The Four Seasons (Vivaldi)

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Antonio Vivaldi (engraving by Francois Morellon de La Cave, from Michel-Charles Le Cene's edition of Vivaldi's Op. 8, 1725) Antonio Vivaldi.jpg
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8, 1725)

The Four Seasons (Italian : Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. These were composed around 1718−1720, when Vivaldi was the court chapel master in Mantua.They were published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione (The Contest Between Harmony and Invention).

Contents

The Four Seasons is the best known of Vivaldi's works. Though three of the concerti are wholly original, the first, "Spring", borrows patterns from a sinfonia in the first act of Vivaldi's contemporaneous opera Il Giustino . The inspiration for the concertos is not the countryside around Mantua, as initially supposed, where Vivaldi was living at the time, since according to Karl Heller [1] they could have been written as early as 1716–1717, while Vivaldi was engaged with the court of Mantua only in 1718.

They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), a shepherd and his barking dog, buzzing flies, storms, drunken dancers, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, and warm winter fires.

Unusual for the period, Vivaldi published the concerti with accompanying sonnets (possibly written by the composer himself) that elucidated what it was in the spirit of each season that his music was intended to evoke. The concerti therefore stand as one of the earliest and most detailed examples of what would come to be called program music—in other words, music with a narrative element. Vivaldi took great pains to relate his music to the texts of the poems, translating the poetic lines themselves directly into the music on the page. For example, in the middle section of "Spring", when the goatherd sleeps, his barking dog can be heard in the viola section. The music is elsewhere similarly evocative of other natural sounds. Vivaldi divided each concerto into three movements (fast–slow–fast), and, likewise, each linked sonnet into three sections.

Structure

Title page of Vivaldi's Cimento dell'Armonia e dell'Invenzione, which included The Four Seasons Cimento dell' Armonia e dell' Inventione-v2-title page.jpg
Title page of Vivaldi's Cimento dell'Armonia e dell'Invenzione, which included The Four Seasons

Vivaldi's arrangement is as follows:

  1. Concerto No. 1 in E major, Op. 8, RV 269, "Spring" (La primavera)
    1. Allegro (in E major)
    2. Largo e pianissimo sempre (in C minor)
    3. Allegro pastorale (in E major)
  2. Concerto No. 2 in G minor, Op. 8, RV 315, "Summer" (L'estate)
    1. Allegro non molto (in G minor)
    2. Adagio e pianoPresto e forte (in G minor)
    3. Presto (in G minor)
  3. Concerto No. 3 in F major, Op. 8, RV 293, "Autumn" (L'autunno)
    1. Allegro (in F major)
    2. Adagio molto (in D minor)
    3. Allegro (in F major)
  4. Concerto No. 4 in F minor, Op. 8, RV 297, "Winter" (L'inverno)
    1. Allegro non molto (in F minor)
    2. Largo (in E major)
    3. Allegro (in F minor)

A performance of all four concerti may take about 40–43 minutes. Approximate timings of the individual concerti: [2]

  1. Spring: 10 minutes
  2. Summer: 11 minutes
  3. Autumn: 11 minutes
  4. Winter: 9 minutes

Sonnets and allusions

There is some debate as to whether the four concertos were written to accompany four sonnets or vice versa. [3] Though it is not known who wrote the accompanying sonnets, the theory that Vivaldi wrote them is supported by the fact that each sonnet is broken into three sections, each neatly corresponding to a movement in the concerto. Regardless of the sonnets' authorship, The Four Seasons can be classified as program music, instrumental music intended to evoke something extra-musical, [4] and an art form which Vivaldi was determined to prove sophisticated enough to be taken seriously. [5]

In addition to these sonnets, Vivaldi provided instructions such as "The barking dog" (in the second movement of "Spring"), "Languor caused by the heat" (in the first movement of "Summer"), and "the drunkards have fallen asleep" (in the second movement of "Autumn").

A new translation of the sonnets into English by Armand D'Angour was published in 2019. [6]

Sonnet text

SonnetItalianEnglish
Spring

Allegro
Giunt' è la Primavera e festosetti
La Salutan gl' Augei con lieto canto,
E i fonti allo Spirar de' Zeffiretti
Con dolce mormorio Scorrono intanto:
Vengon' coprendo l' aer di nero amanto
E Lampi, e tuoni ad annuntiarla eletti
Indi tacendo questi, gl' Augelletti;
Tornan' di nuovo al lor canoro incanto:

Largo
E quindi sul fiorito ameno prato
Al caro mormorio di fronde e piante
Dorme 'l Caprar col fido can' à lato.

