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"The Auld Triangle" is a song by Dick Shannon, often attributed to Brendan Behan, who made it famous when he included it in his 1954 play The Quare Fellow . He first performed it publicly in 1952 on the RTE radio programme 'The Ballad Maker's Saturday Night', produced by Mícheál Ó hAodha. Behan's biographer, Michael O'Sullivan, recorded, 'It has been believed for many years that Brendan wrote that famous prison song but Mícheál Ó hAodha says he never laid claim to authorship. Indeed he asked him to send a copyright to another Dubliner, Dick Shannon.'When he recorded the song for Brendan Behan Sings Irish Folksongs and Ballads (Spoken Arts 1960), Behan introduced it with these words: 'This song was written by a person who will never hear it recorded, because he's not in possession of a gramophone. He's ... he's ... pretty much of a tramp.'
Shannon's authorship was asserted by his relatives in discussions on the Mudcat Cafe folksong forum. Here, Deasún ÓSeanáin, his nephew, recorded: 'My father Thomas Shannon told me as far back as the 1950s that Dickey had written it. Dickey is buried in Manchester. It would be nice to see a plaque erected indicating him as the author.'Shannon's grandson Tom Neary posted: 'I can confirm that it was indeed Dicky Shannon who penned the song for Behan. Brendan and Dicky were very close pals, as well as drinking mates....I have many stories of their escapades together....Brendan always credited Dicky for the song because they were great pals, however, I can verify that Dicky never received a penny in royalties and neither did his family...I must also point out that grandad was not in fact a tramp, but was a highly articulate man with a very dry sense of humour, which could cut you to the quick without degrading you. He was also a very tough man who had literally fought his way through life in the Liberties.'
The first commercial recording was by Brendan's brother Dominic Behan on his 1958 Topic album Irish Songs. On the liner notes, he wrote, 'The Old Triangle is a song of Mountjoy Prison and was made popular in the play "The Quare Fella" by Brendan Behan of Dublin.'
The song was later made famous by Luke Kelly, Ronnie Drew and The Dubliners in the late 1960s, and was revived for a new audience by Irish rock band The Pogues on their 1984 album Red Roses for Me.
The song has become also a football chant, sung by fans of the Dublin Bohemian Football Club whose ground is near the prison. In 2021, Ronan Burtenshaw reported, 'Recently, the club's fans have gone viral for their renditions of ‘The Auld Triangle'.'
The song is used to introduce the play, a story about the occurrences in a prison (in real life Mountjoy Prison where Behan had once been lodged) the day a convict is set to be executed. The triangle in the title refers to the large metal triangle which was beaten daily in Mountjoy Prison to waken the inmates ("The Auld Triangle goes Jingle Jangle"). The triangle still hangs in the prison at the centre where the wings meet on a metal gate. It is no longer used, though the hammer to beat it is mounted beside it. In the original play by Brendan Behan, the song is written as the "old triangle" not "auld triangle".
The triangle was rung regularly to signify points in the prison's routine.
A second level of meaning is hinted at in the final verse in which the singer imagines himself dwelling in the women's prison. Another mourns the separation from "his girl Sal". These hint at the internal erotic fantasies that prisoners use to separate themselves from the harsh prison environment. In this meaning the old triangle becomes the female pudenda and the Royal Canal the vagina.
As with many Irish ballads, the lyrics have been changed with each passing cover. For example, the Dropkick Murphys recording condenses the structure into a three-lyric section song with a chorus based on the last two lines of each stanza in the original.
And the auld triangle went jingle-jangle
All along the banks of the Royal Canal
This song has been recorded by a number of artists.
|Bert Jansch for his album The Black Swan||2006|
|Blackthorn on their album Nil na La||1997|
|Bob Dylan and The Band also recorded a rendition of the song during their Basement Tapes sessions. This recording is available on bootleg recordings but does not appear on the official The Basement Tapes album released in 1975. It finally appeared in 2014 on the official release, The Bootleg Series Vol. 11: The Basement Tapes Complete .||1967|
|Brendan Behan, Brendan Behan Sings Irish Folksongs and Ballads, Spoken Arts||1960|
|Cat Power for her EP Dark End of the Street||2008|
|Chris Thile, Chris Eldridge, Marcus Mumford, Justin Timberlake and Gabe Witcher for the soundtrack to the Coen Brothers' film Inside Llewyn Davis||2013|
|Dominic Behan, Irish Sings (Recalled by Dominic Behan), Topic||1958|
|Dropkick Murphys on the album The Warrior's Code . Their version was also included on the compilation Vans Off the Wall Volume VII.||2005|
|Glen Hansard, lead singer of The Frames, and Damien Dempsey, to raise funds for the charity Society of Saint Vincent de Paul.||2010|
|Ian & Sylvia as "The Royal Canal" for their Four Strong Winds album||1963|
|Jeff Tweedy on his tour DVD Sunken Treasure: Live in the Pacific Northwest||2006|
|Liam Clancy as "Royal Canal" on his self-titled 1965 album (reissued with additional tracksas Irish Troubadour)||1999|
|Lifvens Vänner Swedish band recorded this song for their album "Lifvs Levenes"||1997|
|Oysterband for their 'Alive and Acoustic' recording||1998|
|Patrick Clifford, on Chance of a Start||2012|
|Ronnie Drew, on his self-titled solo album||1975|
|Ryan Boldt on his album Broadside Ballads||2014|
|The Clancy Brothers & Tommy Makem on Ain't It Grand Boys||(Recorded 1964, released 1995, as "Royal Canal") and The Bold Fenian Men (1969, as "The Old Triangle")|
|The Dubliners, on several albums||Notably 1967 album More of the Hard Stuff|
|The High Kings on The High Kings||2008|
|The Mahones on their album The Hunger & The Fight||2014|
|The Pogues on the album Red Roses for Me||1984|
|Trembling Bells released a version of the song as a single for Record Store Day, featuring Ricky Ross, Mike Heron and Alasdair Roberts.||2017|
The Doug Anthony Allstars performed a medley (a variation on Fred Geis's "Lament for Brendan Behan" prefacing "The Auld Triangle") on the Australian ABC program The Big Gig in the late 1980s.
