The Black Whale | |
---|---|
German | Der schwarze Walfisch |
Directed by | Fritz Wendhausen |
Written by | Fritz Wendhausen |
Based on | Fanny by Marcel Pagnol |
Produced by | Willi Wolff |
Starring | |
Cinematography | Emil Schünemann |
Edited by | W. L. Bagier Alwin Elling |
Music by | Walter Kollo |
Production company | Riton |
Release date |
|
Running time | 98 minutes |
Country | Germany |
Language | German |
The Black Whale (German : Der schwarze Walfisch) is a 1934 German drama film directed by Fritz Wendhausen and starring Emil Jannings, Angela Salloker and Max Gülstorff. It is based on the 1931 play Fanny by Marcel Pagnol. [1]
The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle. It was shot at the Halensee Studios in Berlin. Because the film had a Jewish producer, it had some production issues due to the takeover of the Nazi Party. It premiered at the Ufa-Palast am Zoo.
The Black Whale is the German version of Marcel Pagnol's masterpiece Fanny . Peter Petersen's son Martin abandoned his pregnant girlfriend Fanny to chase adventures on the sea. Peter Petersen then married Fanny with his friend Pannies, who adopted and raised the baby as his own. Martin returns after several years, determined to get Fanny and his child back.
Marcel Paul Pagnol was a French novelist, playwright, and filmmaker. Regarded as an auteur, in 1946, he became the first filmmaker elected to the Académie française. Pagnol is generally regarded as one of France's greatest 20th-century writers and is notable for the fact that he excelled in almost every medium—memoir, novel, drama and film.
Fanny is a 1961 American Technicolor romantic drama film directed by Joshua Logan. The screenplay by Julius J. Epstein is based on the book for the 1954 stage musical of the same title by Logan and S.N. Behrman, which in turn had been adapted from Marcel Pagnol's trilogy. Pagnol wrote two plays, Marius (1929) and Fanny (1931) and completed the cycle by writing and directing a film, César, in 1936. Meanwhile, Marius (1931) and Fanny (1932) were also produced as films.
Port of Seven Seas is a 1938 American drama film starring Wallace Beery and featuring Frank Morgan and Maureen O'Sullivan. The movie was written by Preston Sturges based on the plays of Marcel Pagnol and the films based on them, and was directed by James Whale, the director of Frankenstein (1931) and The Invisible Man (1933). The cinematography is by Karl Freund, who filmed Fritz Lang's Metropolis (1927) and I Love Lucy (1951-1957).
Marius is a 1931 French drama film directed by Alexander Korda. It is based on the 1929 play of the same title by Marcel Pagnol. The film is a part of the Marseille Trilogy which includes the films Fanny and César. The film was selected to be screened in the Cannes Classics section of the 2015 Cannes Film Festival. The restored film was also given a limited re-release in the United States by Janus Films on 4 January 2017, first premiering at Film Forum.
The Captain from Köpenick is a 1931 German comedy film directed by Richard Oswald and produced by Gabriel Pascal. It is one of several films based on the 1931 play of the same name by Carl Zuckmayer. The story centers on the Hauptmann von Köpenick affair in 1906.
Hans Richter was a German film actor. He appeared in more than 130 films between 1931 and 1984, mostly in supporting roles. He was born in Brandenburg, Germany and died in Heppenheim, Germany.
Ohm Krüger is a 1941 German biographical film directed by Hans Steinhoff and starring Emil Jannings, Lucie Höflich, and Werner Hinz. It was one of a series of major propaganda films produced in Nazi Germany attacking the United Kingdom. The film depicts the life of the South African politician Paul Kruger and his eventual defeat by the British during the Boer War.
The Ruler is a 1937 German drama film directed by Veit Harlan. It was adapted from the play of the same name by Gerhart Hauptmann. Erwin Leiser calls it a propagandistic demonstration of the Führerprinzip of Nazi Germany. The film's sets were designed by the art director Robert Herlth. Location shooting took place around Oberhausen and Pompeii near Naples. It premiered at the Ufa-Palast am Zoo in Berlin.