Allegro
Di pastoral Zampogna al suon festante
Danzan Ninfe e Pastor nel tetto amato
Di primavera all' apparir brillante.

Allegro
Springtime is upon us.
The birds celebrate her return with festive song,
and murmuring streams are
softly caressed by the breezes.
Thunderstorms, those heralds of Spring, roar,
casting their dark mantle over heaven,
Then they die away to silence,
and the birds take up their charming songs once more.

Largo
On the flower-strewn meadow, with leafy branches
rustling overhead, the goat-herd sleeps,
his faithful dog beside him.

Allegro
Led by the festive sound of rustic bagpipes,
nymphs and shepherds lightly dance
beneath spring’s beautiful canopy.

Summer

Allegro non molto
Sotto dura Staggion dal Sole accesa
Langue l' huom, langue 'l gregge, ed arde il Pino;
Scioglie il Cucco la Voce, e tosto intesa
Canta la Tortorella e 'l gardelino.
Zeffiro dolce Spira, mà contesa
Muove Borea improviso al Suo vicino;
E piange il Pastorel, perche sospesa
Teme fiera borasca, e 'l suo destino;

Adagio e piano – Presto e forte
Toglie alle membra lasse il Suo riposo
Il timore de' Lampi, e tuoni fieri
E de mosche, e mosconi il Stuol furioso!

Presto
Ah, che pur troppo i Suo timor Son veri
Tuona e fulmina il Ciel e grandinoso
Tronca il capo alle Spiche e a' grani alteri.

Allegro non molto
Under a hard season, fired up by the sun
Languishes man, languishes the flock and burns the pine
We hear the cuckoo's voice;
then sweet songs of the turtledove and finch are heard.
Soft breezes stir the air, but threatening
the North Wind sweeps them suddenly aside.
The shepherd trembles,
fearing violent storms and his fate.

Adagio e piano – Presto e forte
The fear of lightning and fierce thunder
Robs his tired limbs of rest
As gnats and flies buzz furiously around.

Presto
Alas, his fears were justified
The Heavens thunder and roar and with hail
Cut the head off the wheat and damages the grain.

Autumn

Allegro
Celebra il Vilanel con balli e Canti
Del felice raccolto il bel piacere
E del liquor de Bacco accesi tanti
Finiscono col Sonno il lor godere.

Adagio molto
Fà ch' ogn' uno tralasci e balli e canti
L' aria che temperata dà piacere,
E la Staggion ch' invita tanti e tanti
D' un dolcissimo Sonno al bel godere.

Allegro
cacciator alla nov' alba à caccia
Con corni, Schioppi, e cani escono fuore
Fugge la belva, e Seguono la traccia;
Già Sbigottita, e lassa al gran rumore
De' Schioppi e cani, ferita minaccia
Languida di fuggir, mà oppressa muore.

Allegro
Celebrates the peasant, with songs and dances,
The pleasure of a bountiful harvest.
And fired up by Bacchus' liquor,
many end their revelry in sleep.

Adagio molto
Everyone is made to forget their cares and to sing and dance
By the air which is tempered with pleasure
And (by) the season that invites so many, many
Out of their sweetest slumber to fine enjoyment

Allegro
The hunters emerge at the new dawn,
And with horns and dogs and guns depart upon their hunting
The beast flees and they follow its trail;
Terrified and tired of the great noise
Of guns and dogs, the beast, wounded, threatens
Languidly to flee, but harried, dies.

Winter

Allegro non molto
Agghiacciato tremar trà nevi algenti
Al Severo Spirar d' orrido Vento,
Correr battendo i piedi ogni momento;
E pel Soverchio gel batter i denti;

Largo
Passar al foco i di quieti e contenti
Mentre la pioggia fuor bagna ben cento

Allegro
Caminar Sopra il giaccio, e à passo lento
Per timor di cader girsene intenti;
Gir forte Sdruzziolar, cader à terra
Di nuove ir Sopra 'l giaccio e correr forte
Sin ch' il giaccio si rompe, e si disserra;
Sentir uscir dalle ferrate porte
Sirocco, Borea, e tutti i Venti in guerra
Quest' é 'l verno, mà tal, che gioja apporte.

Allegro non molto
To tremble from cold in the icy snow,
In the harsh breath of a horrid wind;
To run, stamping one's feet every moment,
Our teeth chattering in the extreme cold

Largo
Before the fire to pass peaceful,
Contented days while the rain outside pours down.

