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The 47 Ronin | |
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![]() Scene with Chōjuro Kawarasaki | |
Directed by | Kenji Mizoguchi |
Screenplay by | Kenichirō Hara Yoshikata Yoda |
Based on | the kabuki play by Mayama Seika |
Produced by | Shintarô Shirai |
Starring | Chōjuro Kawarasaki Kanemon Nakamura Kunitarō Kawarazaki Utaemon Ichikawa |
Cinematography | Kōhei Sugiyama |
Edited by | Takako Kuji |
Music by | Shirō Fukai |
Production company | |
Distributed by | Shochiku Kinema Kenkyu-jo |
Release dates |
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Running time | 223 min. 112 min. (part 1) 111 min. (part 2) |
Country | Japan |
Language | Japanese |
The 47 Ronin (元禄 忠臣蔵, Genroku Chūshingura, "The Treasury of Loyal Retainers of the Genroku Era") is a black-and-white two-part jidaigeki Japanese film directed by Kenji Mizoguchi, adapted from a play by Seika Mayama. [3] The first part was released on December 1, 1941 with the second part being released on February 11 of the following year. The film depicts the legendary forty-seven Ronin and their plot to avenge the death of their lord, Asano Naganori, by killing Kira Yoshinaka, a shogunate official responsible for Asano being forced to commit seppuku.
The plot revolves around the consequences of an attack by Lord Asano Naganori on Lord Kira Yoshinaka, an influential court official in the Tokugawa Shogunate. After overhearing Kira insult him in public, Asano strikes Kira with a sword in the corridors of Edo Castle, but succeeds only in wounding him. As attacking a Shogunate official is a grave offense, Shogun Tokugawa Tsunayoshi sentences Asano to commit seppuku and issues an edict stripping the Asano Clan of their lands and wealth. Kira, meanwhile, is not punished by the Shogun because, it is thought, of family connections. As a result of the Shogun's judgement, all samurai loyal to the Asano Clan become rōnin while the late Lord Asano's family is ruined. Many of the rōnin wish to seek revenge against Kira for the dishonor of their Lord, but their leader, Ōishi Kuranosuke, convinces them to wait while he first petitions the Shogun to restore the Asano Clan. When the Shogun refuses his request, Ōishi and the other forty-six rōnin begin planning their revenge. But because Kira has surrounded himself with warriors in his residence, Ōishi first disarms suspicion by posing as a drunkard and womanizer, to his own dishonor, and goes to the length of divorcing his wife.
Almost two years after the death of Asano, the forty-seven assemble in Edo and stage an attack on Kira's residence, resulting in Kira and several of his followers being killed. This is not shown on the screen but is reported in a letter to Asano's wife, who has returned to her father. After laying Kira's head on Asano's grave and formally making a report of their actions before it, the forty-seven turn themselves in to the authorities. There is sympathy for the rōnin for their faithfulness and sacrifice in such difficult circumstances and the forty-seven are granted the honorable death of committing seppuku despite their act of defiance. This comes at the end of some months' deliberation and is greeted with singing and dancing by the warriors. Each is then summoned down the corridors of the castle to enact the sentence; Ōishi is left until last and courteously excuses himself to the visitor to his room when his turn comes.
Actors in the film include: [1]
Uncredited
During the war, Kenji Mizoguchi was forced to make artistic compromises, producing propaganda for the military government. In 1941, the Japanese military commissioned him to make Genroku Chūshingura. They wanted a ferocious morale booster based on the familiar rekishi geki ("historical drama") of The Loyal 47 Ronin. Instead, Mizoguchi chose for his source Mayama Chūshingura, a cerebral play dealing with the story. The government foisted the project on the director as a wartime morale booster, and as justification for the expansionist, nationalistic, and ultimately suicidal world war that Japan was embroiled in during the middle of the 20th century. [4]
Part One was a commercial failure at a cost of ¥530,000, [5] having been released in Japan one week before the attack on Pearl Harbor. The Japanese military and most audiences found the first part to be too serious, but the studio and Mizoguchi both regarded it as so important that Part Two was put into production, despite lukewarm reception for Part One. The film wasn't shown in America until the 1970s. [6]
The revenge of the forty-seven rōnin, also known as the Akō incident or Akō vendetta, is a historical event in Japan in which a band of rōnin avenged the death of their master on 31 January 1703. The incident has since become legendary. It is one of the three major adauchi vendetta incidents in Japan, alongside the Revenge of the Soga Brothers and the Igagoe vendetta.
Karō were top-ranking samurai officials and advisors in service to the daimyōs of feudal Japan.
Sengaku-ji (泉岳寺) is a Buddhist temple belonging to the Sōtō school of Japanese Zen located in the Takanawa neighborhood of Minato-ku, near Sengakuji Station and Shinagawa Station, Tokyo, Japan. It was one of the three major Sōtō temples in Edo during the Tokugawa shogunate, and became famous through its connection with the Akō incident of the forty-seven Rōnin in the 18th century.
Asano Naganori was the daimyō of the Akō Domain in Japan (1675–1701). His title was Takumi no Kami (内匠頭). He is known as the person who triggered a series of incidents retold in a story known as Chūshingura, one of the favourite themes of kabuki, jōruri, and Japanese books and films.
