The Devil in the Bottle | |
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Directed by | |
Written by | |
Produced by |
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Starring | |
Cinematography | Fritz Arno Wagner |
Music by | Theo Mackeben |
Production company | |
Distributed by | L'Alliance Cinématographique Européenne |
Release date |
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Running time | 95 minutes |
Countries |
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Language | French |
The Devil in the Bottle (French: Le diable en bouteille) is a 1935 French-German drama film directed by Heinz Hilpert, Reinhart Steinbicker and Raoul Ploquin. It stars Käthe von Nagy, Pierre Blanchar and Gina Manès. [1]
It was made by the German studio UFA as a French-language remake of its 1934 film Liebe, Tod und Teufel . Both films are based on Robert Louis Stevenson's story The Bottle Imp .
The film's sets were designed by the art directors Otto Hunte and Willy Schiller.
Gina Manès was a French film actress and a major star of French silent cinema. After an early appearance in a Louis Feuillade film, she had significant roles in films of Germaine Dulac and Jean Epstein, including Cœur fidèle.
Pierre Blanchar was a French actor. He appeared in more than 50 films between 1922 and 1961. Blanchar was married to actress Marthe Vinot, with whom he had a daughter, actress Dominique Blanchar. He played Napoleon in the 1938 British film A Royal Divorce alongside Ruth Chatterton as Josephine. He later appeared alongside Michèle Morgan in the 1946 film Pastoral Symphony.
Captain Craddock is a 1931 German French-language musical comedy film directed by Max de Vaucorbeil and Hanns Schwarz and starring Jean Murat, Käthe von Nagy and Charles Redgie. It is a French-language version of the 1931 German film Bombs on Monte Carlo. It was shot at the Babelsberg Studios of UFA in Berlin. The film's sets were designed by the art director Erich Kettelhut. It is sometimes known as Bombe Sur Monte Carlo.
Southern Mail or Southern Carrier is a 1937 French action film directed by Pierre Billon and starring Pierre Richard-Willm, Jany Holt and Raymond Aimos. It is adapted from the 1929 novel of the same name by Antoine de Saint-Exupéry.
The Victor is a 1932 German comedy film directed by Hans Hinrich and Paul Martin and starring Hans Albers, Käthe von Nagy and Julius Falkenstein. A postal clerk loses his money gambling on horses, but eventually meets and falls in love with a wealthy man's daughter. It premiered on 23 March 1932 at the Gloria-Palast in Berlin.
Majestic Hotel Cellars is a 1945 French crime film directed by Richard Pottier and starring Albert Préjean, Suzy Prim and Denise Grey. It is based on the Maigret novel Maigret and the Hotel Majestic by Georges Simenon.
Cargaison blanche or Le Chemin de Rio is a 1937 French crime film directed by Robert Siodmak and starring Käthe von Nagy, Jules Berry and Suzy Prim. in which two journalists go on the trail of gangsters who are kidnapping women to sell in South America. The film was made by Nero Film, with sets designed by the art director Lucien Aguettand. It was remade in 1958 directed by Georges Lacombe.
Night in May is a 1934 French-German comedy film directed by Henri Chomette, Gustav Ucicky and Raoul Ploquin. It starred Käthe von Nagy, Fernand Gravey and Annie Ducaux. It is the French-language version of UFA's The Young Baron Neuhaus. Such multi-language versions were common during the early years of sound film before dubbing had become more widespread.
A Day Will Come is a 1934 comedy film directed by Gerhard Lamprecht and Serge Véber and starring Käthe von Nagy, Jean-Pierre Aumont and Simone Héliard. It was made by the German studio UFA as the French-language version of Just Once a Great Lady.
Turandot, Princess of China is a 1935 comedy film directed by Gerhard Lamprecht and Serge Véber and starring Käthe von Nagy, Pierre Blanchar and Marcel Dalio. It is the French language version of the German film Princess Turandot. Such multi-language versions were common during the first decade of sound.
Mahlia the Mestiza is a 1943 French drama film directed by Walter Kapps and starring Käthe von Nagy, Jean Servais and Georges Paulais. The film had a lengthy and troubled production, as it began shooting in 1939 before the outbreak of the Second World War.
Under the Leather Helmet is a 1932 British-French drama film directed by Albert de Courville and starring Pierre Richard-Willm, Gina Manès and Gaston Modot. The film's sets were designed by the art director Pierre Schild.
The Man from Nowhere is a 1937 French drama film directed by Pierre Chenal and starring Pierre Blanchar, Isa Miranda and Catherine Fonteney. It was made at the Cines Studios in Rome, and based on Luigi Pirandello's 1904 novel Il fu Mattia Pascal. A separate Italian-language version of the film was also produced.
Love, Death and the Devil is a 1934 German drama film directed by Heinz Hilpert and Reinhart Steinbicker and starring Käthe von Nagy, Albin Skoda and Brigitte Horney. It is based on Robert Louis Stevenson's story The Bottle Imp.
Nights of Princes is a 1938 French-German drama film directed by Vladimir Strizhevsky and starring Käthe von Nagy, Marina Koshetz and Jean Murat. It is based on a 1927 novel of the same title by Joseph Kessel. An earlier adaptation Nights of Princes had been made by Marcel L'Herbier in 1930.
Princes of the Night is a novel by the writer Joseph Kessel which was originally published in 1927. It is set amongst the community of White Russian exiles in Paris.
The Forsaken is a 1937 French war drama film directed by Jacques Séverac and starring Jean Servais, Janine Crispin and Pierre Mingand. It was based on a novel of the same title by André Armandy. It was shot at the Victorine Studios in Nice. The film's sets were designed by the art director Jean Lafitte.
At the End of the World is a 1934 French-German drama film directed by Henri Chomette and Gustav Ucicky and starring Pierre Blanchar, Käthe von Nagy and Charles Vanel. It was made at the Babelsberg Studios of UFA outside Berlin, as the French-language version of the film Refugees (1933). It was co-produced and distributed by L'Alliance Cinématographique Européenne, the French subsidiary of UFA. Käthe von Nagy appeared in both versions, but her male co-start and supporting casts were different.
The Red Inn is a 1923 French silent historical drama film directed by Jean Epstein and starring Gina Manès, Léon Mathot and Jean-David Évremond. It is based on the 1831 short story The Red Inn by Honoré de Balzac. Location shooting took place at the Château de Vincennes.
The Snow on the Footsteps is a 1942 French drama film directed by André Berthomieu and starring Pierre Blanchar, Michèle Alfa and Georges Lannes. It was based on the 1911 novel of the same title by Henry Bordeaux. The film's sets were designed by the art director Robert Giordani. The novel had previously been adapted into the 1923 silent film The Snow on the Footsteps.