Allegro
We tread the icy path slowly and cautiously,
for fear of tripping and falling.
Then turn abruptly, slip, crash on the ground and,
rising, hasten on across the ice lest it cracks up.
We feel the chill north winds course through the home
despite the locked and bolted doors...
this is winter, which nonetheless
brings its own delights.

Recording history

Bernardino Molinari, who made the first electrical recording of The Four Seasons in 1942. BernardinoMolinari-1922.jpg
Bernardino Molinari, who made the first electrical recording of The Four Seasons in 1942.

The date and personnel on the first recording of The Four Seasons are disputed. There is a compact disc of a recording made by the violinist Alfredo Campoli taken from acetates of a French radio broadcast; these are thought to date from early in 1939. [7] The first proper electrical recording was made in 1942 by Bernardino Molinari; though his is a somewhat different interpretation from modern performances, it is clearly recognisable as The Four Seasons. Molinari's recording was made for Cetra, and was issued in Italy and subsequently in the United States on six double-sided 78s, in the 1940s. It was then reissued on long-playing album in 1950, and, later, on compact disc. [8]

The first American recording was made in the final week of 1947 by the violinist Louis Kaufman. [9] The recording was made at Carnegie Hall in advance of a scheduled recording ban effective 1 January 1948. [10] The performers were The Concert Hall Chamber Orchestra under Henry Swoboda, Edith Weiss-Mann (harpsichord) and Edouard Nies-Berger (organ). [11] This recording helped the re-popularisation of Vivaldi's music in the mainstream repertoire of Europe and America following on the work done by Molinari and others in Italy. [10] It won the French Grand Prix du Disque in 1950, was elected to the Grammy Hall of Fame in 2002, and was selected the following year for the National Recording Registry in the Library of Congress. Kaufman, intrigued to learn that the four concertos were in fact part of a set of twelve, set about finding a full score and eventually recorded the other eight concertos in Zürich in 1950, making his the first recording of Vivaldi's complete Op. 8. [12]

The ensemble I Musici recorded The Four Seasons several times, the debut recording in 1955 with Felix Ayo; a 1959 recording featuring Ayo again; and subsequent recordings featuring Roberto Michelucci (1969), Pina Carmirelli (1982), Federico Agostini (1990), and Mariana Sîrbu (1995). The 1969 Argo recording by the Academy of St. Martin-in-the-Fields conducted by Neville Marriner and featuring the soloist Alan Loveday sold over half a million copies; it became the ensemble's first gold record. [13]

I Solisti di Zagreb, under the baton of Antonio Janigro with Jan Tomasow as violin soloist and Anton Heiller on harpsichord, followed in 1957 on the Vanguard label, further reissued under the Philips and other labels. Wilfrid Mellers, an English music critic, musicologist and composer wrote of this performance, "the soloists phrase their lyricism beautifully."[ citation needed ] John Thornton wrote about this recording, "Here is matchless ensemble playing, topped by Tomasow's secure playing. Janigro reveals his talent for conducting, which competes with his considerable talent for cello playing." [14]

Ivan Supek wrote of this recording:

I will attempt to convey to you how much this performance means to me, and might mean to you, as well. My first encounter with the records took place almost thirty years ago, when “our” Antonio revealed to me the true significance of the piece of another great Antonio, his famous namesake, whose Le Quattro Staggioni I could hardly listen any more because of the "grand", actually too grand, performances usual at that time, let alone enjoy them. What a change it was – a window into a new world; music is fast, precise and true to life, the intonation is correct, the continuo appropriate, and the violin of beautiful sound in fitting correlation with the Zagreb Soloists. The self-assured and fine tone of Jan Tomasow's solo violin relates perfectly with the Soloists; the entire performance is impregnated with the spirit of Janigro's perfectionism, leaving the music and its soul fully exposed. It had been for a long time the only performance I could listen to. Only during [the] last decade some new kids, playing authentic instruments, have offered to me similar pleasure and insights into the music of Antonio Vivaldi and, to my great pleasure, Janigro's performance is no longer the only choice for me. In my opinion, this also shows how Janigro's performance in co-operation with the Zagreb Soloists was far ahead its time, as corroborated by Igor Stravinsky, who claimed that it was the most beautiful performance of Le Quattro Staggioni he had ever heard, a statement which I only recently learned about. No wonder, since such “bareness” and precision of Janigro's interpretation must have appealed to him. It was much later that I discovered the excellence of the recording as well. At that time, the Zagreb Soloists were recording for Vanguard, mostly in Vienna at various locations, and this particular recording was made in 1957 at Rotenturmstrassaal. Recording was produced by Seymour Solomon, chief producer of the entire edition, who would personally come from the USA to oversee every recording to be made by the Zagreb Soloists, whereas the Vanguard branch in Vienna "Amadeo" was in charge of the organisation. (My gratitude to one of the founders of the Zagreb Soloists, Mr. Stjepan Aranjoš, for providing me with some important insights). Janigro was a perfectionist, often rather merciless, not only in matters of music but also in terms of the sound, so he participated directly and intensely in [the] recording process, which was quite uncommon at that time. All that great care, by all participants in the project, is amply reflected in the recording itself, resulting in an airy performance of appropriate spaciousness and extension, with only occasional “congestion” of high tones in forte sections. [15]

