The Gentleman from Epsom | |
---|---|
Directed by | Gilles Grangier |
Written by | Michel Audiard Gilles Grangier Albert Simonin |
Produced by | Jacques Bar |
Starring | Jean Gabin Madeleine Robinson Frank Villard |
Cinematography | Louis Page |
Edited by | Jacques Desagneaux |
Music by | Michel Legrand Francis Lemarque |
Production companies | Cité Films Cipra Films Compagnia Cinématografica Mondiale |
Distributed by | Metro Goldwyn Mayer |
Release date |
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Running time | 84 minutes |
Countries | France Italy |
Language | French |
The Gentleman from Epsom (French: Le Gentleman d'Epsom) is a 1962 French–Italian comedy film directed by Gilles Grangier and starring Jean Gabin, Madeleine Robinson and Frank Villard. [1] The film was shot at the Saint-Maurice Studios in Paris. Racetracks scenes were shot at the Hippodrome d'Enghien-Soisy and Longchamp Racecourse on the outskirts of the city. The film's sets were designed by the art director Jacques Colombier.
Richard Briand-Charmery is an older gentleman who frequents the racetracks of Paris, selling tips to customers while always looking to make himself a profit out of the dealings. Circumstances generally conspire to prevent his fortune, and he is forced to rely on assistance of his family, partly by threatening to embarrass them by being sent to jail for failure to settle his losses. One day he encounters Maud, an old flame who he once come close to marrying before having to abandon her following a heavy loss at the Epsom Derby. Now married to a banker and living in New York, they relive the good old days, and he treats her to an extravagant dinner in a high-class restaurant that he cannot pay for. He plans to dig himself out of his problems with a big scam, but soon finds himself even deeper in debt. Brief salvation comes when he is accidentally given the wrong ticket when laying a bet on horserace and wins a small fortune.
Jean-Alexis Moncorgé, known as Jean Gabin, was a French actor and singer. Considered a key figure in French cinema, he starred in several classic films, including Pépé le Moko (1937), La grande illusion (1937), Le Quai des brumes (1938), La bête humaine (1938), Le jour se lève (1939), and Le plaisir (1952). During his career, he twice won the Silver Bear for Best Actor from the Berlin International Film Festival and the Volpi Cup for Best Actor from the Venice Film Festival, respectively. Gabin was made a member of the Légion d'honneur in recognition of the important role he played in French cinema.
Port of Shadows is a 1938 French film directed by Marcel Carné. An example of poetic realism, it stars Jean Gabin, Michel Simon and Michèle Morgan. The screenplay was written by Jacques Prévert based on a novel by Pierre Mac Orlan. The music score was by Maurice Jaubert. The film was the 1939 winner of France's top cinematic prize, the Prix Louis-Delluc.
Méphisto is the title of a 1931 French film serial co-directed by Henri Debain and Georges Vinter, starring Jean Gabin and René Navarre. It was Gabin's first role in a long and illustrious career, as well as Viviane Elder's first role. The music was by Casimir Oberfeld with lyrics by Charles L. Pothier, sung by Jean Gabin.
Les Misérables is a 1958 film adaptation of the 1862 Victor Hugo novel. Written by René Barjavel, the film was directed by Jean-Paul Le Chanois and stars Jean Gabin as Jean Valjean.
Remorques is a 1941 French drama film directed by Jean Grémillon. The screenplay was written by Jacques Prévert and André Cayatte (adaptation), based on the novel by Roger Vercel. The film stars Jean Gabin, Madeleine Renaud and Michèle Morgan.
The Moment of Truth is a 1952 French-Italian drama film directed by Jean Delannoy and starring Michèle Morgan, Jean Gabin and Walter Chiari. Delannoy co-wrote the screenplay with Henri Jeanson, Roland Laudenbach and Robert Thoeren. The music score is by Paul Misraki, Winfried Zillig and Georges Van Parys. It was shot at the Francoeur Studios in Paris. The film's sets were designed by the art director Serge Piménoff.