Ōishi Yoshio was the chamberlain (karō) of the Akō Domain in Harima Province, Japan. He is known as the leader of the Forty-seven Rōnin in their 1702 vendetta and thus the hero of the Chūshingura. He is often referred to by his title, Ōishi Kuranosuke (大石内蔵助).
Horibe Yasubee Taketsune was a warrior in Japan. Yasubee was born to Nakayama Yajiemon, a samurai of the Shibata Domain. When Yasubee was 13, his father lost his position and became a rōnin. Soon afterwards, Yajiemon died, and as Yasubee's mother had died shortly after giving birth to him, Yasubee was thus orphaned. Eventually, Yasubee ended up in Edo and became successful as a master swordsman at the dōjō.
Junshi refers to the medieval Japanese act of vassals committing seppuku for the death of their lord. Originally it was only performed when the lord was slain in battle or murdered.
Kira Yoshinaka was a kōke. His court title was Kōzuke no suke (上野介). He is famous as the adversary of Asano Naganori in the events of the Forty-seven rōnin. Although his name (義央) has been long pronounced as "Yoshinaka" especially in dramas and novels, Ekisui Rembeiroku (易水連袂録), written by an anonymous contemporary in 1703, recorded that his name was "Yoshihisa."
Chūshingura is the title given to fictionalized accounts in Japanese literature, theater, and film that relate to the historical incident involving the forty-seven rōnin and their mission to avenge the death of their master, Asano Naganori. Including the early Kanadehon Chūshingura (仮名手本忠臣蔵), the story has been told in kabuki, bunraku, stage plays, films, novels, television shows and other media. With ten different television productions in the years 1997–2007 alone, Chūshingura ranks among the most familiar of all historical stories in Japan.
The Fall of Ako Castle is a 1978 Japanese historical martial arts period film directed by Kinji Fukasaku. It depicts the story of the forty-seven Ronin (Chūshingura). The film is one of a series of period films by Fukasaku starring Yorozuya Kinnosuke, including Shogun's Samurai. The film received one nomination for the Award of the Japanese Academy for best cinematography.
Crest of Betrayal is a 1994 Japanese film directed by Kinji Fukasaku.
Chushingura 1/47 (忠臣蔵1/47) is a 2001 Japanese historical film based on the kabuki tale of the Forty-seven Ronin. The film was made for the Fuji TV Network and was directed by Shunsaku Kawamo.
Daichūshingura (大忠臣蔵) is a Japanese television dramatization of the events of the Forty-seven Ronin. The first episode aired on January 5, 1971, and the 52nd and final episode appeared on December 28 of the same year. The NET network broadcast it in the Tuesday evening 9:00–9:56 prime-time slot in Japan.
The Ichiriki Teahouse, formerly Ichiriki Mansion, is an historic ochaya in Kyoto, Japan. It is located at the southeast corner of Shijō Street and Hanami Lane, its entrance right at the heart of the Gion Kobu district.
The Loyal 47 Ronin is a 1958 color jidaigeki Japanese film directed by Kunio Watanabe. With box office earnings of ¥410 million, it was the most successful film of 1958 in Japan. Furthermore, it was the second-highest-grossing film of the 1950s in Japan.
Chūshingura: Hana no Maki, Yuki no Maki is a 1962 Japanese period drama film (jidaigeki) directed by Hiroshi Inagaki, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Studios, it is based on the story of the forty-seven rōnin. The film stars Toshiro Mifune as Genba Tawaraboshi, along with Matsumoto Hakuō I, Yūzō Kayama, Tatsuya Mihashi, Akira Takarada, Yosuke Natsuki, Makoto Satō, and Tadao Takashima.
Akō Rōshi is a 1961 color Japanese film about the 47 Ronin directed by Sadatsugu Matsuda. It earned ¥435 million at the annual box office, making it the second highest-grossing film of 1961. Ako Roshi was produced by Toei, and Shigeru Okada. It is based on the novel written by Jiro Osaragi.
47 Ronin is a 2013 American fantasy action film directed by Carl Rinsch in his directorial debut. Written by Chris Morgan and Hossein Amini from a story conceived by Morgan and Walter Hamada, the film is a work of Chūshingura : a fictionalized account of the forty-seven rōnin, a real-life group of masterless samurai under daimyō Asano Naganori in 18th-century Japan who avenged Naganori's death by confronting his rival Kira Yoshinaka. Starring Keanu Reeves in the title role, Hiroyuki Sanada, Tadanobu Asano, Rinko Kikuchi and Ko Shibasaki, the film bears little resemblance to its historical basis compared to previous adaptations, and instead serves as a stylized interpretation set "in a world of witches and giants."
47 Ronin is a 1994 Japanese film directed by Kon Ichikawa. The film is another version of the Chūshingura, the story of the revenge of the forty-seven rōnin of Ako against Lord Kira.
Takebayashi Takashige was a Samurai in the early Edo period of Japan. He was involved in the revenge of the Forty-seven rōnin incident as one of the rōnin. Takashige was originally a subordinate of the daimyō Asano Naganori, master of Akō Domain.
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