Béla Ferenc Dezső Blaskó, known professionally as Bela Lugosi, was a Hungarian–American actor, best remembered for portraying Count Dracula in the 1931 horror film classic Dracula, Ygor in Son of Frankenstein (1939) and his roles in many other horror films from 1931 through 1956.
Mark of the Vampire is a 1935 American horror film, starring Lionel Barrymore, Elizabeth Allan, Bela Lugosi, Lionel Atwill, and Jean Hersholt, and directed by Tod Browning. A series of deaths and attacks by vampires brings the eminent expert Professor Zelen to the aid of Irena Borotyn, who is about to be married. Her father, Sir Karell, died from complete loss of blood, with bite wounds on his neck, and it appears he may be one of the undead now plaguing the area.
Dracula is a 1931 American pre-Code supernatural horror film directed and co-produced by Tod Browning from a screenplay written by Garrett Fort and starring Bela Lugosi in the title role. It is based on the 1924 stage play Dracula by Hamilton Deane and John L. Balderston, which in turn is adapted from the 1897 novel Dracula by Bram Stoker. Lugosi portrays Count Dracula, a vampire who emigrates from Transylvania to England and preys upon the blood of living victims, including a young man's fiancée.
Dracula's Daughter is a 1936 American vampire horror film produced by Universal Pictures as a sequel to the 1931 film Dracula. Directed by Lambert Hillyer from a screenplay by Garrett Fort, the film stars Otto Kruger, Gloria Holden in the title role, and Marguerite Churchill, and features, as the only cast member to return from the original, Edward Van Sloan – although his character's name was altered from "Van Helsing" to "Von Helsing".
Son of Frankenstein is a 1939 American horror film directed by Rowland V. Lee and starring Basil Rathbone, Boris Karloff and Bela Lugosi. The film is the third in Universal Pictures' Frankenstein series and is the follow-up to the 1935 film Bride of Frankenstein. Son of Frankenstein stars Rathbone as Baron Wolf von Frankenstein who, with his wife Elsa and son Peter, returns to his late father's estate. Near the castle lives Ygor, a crazed blacksmith whose neck was broken in an unsuccessful hanging attempt. Among the castle's remains, Frankenstein discovers the remains of the Monster and decides to try to save his family name by resurrecting the creature to prove his father was correct. He finds, however, the Monster only responds to Ygor's commands.
Invisible Ghost is a 1941 American horror film directed by Joseph H. Lewis, produced by Sam Katzman and starring Bela Lugosi.
The Invisible Ray is a 1936 American science-fiction horror film directed by Lambert Hillyer. It stars Boris Karloff as Dr. Janos Rukh, a scientist who comes in contact with a meteorite composed of an element known as "Radium X". After exposure to its rays begins to make him glow in the dark, his touch becomes deadly, and he begins to be slowly driven mad. Alongside Karloff, the film's cast includes Bela Lugosi, Frances Drake, Frank Lawton, Walter Kingsford, Beulah Bondi, Violet Kemble Cooper, and Nydia Westman.
The Awful Dr. Orloff is a 1962 Spanish-French horror film written and directed by Jesús Franco. It stars Howard Vernon as the mad Dr. Orloff who wants to repair his disfigured daughter's face with skin grafts from other women with the aid of a slavish, blind henchman named Morpho. A co-production between Spain and France, filmed in Madrid, the film is considered to be the earliest Spanish horror film.
Carroll Borland better known by the stage-spelling Carol Borland, was an American professor, writer, and actress. She is best known for having portrayed Luna, the daughter of Bela Lugosi's character, Count Mora, in Mark of the Vampire, and for creating the iconic look of the female vampire with her waist-length dark hair and Adrian-designed shroud in this film.
Greta Gynt was a Norwegian dancer and actress. She is remembered for her starring roles in the British classic films The Dark Eyes of London, Mr. Emmanuel, Take My Life, Dear Murderer and The Ringer.
The Silent Command is a 1923 American silent drama film directed by J. Gordon Edwards featuring Bela Lugosi as a foreign saboteur in his American film debut. The film, written by Anthony Paul Kelly and Rufus King, also stars Edmund Lowe, Alma Tell, and Martha Mansfield. Shot in New York, The Silent Command began Lugosi's career in the American film industry. The film's focus on his eyes, at times in extreme close-up, helped to establish his image for later roles.
The Dead Eyes of London is a 1961 West German black and white crime film directed by Alfred Vohrer and starring Joachim Fuchsberger, Karin Baal and Dieter Borsche.
Wilfred Walter was an English film and theatre actor, sometimes credited as Wilfrid Walter. He was born Franz Wilfrid Walter, son of the actor Richard Walter.
The Dark Eyes Of London is a crime novel by the British writer Edgar Wallace which was first published in 1924. An unbalanced doctor and his brother murder a series of wealthy men to benefit from their life insurance policies, using a charity for the blind as a front for their activities. The persistent Inspector Holt of Scotland Yard is soon on their trail. It was based on an earlier short story The Croakers which Wallace had written.
Such Men Are Dangerous is a 1930 American pre-Code drama film directed by Kenneth Hawks and written by Ernest Vajda. The film is based on a novella by Elinor Glyn who based her story on the 1928 real-life disappearance of Belgian banker Alfred Loewenstein who vanished on a flight over the English Channel. Such Men Are Dangerous stars Warner Baxter, Catherine Dale Owen, Hedda Hopper, Claud Allister, Albert Conti and Bela Lugosi. Shortly after a midair collision killed 10 crew members in the "worst air accident in film history", Such Men Are Dangerous was released on March 9, 1930, by Fox Film Corporation.
British horror cinema is a sub-category of horror films made by British studios. Horror films began in Britain with silent films in the early 20th century. Some of the most successful British horror films were made by Hammer Film Productions around the 1960s. A distinguishing feature of British horror cinema from its foundations in the 1910s until the end of Hammer's prolific output in the genre in the 1970s was storylines based on, or referring to, the gothic literature of the 19th century.
The history of horror films was described by author Siegbert Solomon Prawer as difficult to read as a linear historical path, with the genre changing throughout the decades, based on the state of cinema, audience tastes and contemporary world events.