Three Telegrams is a 1950 French drama film directed by Henri Decoin and starring Gérard Gervais, Pierrette Simonet and Olivier Hussenot. The film's art direction was by Auguste Capelier. It was made at the Billancourt Studios in Paris.
Frank Villard was a French film actor. He was born François Drouineau in Saint-Jean-d'Angély.
Mirror is a 1947 French crime drama film directed by Raymond Lamy and starring Jean Gabin, Daniel Gélin and Martine Carol. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Georges Wakhévitch. It was Gabin's second film following his return to his homeland after serving in the Free French forces after the poorly-received Martin Roumagnac (1946) alongside Marlene Dietrich. The film marks a shift from the doomed men of the pre-war poetic realism that established Gabin as a star to the powerful figures he played from the 1950s onwards.
House on the Waterfront is a 1955 French drama film directed by Edmond T. Gréville and starring Jean Gabin, Andrée Debar and Henri Vidal. It was made at the Billancourt Studios with some location filming in Marseilles. The film's sets were designed by Lucien Aguettand. Although completed in 1954, it wasn't released until the following year.
Le baron de l'écluse, titled in English The Baron of the Locks, is a 1960 French drama film directed by Jean Delannoy. Based on a novel of the same name by Georges Simenon, the screenplay is by Maurice Druon with dialogue by Michel Audiard.
That Tender Age, is a 1964 French comedy film directed by Gilles Grangier that unites two major stars in Jean Gabin and Fernandel. It recounts how two families are drawn together by an engagement between two of their children, are then torn apart when the young couple fall out, and are finally reconciled.
The Dominici Affair is a 1973 French-Italian crime drama film directed by Claude Bernard-Aubert and starring Jean Gabin, Victor Lanoux and Gérard Depardieu. It is based on the Dominici affair of 1952.
Under the Sign of the Bull is a 1969 French drama film directed by Gilles Grangier and starring Jean Gabin, Suzanne Flon and Colette Deréal. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Robert Clavel.
The Case of Doctor Laurent is a 1957 French drama film directed by Jean-Paul Le Chanois and starring Jean Gabin, Nicole Courcel and Silvia Monfort. Upon release in the United States, The film was condemned by the Catholic Church in the Advocate a publication of the Archdiocese of Newark.
Everybody Wins is a 1930 French-German comedy film directed by René Pujol and Hans Steinhoff and starring Renée Héribel, Gaby Basset and Jean Gabin. It was made as a co-production between France and Germany, with a separate German-language version Headfirst into Happiness also being shot using a different cast.
All That's Not Worth Love is a 1931 French comedy drama film directed by Jacques Tourneur and starring Marcel Lévesque, Jean Gabin and Josseline Gaël. It was shot at Pathé's Joinville Studios in Paris. The film's sets were designed by the art director Lucien Aguettand.
Their Last Night is a 1953 French crime drama film directed by Georges Lacombe and starring Jean Gabin, Madeleine Robinson and Robert Dalban. It was shot at the Billancourt Studios in Paris and on location around the city. The film's sets were designed by the art director Léon Barsacq.
Gas-Oil is a 1955 French crime drama film directed by Gilles Grangier and starring Jean Gabin, Jeanne Moreau, Gaby Basset and Ginette Leclerc. It was shot at the Epinay Studios in Paris and on location at a variety of places. The film's sets were designed by the art director Jacques Colombier. It was one of a number of films portraying tough truck drivers made in the wake of the success of the 1953 film The Wages of Fear. It was the first of many films in which Gabin appeared in written by his fellow Parisian Michel Audiard.
Goodbye, Beautiful Days is a 1933 French-German comedy film directed by André Beucler and Johannes Meyer and starring Brigitte Helm, Jean Gabin and Ginette Leclerc. It was shot at the Babelsberg Studios in Berlin and on location in Biarritz and San Sebastian. The film's sets were designed by art directors Erich Kettelhut and Max Mellin. It was co-produced and distributed by L'Alliance Cinématographique Européenne, the French subsidiary of the German company UFA. A separate German-language version Happy Days in Aranjuez with Helm appearing in both films.
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