She was an actress with the travelling Elfforss Theater Company and from 1886 to 1888 served as its director. She took over the leadership of the theater company during her husband's illness and formally after his death in 1869. [1] [4]
As an actress, Thérèse Elfforss started in roles as ingenue and heroine but moved on to character roles in modern Nordic and foreign plays of the new realistic movement. According to a critic: "Her performances was characterized by spirituality, fine details, lively vitality", [5] and in recognition of her ability, she was given the sobriquet "The Elise Hwasser of the countryside", [5] after the renowned actress of the Royal Dramatic Theatre, who was at that time regarded the greatest actress in Sweden. [6]
Thérèse Elfforss enjoyed great respect during her career, particularly in her capacity as a director:
As director, she focused on Nordic plays, such as Swedish plays by F. A. Dahlgren, C. Axel Anrep, Emilie Lundberg, but also Lorentz Dietrichson, Bjørnstjerne Bjørnson and Ibsen. [5] Her greatest financial success was, however, Around the World in Eighty Days by Jules Verne, and she also staged less serious operettas, because "During the grand days of the Elfforss company in the 1870s and 1880s, the taste for operettas was so great that such an economic and practical director as Mrs E. could scarcely ignore it." [5] [7] [8] [9]
Her company performed with success at the Djurgårdsteatern at Djurgården in Stockholm, and toured Finland in 1869, 1870, 1874, 1877 and 1878.
In 1888, she transformed the leadership to stage director and theatre manager August Lindberg (1846–1916) after which the theater company changed its name to the Lindeberg Theater Company. She continued to perform in the Lindeberg company until 1893. Between 1890 and 1893, the Lindeberg company staffed the Stora Teatern in Gothenburg. When the Lindeberg company was dissolved in 1893, she retired with her son Julius Erik Engelbrekt Elfforss (1847- 1925) to Stockholm where she died in 1905. [10]
Maria Kristina Franck was a Swedish actress and drama teacher. She was a member of the pioneer generation of the Royal Dramatic Theatre, and belonged to the first stars of the theater. She has been referred to as her country's first native dramatic tragedienne. She was the principal of the Royal Dramatic Training Academy from 1819 to 1823. During her last years on stage, she was known under her name as married, Ruckman.
Sara Fredrica Torsslow née Strömstedt was a Swedish stage actress. She was one of the most famed actresses in Sweden during the first half of the 19th century, and an elite member of the Royal Dramatic Theatre.
Ebba Charlotta Elise Hwasser née Jakobsson was a Swedish stage actress. She was an elite actor and has been referred to as the leading lady of the Royal Dramatic Theatre in the mid 19th-century.
Henriette Sophie Widerberg was a Swedish opera singer (soprano) and memoirist. She was an elite member of the Royal Swedish Opera and its prima donna for over twenty years. She was appointed Hovsångare in 1837.
Ottilia Carolina Kuhlman was a Swedish stage actress. She was an elite member of the Royal Dramatic Theatre, where she was considered the leading lady in the early 19th-century. She was an instructor and deputy principal of the Royal Dramatic Training Academy. She was also known as Carolina Deland and Carolina Åbergsson.
Gertrud Elisabeth Forsselius née Forsell, also called Forselia, later known as Elisabet Haeffner and Elisabet Fahlgren, was a Swedish stage actress and opera singer. She belonged to the pioneer generation of the Royal Dramatic Theatre.
Hedvig Charlotta Djurström was a Swedish stage actress. She was the managing director of the Djurström theater company in 1841-1846. She was one of the leading actresses of the countryside theater in Sweden and Finland during the first half of the 19th-century and referred to as the "Joan of Arc of the Countryside" after her most famous role.
Hedvig Charlotta Raa-Winterhjelm, née Forssman, was a Swedish actress active in Sweden, Norway and Finland. She played a pioneer role in Finland by introducing Finnish as a stage language, becoming the first actor in Finland to speak her lines in the Finnish tongue.
Mariane Theresia Sophie Stebnowska also called Stempkosta was a Swedish opera singer and harpist of Polish origin. She has been referred to as one of the more notable stage artists of the Gustavian era Royal Swedish Opera. She was the maternal grandmother of the famous ballerina Marie Taglioni.
Hedvig Kristina Elisabeth "Betty" Deland was a Swedish stage actress. She was a principal of the Royal Dramatic Training Academy and belong to the elite of Swedish 19th-century actors. She was known as Betty Deland until 1857 and then as Betty Almlöf.
Johanna "Jeanette" Charlotta Granberg, also known by her married name Stjernström and by the pseudonym of Georges Malméen, was a Swedish writer, a playwright, a feminist and a translator, who wrote plays for mainly the theatre Mindre teatern in Stockholm in the mid-19th century. She was praised as a great dramatic by her contemporaries.
Zelma Carolina Esolinda Hedin née Bergnéhr was a Swedish stage actress. She was an elite actress of the Royal Dramatic Theatre, where she belonged to the star actors in the mid 19th-century. She was also known as Zelma Bergnéhr, Zelma Kinmansson and Zelma Bergmansson.
Pierre Joseph Deland was a Swedish stage actor and theatre director. He was the director of the Deland Theater Company in 1833-1861, a travelling theater famous in both Sweden and Finland, and as such an influential and well known figure of the stage life of both countries in the mid 19th-century. He was the founder of the Dramatiska och musikaliska artisternas pensionsförening in 1857.
Erik Wilhelm Djurström was a Swedish stage actor. He was the director of the travelling Djurström theater company, which was one of the best known in the first half of the nineteenth century.
Nils Vilhelm Almlöf (1799–1875) was a Swedish stage actor. He was one of the most famous Swedish actors of his time and referred to as "The Swedish Talma".
Anna Maria Franziska "Charlotta" Almlöf was a Swedish stage actress. She belonged to the star actresses of the Royal Dramatic Theatre.
Louise Elisabeth Granberg, was a Swedish playwright, translator and theatre director.
Christina Wilhelmina Enbom was a Swedish operatic soprano. She was active at the Royal Swedish Opera in Stockholm in 1819–26, in 1830–41 and 1850–57. She was one of the most noted opera singers in Sweden during the 1830s.
Per Erik Sevelin, was a Swedish actor and ballet dancer.
Carl Edvard Stjernström was a Swedish stage actor and theater director.
 | This article about a Swedish actor is a stub. You can help Wikipedia by expanding it. |
 | This article about a theatre director is a stub. You can help Wikipedia by expanding it. |