Paul Shoemaker wrote about this recording:

Nothing I have heard changes my view that the best Seasons ever was performed by Jan Tomasow and I Solisti di Zagreb and beautifully recorded by Vanguard at the very beginning of the stereo era. If you have almost every other version of the Seasons, you’ll want this one, too. If money and space are no obstacle, it might be worth having. [16]

Nigel Kennedy's 1989 recording of The Four Seasons with the English Chamber Orchestra sold over two million copies, becoming one of the best-selling classical works ever. [17] Gil Shaham and the Orpheus Chamber Orchestra recorded The Four Seasons as well as a music video for the first movement of "Winter" that was featured regularly on The Weather Channel in the mid-1990s.

Surround sound versions of the piece have been issued on Super Audio CD by Richard Tognetti, Pinchas Zukerman, Jonathan Carney and Rachel Podger.

The World's Encyclopedia of Recorded Music in 1952 cites only two recordings of The Four Seasons – by Molinari and Kaufman. By 2011, approximately 1,000 recorded versions have been made since Campoli's in 1939.[ citation needed ]

Classical musicians have sought to distinguish their recordings of The Four Seasons, with historically informed performances, and embellishments, to the point of varying the instruments and tempi, or playing notes differently from the listener's expectation (whether specified by the composer or not). [18] It is said that Vivaldi's work presents such opportunities for improvisation. [19]

Reception

The Four Seasons was voted #67 in the Classic FM Hall of Fame. Three of the four concerti were included in the Classic 100 Concerto listing.

Derivative works

Derivative works of these concerti include arrangements, transcriptions, covers, remixes, samples, and parodies in music — themes in theater and opera, soundtracks in films (or video games), and choreography in ballet (along with contemporary dance, figure skating, rhythmic gymnastics, synchronized swimming, etc.) — either in their entirety, single movements, or medleys. Antonio Vivaldi appears to have started this trend of adapting music from The Four Seasons, and since then it has expanded into many aspects of the performing arts (as have other instrumental & vocal works by the composer). This contest between harmony and invention (as it were) now involves various genres around the world:

1726 (or 1734)
1727 (or 1730, 1731)
1739
1765

1775

1969
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References

  1. Heller, Karl (1997). Antonio Vivaldi, The Red Priest of Venice . Portland, Oregon: Amadesu Press. pp.  171. ISBN   978-1-57467-015-8.
  2. Philip, Robert (2018). The Classical Music Lover's Companion to Orchestral Music. Yale University Press. p. 875. ISBN   9780300120691.
  3. Everett, Paul (1996). Vivaldi: The Four Seasons and Other Concertos, Op. 8 . Cambridge: Cambridge University Press. p.  76. ISBN   978-0521404990.
  4. Christine Lee Gengaro. "Program notes: Four Seasons". Los Angeles Chamber Orchestra. Archived from the original on 15 July 2012.
  5. Andrew Mellor Sinfini Music (2013-03-14). "The secret behind the Four Seasons". Sinfini Music. Retrieved 2014-08-24.
  6. "Vivaldi's Four Sonnets" by Armand D'Angour
  7. Pearl GEMM CD 9151
  8. Two versions are available, one with more extensive sleeve notes giving the political background and history of the work's rediscovery issued by Ermitage ERC CD 12006-2.
  9. Bowling, Lance. "8.110297-98 - VIVALDI: 12 Violin Concertos, Op. 8 / The 4 Seasons (Kaufman) (1947, 1950)". Naxos Records. Retrieved 27 October 2018.
  10. 1 2 Jeremy Eichler (2005-02-27). "The Masterpiece That Took 200 Years to Become Timeless". The New York Times. Retrieved 2018-01-06.
  11. Concert Hall Records, CHS. set AR; reissued on Naxos Historical 8.110297-98.
    1. CHS.CHC 1064 (#Nix.CLP 1061-1/2)
  12. Andrew Clements (2016-10-04). "Neville Marriner - ten of his best recordings". The Guardian. Retrieved 2018-01-06.
  13. Thornton, John (October 1958). "Stereo Disc Reviews" (PDF). HiFi/Stereo Review. 1 (9): 88 via vintagevacuumaudio.com.
  14. Antonio Janigro - WAM[ full citation needed ]
  15. Web(UK), Music on the. "Vivaldi - The Ultimate Four Seasons [PS]: Classical CD Reviews- April 2003 MusicWeb(UK)". www.musicweb-international.com.
  16. Wright, Steve (23 August 1999). "Not quite Vivaldi: Nigel Kennedy remembers Hendrix". CNN.
  17. Performing Vivaldi, Interview with Nemanja Radulovic, featured on YouTube (recording artist's channel)
  18. Performing Vivaldi, Interview with Aisslinn Nosky, featured on YouTube (producer's channel).
  19. RISM No. 212006277
  20. Spáčilová, Jana (2013). "Brněnská opera Argippo z roku 1733 ve světle nových výzkumů". opus musicum (in Czech). Brno: Opus musicum. 13 (2): 9. ISSN   0862-8505.
  21. Spáčilová, Jana (2014). "Unbekannte Brünner Oratorien Neapolitanischer Komponisten vor 1740". Musicologica Brunensia (in German). Brno: Faculty of Arts of the Masaryk University. 49 (1): 143. doi: 10.5817/MB2014-1-9 . hdl:11222.digilib/130209. ISSN   1212-0391.
  22. Hopkins, Translated by Bill (1970). Antonio Vivaldi; his life and work. Berkeley: University of California Press. p. 87. ISBN   978-0-520-01629-3.
  23. Jean-Jacques Rousseau Le Printems de Vivaldi arrangé pour une Flute sans accompagnement. Paris: Bignon, 1775.
  24. Le Printemps de Vivaldi at www.dolcimelo.com
  25. Moe Koffman "The Four Seasons", GRT or Derby record label, Discogs listing.
  26. New Koto Ensemble "Koto Four Seasons", Discogs listing.
  27. Michael Franks, "Vivaldi's song", "Burchfield Nines" album.
  28. WoongSan, "Vivaldi's Song", album "Close Your Eyes" (Pony Canyon label).
  29. Ben Shedd, "Seasons", listed on IMDB; trailer featured on Vimeo (photagrapher's channel).
  30. Flute "Jean-Pierre Rampal Plays Vivaldi's Four Seasons", Sony Classical (53105), Allmusic listing.
  31. Arnie Roth, "The Compleat Four Seasons", listed on Allmusic.
  32. The Baronics "Get Bach!", on Discogs.
  33. The Great Kat, "Bloody Vivaldi", album.
  34. Vanessa-Mae "Storm", album.
  35. Chinese Baroque Players "Four Seasons", Xien Records (XNC2 44032), Allmusic listing
  36. Venice Harp Quartet "Four Seasons for Four Harps", Fine Classics (4423–2), Allmusic listing.
  37. Primavera Tango "Flamenco Fantasy", on Discogs.
  38. Brusch & Mikkelsen "The Four Seasons", Classico CLASSCD333
  39. Ferhan & Ferzan discography "Vivaldi Reflections" Archived 2016-03-04 at the Wayback Machine , EMI classics. Retrieved on 23 June 2013.
  40. Susan Osborn, "Winter/Vivaldi", album "Still Life" (Pony Canyon label).
