Thérèse Schwartze | |
|---|---|
 Self-portrait at age 37 | |
| Born | 20 December 1851 |
| Died | 23 December 1918 (aged 67) Amsterdam, Netherlands |
| Nationality | Dutch |
| Known for | Painting |
Thérèse Schwartze (20 December 1851 –23 December 1918) was a Dutch portrait painter.
Thérèse Schwartze | |
|---|---|
| Self-portrait at age 37 | |
| Born | 20 December 1851 |
| Died | 23 December 1918 (aged 67) Amsterdam, Netherlands |
| Nationality | Dutch |
| Known for | Painting |
Thérèse Schwartze (20 December 1851 –23 December 1918) was a Dutch portrait painter.
Thérèse Schwartze was born on 20 December 1851 in Amsterdam in the Netherlands. She was the daughter of the painter Johan Georg Schwartze, who grew up in Philadelphia and trained in Düsseldorf.
Schwartze received her first training from her father, before studying for a year at the Rijksacademie van Beeldende Kunsten. She then travelled to Munich and studied under Gabriel Max and Franz von Lenbach. In 1879 she went to Paris to continue her studies under Jean-Jacques Henner. [1] When she returned to Amsterdam she became a member of Arti et Amicitiae. Schwartze exhibited her work at the Palace of Fine Arts at the 1893 World's Columbian Exposition in Chicago, Illinois. [2]
On 22 July 1918 her husband, Anton van Duyl, died. As Schwartze was in bad health at that time (and tried to hide this), the death of her husband was a blow that she could not overcome easily. She died in Amsterdam on 23 December 1918 from a sudden illness.
Schwartze was buried at Zorgvlied cemetery in Amsterdam. Later she was reburied at the Nieuwe Ooster cemetery in Amsterdam, where her sister created a memorial to her, modelled after her death mask, which is now considered a rijksmonument.
Her portraits, mostly of Amsterdam's elite, are remarkable for excellent character drawing, breadth and vigour of handling and rich quality of pigment. [1] She signed her works "Th. Schwartze" and was married late in life in 1906 to Anton van Duyl, whereupon she signed works with "Th. v Duyl.Schwartze".
She was one of the few women painters who had been honoured by an invitation to contribute their portraits to the hall of painters at the Uffizi Gallery in Florence. Some of her best pictures, notably a portrait of Piet J Joubert, and Three Inmates of the Orphanage at Amsterdam, are at the Rijksmuseum, and one entitled Five Amsterdam Orphans at the Boijmans Van Beuningen Museum in Rotterdam. [1]
Her niece Lizzy Ansingh, who she painted a few times, also became a painter. Her sister Georgine Schwartze became a sculptor. She lived with her extended family at Prinsengracht 1901 in Amsterdam and painted her housemates in 1915:
Isaac Lazarus Israëls was a Dutch painter associated with the Amsterdam Impressionism movement.
Amsterdam Impressionism was an art movement in late 19th-century Holland. It is associated especially with George Hendrik Breitner and is also known as the School of Allebé.
Emmy Eugenie Andriesse was a Dutch photographer best known for her work with the Underground Camera group during World War II.
Johann Georg Schwartze was a painter from the Northern Netherlands who grew up in Philadelphia and was trained in Düsseldorf and the Düsseldorf school. He was a painter of portraits and historical themes and became the father of painter Therese Schwartze and the sculptor Georgine Schwartze.
Roelof Paul Citroen was a German-born Dutch artist, art educator and co-founder of the New Art Academy in Amsterdam. Among his best-known works are the photo-montage Metropolis and the 1949 Dutch postage stamps.
Maria Elisabeth Georgina Ansingh was a Dutch painter.
Jacobus Ludovicus Cornet, also known by his initials as J.L. Cornet, was a Dutch painter and draughtsman. He often depicted Dutch historic scenes and figures, contributing several paintings to Jacob de Vos Jacobszoon's gallery of oil paintings depicting scenes from Dutch history. Cornet also painted and drew portraits, landscapes, interiors and a range of other subjects.
Jacoba Johanna (Coba) Ritsema, was a portrait painter from the Netherlands.
The Amsterdamse Joffers were a group of women artists in Amsterdam who met weekly in the last quarter of the 19th century to paint and show their works together. They were known for their style that followed the example of the Amsterdam Impressionists, and were all members of the Amsterdam artist societies Arti et Amicitiae and Sint Lucas, and most followed the lessons by professor August Allebé of the Rijksakademie van beeldende kunsten of Amsterdam.
August Allebé was an artist and teacher from the Northern Netherlands. His early paintings were in a romantic style, but in his later work he was an exponent of realism and impressionism. He was a major initiator and promoter of Amsterdam Impressionism, the artist's association St. Lucas, and the movement of the Amsterdamse Joffers. Amsterdam Impressionism – sometimes referred to by art historians as the School of Allebé – was the counterflow to the very strong Hague School in the movement of Dutch Impressionism. As a professor at the Royal Academy of Amsterdam he fostered a cosmopolitan attitude toward art and the promotion and motivation of his students, and provided a significant stimulus to developments in modern art.
Moritz Calisch, was a 19th-century painter from the Northern Netherlands.
Wilhelm Martin was a German-Dutch art historian.
Wilhelmina Walburga "Wally" Moes was a Dutch genre painter and writer. She specialized in pictures of children.
Martin Monnickendam was a Dutch painter and draftsman.
Johanna Elisabeth Repelius, known as Betsy was a Dutch painter and watercolorist who specialized in simple, one-figure, genre scenes.
Helena (Lenie) Elisabeth Goudeket was a Dutch painter and illustrator.
Georgine Schwartze was a Dutch sculptor. She is most notable for her design and execution of a marble tomb for her sister Thérèse which was declared a national monument by the Dutch government.
Betsy Westendorp-Osieck was a Dutch painter, watercolourist, etcher, pastelist and draftsman who was part of the Amsterdamse Joffers painting group.
Thérèse Ansingh who used the pseudonym Sorella (1883-1968) was a Dutch artist.
Attribution:
 | Wikimedia Commons has media related to Thérèse Schwartze . |
| General | |
|---|---|
| National libraries | |
| Art research institutes | |
| Biographical dictionaries | |
| Other | |
