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It has been suggested that this article be merged into Love and Rockets (band) . (Discuss) Proposed since August 2024. |
The Bubblemen | |
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Origin | England |
Genres | New wave, comedy rock, rap rock, synthpop |
Years active | 1988 |
Labels | Beggars Banquet |
Past members | Daniel Ash Kevin Haskins David J |
The Bubblemen were a side project formed in 1988 by the members of alternative rock band Love and Rockets. Love and Rockets members Daniel Ash (guitar, saxophone and vocals), David J (bass and vocals) and Kevin Haskins (drums, synthesizers) dressed up in bee-like costumes for performances.
The band released one single, "The Bubblemen Are Coming!", for which a music video was also produced. [1] It was issued by Beggars Banquet Records in several format variations, including additional tracks "Bubblemen Rap", "Bubblemen Rap (Dub Version)" and "Bees". A brief excerpt of "The Bubblemen are Coming!" appeared in the Love and Rockets videos "No New Tale to Tell" and "Yin and Yang (The Flowerpot Man)".
Tones on Tail were a British post-punk band formed in 1982, originally as a musical side project of Daniel Ash of the gothic rock group Bauhaus. Their music was described by one critic as "doom-and-dance-pop."
Daniel Gaston Ash is an English musician, songwriter and singer. He became prominent in the late 1970s as the guitarist for the iconic goth rock band Bauhaus, which spawned two related bands led by Ash: Tones on Tail and Love and Rockets. Recently, he reunited with bandmate Kevin Haskins to form Poptone, a retrospective of their respective careers, featuring Kevin's daughter Diva Dompe on bass. He has also recorded several solo albums. Several guitarists have listed Ash as an influence, including Dave Navarro of Jane's Addiction, Kim Thayil of Soundgarden, Hide of X Japan and John Frusciante of the Red Hot Chili Peppers.
Love and Rockets are an English rock band formed in 1985 by former Bauhaus members Daniel Ash, David J and Kevin Haskins after that group split in 1983. Ash and Haskins had recorded and performed in another band, Tones on Tail, between 1982 and 1984.
Good God's Urge is the second studio album by American alternative rock band Porno for Pyros. It was released in 1996 on Warner Bros. It was the band's first album to feature bass guitarist Mike Watt, who assisted the band in finishing the album after Martyn LeNoble left before all his bass tracks had been completed. There were three singles released from the album.
Seventh Dream of Teenage Heaven is the debut studio album by English rock band Love and Rockets. It was released on 11 October 1985, through record label Beggars Banquet. Seventh Dream was preceded by the non-album single "Ball of Confusion" on 17 May 1985, and the album's first proper single "If There's a Heaven Above" on 13 September 1985.
Express is the second studio album by English rock band Love and Rockets. It was released on 15 September 1986 on Beggars Banquet Records. An even greater departure from the band members' previous work as Bauhaus, the album's fusion of underground rock with pop stylings can be seen as an early example of alternative rock music, a genre that reached mainstream popularity in the early 1990s.
Mask is the second studio album by English gothic rock band Bauhaus. It was released on 16 October 1981 by record label Beggars Banquet.
Earth, Sun, Moon is the third studio album by English alternative rock band Love and Rockets, released in 1987 on Beggars Banquet.
Love and Rockets is the fourth studio album by English alternative rock band Love and Rockets; released in 1989 by Beggars Banquet Records on cassette, vinyl, and compact disc.
Hot Trip to Heaven is the fifth studio album by British rock band Love and Rockets, released in 1994 on Beggars Banquet in the United Kingdom and American in the United States. Released after a five-year hiatus, the album saw the band drop their former gothic, alternative rock sound in favour of a hi-tech electronic, ambient direction, taking influences from ambient techno artists such as The Orb and Orbital, while retaining the band's psychedelic focus. The group were first intrigued in making electronic music at the start of the decade.
The Sky's Gone Out is the third studio album by English gothic rock band Bauhaus, released in 1982 by record label Beggars Banquet.
Burning from the Inside is the fourth studio album by English gothic rock band Bauhaus, released on 15 July 1983 by record label Beggars Banquet. It peaked at No. 13 on the UK Singles Chart. The single, "She's In Parties", which spawned from the album, reached No. 26 in the UK Singles Chart.
Sweet F.A. is the sixth studio album by English alternative rock band Love and Rockets, released in 1996 by American Recordings and Beggars Banquet.
Lift is the seventh and final studio album by English alternative rock band Love and Rockets, released in 1998 on Red Ant Records.
Crackle is a greatest hits album by English goth-rock band Bauhaus. The album was released in 1998 by record label Beggars Banquet, during the band's Resurrection Tour. It includes remastered versions of some of their single hits and most popular songs.
"The Passion of Lovers" is the sixth single released by British gothic rock band Bauhaus. It was released in 7" format on the Beggars Banquet label in 1981. The initial copies came with the lyrics on a printed insert.
The discography of Bauhaus, a British gothic rock band, consists of five studio albums, four live albums, three compilation albums, four extended plays (EPs), eleven singles and three video albums. The band was formed in Northampton in 1978 by Daniel Ash (guitar), David J (bass), Kevin Haskins (drums) and Peter Murphy (vocals).
Bauhaus 1979–1983 is a compilation album by English post-punk band Bauhaus, released in 1985 by record label Beggars Banquet.
The Singles 1981–1983 is a greatest hits mini-album by English post-punk band Bauhaus. It was released in 1983 by record label Beggars Banquet.
Pop is the only studio album by the English post-punk band Tones on Tail, a side project of the Bauhaus members Daniel Ash and Kevin Haskins, and the Bauhaus roadie Glenn Campling. It was released on 6 April 1984 by Beggars Banquet Records.