  41. The Charades, "Vivaldi's Summer Twist", album "As Hot As Cool Can Be" (Power Records).
  42. Red Priest's "Four Seasons" (Dorian 90317), Allmusic listing.
  43. "The Four Seasons Mosaic" DVD is paired with Tafelmusik's L'estro armonico CD, featured on Vimeo (producer's channel).
  44. Frets on Fire "Dark Moor's winter", featured on YouTube (open source gameplay recording).
  45. Accentus "Transcriptions 2", on Discogs.
  46. Celtic Woman: A New Journey, "Vivaldi's Rain".
  47. PercaDu (Tomer Yariv and Adi Morag), "Vivaldi, winter arr for marimbas", featured on YouTube (recording artist's channel).
  48. LesGrandsBallets "Les quatre saisons", featured on YouTube (producer's channel).
  49. Tim Slade "4", listed on IMDB.
  50. Information about CD "국악으로 듣는 비발디의 사계 (in Korean)", on Aladin Communication Inc.
  51. Jaroslav Sveceny & Michal Dvorak "Vivaldianno MMVIII", featured on Vimeo (recording artist's channel).
  52. Yves Custeau "Vivaldi Rock Spring", featured on YouTube (recording artist's channel).
  53. Daisy Jopling, "Winter (hip hop)", album "Key to the Classics", "Winter (reggae)", featured on YouTube (recording artist's channel).
  54. Innesa Tymochko, "Vivaldi's Storm", featured on YouTube (recording artist's channel).
  55. Wez Bolton, "Winter (cover version)", featured on YouTube (recording artist's channel).
  56. Patrick Chan, "2008 Nationals", featured on YouTube (channel for the skater).
  57. Absynth Against Anguish "The Four Seasons 2.0", creative commons audio.
  58. Riccardo Arrighini, "Le quattro stagioni", album "Vivaldi in Jazz".
  59. Christophe Monniot, "Vivaldi Universel, Saison 5", Cristal Records (CR 149).
  60. BlinDChriS "Vivaldi Dead Springs", creative commons media.
  61. Art Color Ballet "Vivaldi 4 Elements", featured on YouTube (producer's channel).
  62. David Garrett "Vivaldi/Vertigo", album "Rock Symphonies", featured on Vimeo (producer's channel).
  63. Black Smith "Vivaldi Tribute", Against all odds (DVD), featured on YouTube (recording artist's channel).
  64. Angels Ensembles, "Angels Summer", featured on YouTube (recording artist's channel).
  65. Szentpeteri Csilla, "Storm – Crossover", featured on YouTube (recording artist's channel).
  66. Leonel Valbom, "Summer Vivaldi", featured on SoundCloud (recording artist's channel).
  67. Tim Kliphuis "Spring – Gypsy Jazz and Celtic version", "Live at Iford Manor" (DVD), featured on YouTube (recording artist's channel).
  68. "Night in Istanbul by Olga Show on Apple Music". iTunes. Retrieved 2017-03-08.
  69. "Save the Street Musicians by Olga Show on Apple Music". iTunes. Retrieved 2017-03-08.
  70. Marino Colina (2012-10-08), OLGA SHOW - SUMMER - VIVALDI - violin drums bass , retrieved 2017-03-08
  71. Gill, Andy (27 October 2012). "Album: Max Richter, Vivaldi: The Four Seasons, Recomposed By Max Richter (Deutsche Grammophon)". Independent. London. Retrieved 27 December 2012.
  72. Aura discography "Le Quattro Stagioni" Archived 2011-11-17 at the Wayback Machine , EPIC Records (ESCL 3932). Retrieved on 3 June 2013.
  73. Sinfonity "The Four Seasons", live in Madrid, featured on Vimeo (recording artist's channel).
  74. Bachod Chirmof, "Midi Animation – Vivaldi", featured on Vimeo (recording artist's channel).
  75. Tornado Classic, "Vivaldi Summer", featured on Vimeo (producer's channel).
  76. Richard Galliano, DG Label "Vivaldi" Archived 2013-07-06 at the Wayback Machine (featured on artist's site).
  77. Vito Paternoster "The Four Seasons in forma di sonata for cello" ("Baryton BRT 006", tracks featured on Magnatune).
  78. The Periodic project & Lennart Wittenhagen "Vier Jahreszeiten", featured on Vimeo (recording artist's channel).
  79. A Vivaldi Compendium "Midseasons", creative commons media, featured on YouTube (producer's channel).
  80. The Piano Guys – "Let it Go (Disney's "Frozen") Vivaldi Winter", featured on YouTube (group's channel).
  81. "The Four Seasons". www.astronomusic.com.
  82. "Le quattro stagioni (Vivaldi, Antonio) - IMSLP/Petrucci Music Library: Free Public Domain Sheet Music". imslp.org. Retrieved 2016-11-22.[ failed verification ]
  83. Carpenter, David Aaron (April 15, 2016). "Vivaldi, Piazzolla, Shor: The 12 Seasons". Warner Classics.
  84. "The Four Seasons - A World Premiere".