The Frames performed it as the final song of a two-hour concert at the Vic Theater in Chicago on 23 November 2010. They performed the song live on RTÉ television's The Saturday Night Show on 18 December of the same year. U2 played a live cover version at Croke Park, Dublin on 24 July 2009 as part of the 360 tour. Bono joined lead singer Glen Hansard on 8 May 2012 in New York City's The Living Room venue to perform the song.
At the Ceiliúradh (celebration) at Royal Albert Hall on 10 April 2014, it was sung by a collection of performers including Glen Hansard, Lisa Hannigan, Elvis Costello, Conor O’Brien (of Villagers), Paul Brady, Imelda May, John Sheahan, Dónal Lunny, Andy Irvine and The Gloaming.
"Finnegan's Wake," aka "Finigin's Wake," is an Irish-American comic ballad, first published in New York in 1864. Various 19th-century variety theatre performers, including Dan Bryant of Bryant's Minstrels, claimed authorship but a definitive account of the song's origin has not been established.
Brendan Francis Aidan Behan was an Irish poet, short story writer, novelist playwright, and Irish Republican activist who wrote in both English and Irish. He was named by Irish Central as one of the greatest Irish writers of all time.
The Royal Canal is a canal originally built for freight and passenger transportation from Dublin to Longford in Ireland. It is one of two canals from Dublin to the River Shannon and was built in direct competition to the Grand Canal. The canal fell into disrepair in the late 20th century, but much of it has since been restored for navigation. The length of the canal to the River Shannon was reopened on 1 October 2010, but a final spur branch, to Longford Town, remains closed.
The Dubliners were an Irish folk band founded in Dublin in 1962 as The Ronnie Drew Ballad Group, named after its founding member; they subsequently renamed themselves The Dubliners. The line-up saw many changes in personnel over their fifty-year career, but the group's success was centred on lead singers Luke Kelly and Ronnie Drew. The band garnered international success with their lively Irish folk songs, traditional street ballads and instrumentals. The band were regulars on the folk scenes in both Dublin and London in the early 1960s, and were signed to the Major Minor label in 1965 after backing from Dominic Behan who was paid by Major-Minor to work with the Dubliners and help them to build a better act fit for larger concert hall venues. The Dubliners worked with Behan regularly between 1965 and 1966; Behan wrote numerous songs for this act including the song McAlpine's Fusiliers created specifically to showcase Ronnie Drew's gravel voice. They went on to receive extensive airplay on Radio Caroline which was part owned by Phil Solomon CEO of Major Minor, and eventually appeared on Top of the Pops in 1967 with hits "Seven Drunken Nights" and "The Black Velvet Band". Often performing political songs considered controversial at the time, they drew criticism from some folk purists and Ireland's national broadcaster RTÉ had placed an unofficial ban on their music from 1967 to 1971. During this time the band's popularity began to spread across mainland Europe and they appeared on The Ed Sullivan Show in the United States. The group's success remained steady right through the 1970s and a number of collaborations with The Pogues in 1987 saw them enter the UK Singles Chart on another two occasions.
Luke Kelly was an Irish singer, folk musician and actor from Dublin, Ireland. Born into a working-class household in Dublin city, Kelly moved to England in his late teens and by his early 20s had become involved in a folk music revival. Returning to Dublin in the 1960s, he is noted as a founding member of the band The Dubliners in 1962. Known for his distinctive singing style, and sometimes political messages, the Irish Post and other commentators have regarded Kelly as one of Ireland's greatest folk singers.
Joseph Ronald Drew was an Irish singer, folk musician and actor who achieved international fame during a fifty-year career recording with The Dubliners.
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Come Out, Ye Black and Tans is an Irish rebel song referring to the Black and Tans, or "special reserve constables", recruited in Great Britain and sent to Ireland from 1920, to reinforce the Royal Irish Constabulary (RIC) during the Irish War of Independence. The song was written by Dominic Behan as a tribute to his Irish Republican Army (IRA) father Stephen, who had fought in the War of Independence, and is concerned with political divisions in working-class Dublin of the 1920s. The song uses the term "Black and Tans" in the pejorative sense against people living in Dublin, both Catholic and Protestant, who were pro-British. The most notable recording was in 1972 by the Irish traditional music group, The Wolfe Tones, which re-charted in 2020.
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