The Girl Irene | |
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Directed by | Reinhold Schünzel |
Written by |
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Based on | play Sixteen by
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Produced by | Erich von Neusser |
Starring | |
Cinematography | Robert Baberske |
Edited by | Arnfried Heyne |
Music by | Alois Melichar |
Production company | |
Distributed by | UFA |
Release date |
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Running time | 95 minutes |
Country | Germany |
Language | German |
The Girl Irene (German : Das Mädchen Irene) is a 1936 German drama film directed by Reinhold Schünzel and starring Lil Dagover, Sabine Peters and Geraldine Katt. [1] It is based on the British play Sixteen by Aimée Stuart about the widowed mother of a middle class family who falls in love, provoking the jealousy of her daughter. It was shot at the Babelsberg and Tempelhof Studios of AG|UFA in Berlin with location shooting taking place in London, Monte Carlo and Paris as well as around the German capital. The film's sets were designed by the art directors Ludwig Reiber and Walter Reimann.
In London, Jennifer Lawrence wishes to marry Sir John Corbett and first discusses it with her daughters Baba and Irene. Irene, who idealized her own father, is strongly opposed, but her mother decides to marry anyway. Irene runs away and tries to drown herself, but is saved by Philip and Baba, who, sobbing in tears hugging Irene laying in the boat, repeats, in her way and attitude to express love and affection, she to be "…anyway a stupid goat!" who would be death if they didn't find her in time. Irene, in her arms, whispers cheek to cheek that mom should never know what she was going to do. Baba promises it and turns her head, still sobbing but not losing her humour, to tell Philip he has to give up his medal of valor for saving a life, which Philip, in love with Irene, agrees while drying his drenched trousers and, cool, replies: "Obviously: I mine, you your one!". "Are you happy to not be died?" Asks Baba to Irene, who replies: "I'm ashamed!". Baba, back: "You have not to do it at all, not so, Philip? She has not to do it!". "I had to be sick" says Irene, "Nonsense: you were jealous!" replies Baba, "He's such a proper person; think about what he's taking: me so naughty, you so hysterical! And even if she marries him, she stays anyway OUR MOMMY!" (kiss on mouth and:) "You're right, Baba… I'm truly a goat!" "You're right… but a SWEET goat!" and, cheek to cheek, movie ends.
Faust – A German Folktale is a 1926 silent fantasy film, produced by Ufa, directed by F. W. Murnau, starring Gösta Ekman as Faust, Emil Jannings as Mephisto, Camilla Horn as Gretchen/Marguerite, Frida Richard as her mother, Wilhelm Dieterle as her brother, and Yvette Guilbert as Marthe Schwerdtlein, her aunt. Murnau's film draws on older traditions of the legendary tale of Faust as well as on Goethe's classic 1808 version. Ufa wanted Ludwig Berger to direct Faust, as Murnau was engaged with Variety; Murnau pressured the producer and, backed by Jannings, eventually persuaded Erich Pommer to let him direct the film.
Olga Konstantinovna Chekhova, known in Germany as Olga Tschechowa, was a Russian-German actress. Her film roles include the female lead in Alfred Hitchcock's Mary (1931).
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Camilla Martha Horn was a German dancer and a film star of the silent and sound era. She starred in several Hollywood films of the late 1920s and in a few British and Italian productions.
Lil Dagover was a German actress whose film career spanned between 1913 and 1979. She was one of the most popular and recognized film actresses in the Weimar Republic.
Olga Engl was an Austrian-German stage and motion picture actress who appeared in nearly 200 films.
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The Comedians is a 1941 German historical drama film directed by G. W. Pabst and starring Käthe Dorsch, Hilde Krahl and Henny Porten. It is based on the novel Philine by Olly Boeheim. The film is set in the eighteenth century, and portrays the development of German theatre. The film was shot at the Bavaria Studios in Munich with sets designed by the art director Julius von Borsody.
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Das häßliche Mädchen is a German comedy film made in early 1933, during the transition from the Weimar Republic to Nazi Germany, and premièred in September that year. It was the first or second film directed by Hermann Kosterlitz, who left Germany before the film was completed and later worked in the United States under the name Henry Koster, and the last German film in which Dolly Haas appeared; she also later emigrated to the US. A Nazi-led riot broke out at the première to protest the male lead, Max Hansen, who was supposedly "too Jewish." The film's representation of the "ugly girl" as an outsider has been described as a metaphorical way to explore the outsider existence of Jews.
Schlußakkord is a German film melodrama of the Nazi period, the first melodrama directed by Detlef Sierck, who later had a career in Hollywood as Douglas Sirk and specialised in melodramas. It was made under contract for Universum Film AG (UFA), stars Lil Dagover and Willy Birgel and also features Maria von Tasnady, and premièred in 1936. It shows stylistic features later developed by Sierck/Sirk and makes symbolic and thematic use of music.
Ellen Richter was an Austrian-Jewish film actress of the silent era. She was married to Willi Wolff, who directed many of her films. Ellen Richter composed her own production company to create her films. She worked primarily in Germany and was one of the foremost actresses of Weimar cinema.
Augustus the Strong is a 1936 German-Polish biographical film directed by Paul Wegener and starring Michael Bohnen, Lil Dagover, and Marieluise Claudius. The film depicts the life of Augustus the Strong, the Eighteenth Century ruler of Saxony and Poland. It was partly shot at the Grunewald Studios in Berlin. The film's sets were designed by the art directors Karl Machus and Ludwig Reiber.
The Ufa-Palast am Zoo, located near Berlin Zoological Garden in the New West area of Charlottenburg, was a major Berlin cinema owned by Universum Film AG, or Ufa. Opened in 1919 and enlarged in 1925, it was the largest cinema in Germany until 1929 and was one of the main locations of film premières in the country. The building was destroyed in November 1943 during the Bombing of Berlin in World War II and replaced in 1957 by the Zoo Palast.
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The Gambler is a 1938 German drama film directed by Gerhard Lamprecht and starring Eugen Klöpfer, Lída Baarová, and Hedwig Bleibtreu. It is based on Fyodor Dostoevsky's 1866 novel The Gambler. Due to the scandal over Baarová's affair with Joseph Goebbels, followed by her return to Czechoslovakia, the film was withdrawn from cinemas three days after its release. It was not given a release again until 1950. A similar fate had befallen another film of hers, A Prussian Love Story.
Elisa Johanna Lucie Schlott is a German actress. Her younger half-sisters are the actresses Emilia Pieske and Helena Pieske.