Fanny is a 1932 French romantic drama film directed by Marc Allégret and starring Orane Demazis, Raimu and Alida Rouffe. It is based on the 1931 play by Marcel Pagnol. It is the second part of the Marseillaise film trilogy that begins with Marius (1931) and concludes with César (1936). Like Marius, the film was a box office success in France and is still considered to be a classic of French cinema. It was shot at the Billancourt Studios in Paris and on location in Marseille. The film's sets were designed by the art director Gabriel Scognamillo.
César is a 1936 French film, written and directed by Marcel Pagnol. It is the final part of his Marseille trilogy, which began with the film Marius and was followed by Fanny. Unlike the other two films in the trilogy, César was not based on a play by Pagnol, but written directly as a film script. In 1946 Pagnol adapted the script as a stage play.
William Tell is a 1923 German silent adventure film directed by Rudolf Dworsky and Rudolf Walther-Fein and starring Hans Marr, Conrad Veidt, and Erich Kaiser-Titz. The film portrays the story of the legendary Swiss national hero William Tell. The sets were designed by Rudi Feld. It premiered at the Marmorhaus in Berlin.
Darling of the Gods is a 1930 German musical drama film directed by Hanns Schwarz and starring Emil Jannings, Renate Müller and Olga Chekhova. Jannings had recently returned from Hollywood where the arrival of sound films had harmed his career. The film was made at the Babelsburg studios, and based on the play Die Tokaier by Hans Müller. It was made by Erich Pommer's production unit, part of the German Major film studio UFA. It premiered at the Gloria-Palast in Berlin on 13 October 1930.
Marius et Fanny is an opera in two acts composed by Vladimir Cosma. The libretto by Michel Lengliney, Jean-Pierre Lang, Michel Rivegauche, Antoine Chalamel, Michel Arbatz and Vladimir Cosma is based on Marcel Pagnol's stage and film trilogy Marius, Fanny and César. The opera premiered on 4 September 2007 at the Opéra de Marseille with Roberto Alagna and Angela Gheorghiu in the title roles.
The Broken Jug is a 1937 German historical comedy film directed by Gustav Ucicky and starring Emil Jannings, Friedrich Kayßler and Max Gülstorff. It is an adaptation of the play The Broken Jug by Heinrich von Kleist. The film was a favorite of Adolf Hitler.
The Golden Anchor is a 1932 German-French drama film directed by Alexander Korda and starring Albert Bassermann, Ursula Grabley, and Mathias Wieman. It is the German-language version of Marius (1931), based on Marcel Pagnol's play of the same title. Such multi-language versions were common during the early years of sound. It was made at the Joinville Studios by the European branch of Paramount Pictures.
The Abduction of the Sabine Women is a 1936 German comedy film directed by Robert A. Stemmle and starring Bernhard Wildenhain, Max Gülstorff, and Maria Koppenhöfer. It was based on a play which has been adapted into films several times. It was shot at the Carl Froelich's Berlin Studios located in Tempelhof. The film's sets were designed by the art directors Walter Haag and Franz Schroedter.
Susanne in the Bath is a 1936 German comedy film directed by Jürgen von Alten and starring Manja Behrens, Max Gülstorff and Erich Fiedler. The title is an allusion to the biblical story of Susanna.
The Uncanny House is a 1916 German silent mystery film directed by Richard Oswald and starring Werner Krauss, Reinhold Schünzel and Lupu Pick. It was released in three parts. The second part was called Der chinesische Götze and the third Freitag, der 13.
Marius is a 1929 play by the French writer Marcel Pagnol. It takes place in Marseilles, where a young man named Marius working in a café dreams of going to sea, his obsession eventually overcoming his developing romance with Fanny, a local girl.
Fanny is a 1931 play by the French writer Marcel Pagnol. It is the sequel to the 1929 play Marius and the second part in Pagnol's Marseilles trilogy.