 | This article relies largely or entirely on a single source .(August 2018) |
| The Deluge | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1986 | |||
| Studio | Miller Studio, North Newton, Kansas | |||
| Genre | Heavy metal | |||
| Length | 38:57 | |||
| Label | Black Dragon | |||
| Producer | Jay Merhoff, Manilla Road, Max Merhoff, Rick Fisher, Sherry Avett | |||
| Manilla Road chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
The Deluge is the fifth album released by the American heavy metal band Manilla Road. It was originally issued in 1986 and re-released in 2001.
All songs written by Mark 'the Shark' Shelton, except "Morbid Tabernacle" written and performed by Mike Metz..
To Mega Therion is the second and first full-length studio album by Swiss extreme metal band Celtic Frost, released in October 1985 by Noise Records. The cover artwork is a painting by H. R. Giger entitled Satan I. The album was a major influence on the then-developing death metal and black metal genres.
Invasion is the debut studio album released by American heavy metal band Manilla Road. It was first released in 1980 and was reissued in 2004 in a two-disc package with Metal on the second disc.
Metal is second album released by American heavy metal band Manilla Road in 1982.
Crystal Logic is the third studio album by the American heavy metal band, Manilla Road, released in December 1983. On this album the band fully embraced heavy metal, leaving behind the space, progressive and hard rock influences which could be found on the two previous albums.
Open the Gates is the fourth album by the American heavy metal band Manilla Road. It was released in 1985 on the Black Dragon record label, rather than the band's own label, Roadster Records, which they had used on their previous releases.
Atlantis Rising is a concept album released by heavy metal band Manilla Road in 2001. Its content revolves around the lost continent of Atlantis re-emerging and the resulting war between the Æsir and Great Old Ones over the continent.
The Courts of Chaos is an album by the American heavy metal band Manilla Road, released in 1990. This is the last album before the band split up. They reunited in 2001.
Mystification is the sixth studio album by American heavy metal band Manilla Road, released in 1987. It was re-released in 2000 on Sentinel Steel Records.
Out of the Abyss is the seventh studio album released by the American heavy metal band Manilla Road. It was first issued in 1988 on Leviathan Records, then re-released in 2005 on Cult Metal Classics. Though the band had been constantly increasing the thrash metal influence to their music since their album Open the Gates, this album was its peak, being almost completely thrash metal.
The Circus Maximus is an album released under the name of American heavy metal band Manilla Road in 1992, after the band had first split up. The album contains the work of Manilla Road founder and frontman Mark Shelton who assembled a new band named Circus Maximus. However, Shelton's label, Black Dragon Records, added the Manilla Road logo. The sound and style is very different than the rest of Manilla Road material.
Spiral Castle is the twelfth album by American heavy metal band Manilla Road, released in 2002 by Iron Glory Records.
Mark of the Beast is an album released by American heavy metal band Manilla Road in 2002. Around half of the album was originally recorded in 1981, and was intended to be the band's second album. The results were judged unsatisfactory by the band and so was scrapped in favor of writing the album Metal. With half of the scrapped songs existing for 20 years as a bootleg called Dreams of Eschaton, Monster Records cleaned up the master tapes and released the project under the name Mark of the Beast with additional unreleased early tracks. The cover is taken from a drawing by Jim Fitzpatrick.
Gates of Fire is an album released by American heavy metal band Manilla Road on October 12, 2005. It is divided into a trilogy: "The Frost's Giant Daughter", inspired by the story of the same name written by Robert E. Howard; "Out of the Ashes", based on Virgil's Aeneid; and "Gates of Fire", inspired by the stand of King Leonidas and his Spartans at the battle of Thermopylae.
Tweaked is the 5th studio album and first independently released collection of new material by American rock band Enuff Z'nuff.
Manilla Road was an American heavy metal band from Wichita, Kansas, founded by Mark "The Shark" Shelton and Scott "Scooter" Park. Beginning in 1977, the early years of Manilla Road were spent playing mostly progressive rock and space rock but eventually became noticeably heavier with time, the band's later heavy metal sound becoming more and more apparent with the release of Metal in 1982.
In Dementia is the seventh studio album by the American heavy metal band Chastain, released in 1997 through Leviathan Records. The album was re-issuued in Europe by Massacre Records.
Playground of the Damned is the fifteenth studio album by American heavy metal band Manilla Road. It was released on October 25, 2011, on Shadow Kingdom Records in CD format and on High Roller Records in LP format.
Mysterium is the sixteenth studio album by American heavy metal band Manilla Road. It was released on February 1, 2013 in on both Golden Core-ZYX and Shadow Kingdom Records in CD format and on High Roller Records in LP format.
The Blessed Curse is the seventeenth studio album by American heavy metal band Manilla Road. It was released on February 13, 2015 in both CD and LP format on Golden Core-ZYX. It is unique in being the band's first and only studio double album.
Dreams of Eschaton is a double-CD compilation album by American heavy metal band Manilla Road. It was released on June 2, 2016, in both CD and LP format on High Roller Records and features a re-issue of the Mark of the Beast album on the first disk along with both the 1979 demo Manilla Road Underground and the 1979 in-studio live After Midnight Live album on the second disk. The name of the compilation refers to the original title of what would become the Mark of the Beast album, released in 2002 but with most of its featured tracks recorded in 1981.
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