Atala Thérèse Annette Wartel, née Adrien (2 July 1814 – 6 November 1865), was a French pianist, music educator, composer and critic. [1]
Atala Thérèse Annette Wartel, née Adrien (2 July 1814 – 6 November 1865), was a French pianist, music educator, composer and critic. [1]
Born in Paris, Thérèse Wartel was the daughter of the opera singer Martin-Joseph Adrien or Andrien (1767–1822) and the Baroness Gabrielle Constance de Philippy de Bucelly d'Estrées (1782–1854). She was also the sister of the piano virtuoso Rosine-Charlotte DelSarte who was the wife of the renowned French music and movement teacher Francois DelSarte (1811–1871). [2]
She studied music at the Conservatoire, became an accompanist, and from 1831–38 taught as a professor at the Conservatoire. [3] In 1838, she was the first female soloist ever admitted to the Orchestre de la Société des Concerts du Conservatoire. [4]
In 1833, she married the tenor Pierre-François Wartel (1806–1882) and had a son, Émile, who performed for many years at the Théâtre-Lyrique and later established a vocal school of his own. [5] [6]
She died in Paris aged 51.
Wartel composed caprices, fantasies, études, ballads and romances. Selected compositions include:
Wartel also published a number of articles and letters on musical subjects.
Gabrielle d'Estrées, Duchess of Beaufort and Verneuil, Marchioness of Monceaux was a mistress, confidante and adviser of Henry IV of France. She persuaded Henry to renounce Protestantism in favour of Catholicism in 1593. Later she urged French Catholics to accept the Edict of Nantes, which granted certain rights to the Protestants. Being legally impossible for the King to marry her as he was already married to Margaret of Valois, he controversially filed for an annulment to Pope Clement VIII in February 1599 to end his childless first marriage, and announced his intention to marry Gabrielle and have her crowned the next Queen of France, while legitimizing their three children that were born out of wedlock. Her coronation and wedding never occurred due to her untimely and sudden death.
Cécile Louise Stéphanie Chaminade was a French composer and pianist. In 1913, she was awarded the Légion d'Honneur, a first for a female composer. Ambroise Thomas said, "This is not a woman who composes, but a composer who is a woman."
Henri Marteau was a French violinist and composer, who obtained Swedish citizenship in 1915.
Henryk Wieniawski was a Polish virtuoso violinist, composer and pedagogue who is regarded amongst the greatest violinists in history. His younger brother Józef Wieniawski and nephew Adam Tadeusz Wieniawski were also accomplished musicians.
Stephen Heller was a Hungarian pianist, teacher, and composer whose career spanned the period from Schumann to Bizet. Heller was an influence for later Romantic composers. He outlived his reputation, and was a near-forgotten figure at his death in 1888.
Claude Antoine Jean Georges Napoléon Coste was a French classical guitarist and composer.
Adrien-François Servais was one of the most influential cellists of the nineteenth century. He was born and died in Halle, Belgium. He is one of the founders of the Modern Cellistic Schools of Paris and Madrid, which began with his friend Auguste Franchomme and his disciple Víctor Mirecki Larramat. His compositions are still being studied, performed and recorded all over the world.
Jacques Féréol Mazas was a French composer, conductor, violinist, and pedagogue.
Charles-Édouard Lefebvre was a French composer.
Charles Samuel Bovy-Lysberg was a Swiss pianist and composer.
Victor-Alphonse Duvernoy was a French pianist and composer.
Pierre-François Wartel was a French tenor and music educator. His wife was Thérèse Wartel, a talented pianist, and their son Émile was a bass who sang and created several operatic roles between 1857 and 1870 at the Théâtre Lyrique and later founded his own singing school.
François-Joseph Naderman was a classical harpist, teacher and composer, the eldest son of the well-known eighteenth century harp maker Jean Henri Naderman. The profession of his father, luthier, is certainly at the root of his vocation.
Jean-Amédée Lefroid de Méreaux was a French composer, pianist, piano teacher, musicologist and music critic. He is best-known for his 60 Grandes Études, Op. 63.
Charles Eugène Sauzay was a French violinist and composer.
Maxime Real del Sarte (1888-1954) was a French sculptor and political activist.
Martin-Joseph Adrien was a French operatic bass.
Oscar Comettant was a 19th-century French composer, musicologist and traveller.
François Victor Antoine Magnien was a French violinist, guitarist, conductor, teacher and composer.
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