Le Trou | |
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Directed by | Jacques Becker |
Screenplay by | Jacques Becker José Giovanni Jean Aurel |
Based on | The Break 1957 book by José Giovanni |
Produced by | Serge Silberman |
Starring | Michel Constantin Marc Michel Jean Keraudy Philippe Leroy Raymond Meunier |
Cinematography | Ghislain Cloquet |
Edited by | Marguerite Renoir Geneviève Vaury |
Music by | Philippe Arthuys |
Distributed by | Titanus |
Release date | 18 March 1960 |
Running time | 132 minutes |
Country | France |
Language | French |
The Hole (French : Le Trou) is a 1960 French crime film directed by Jacques Becker. It is an adaptation of José Giovanni's 1957 book The Break . It was called The Night Watch when first released in the United States, but is released under its French title today. The film is based on a true event concerning five prison inmates in La Santé Prison in France in 1947. Becker, who died just weeks after shooting had wrapped, cast mostly non-actors for the main roles, including one man (Jean Keraudy) who was actually involved in the 1947 escape attempt, and who introduces the film. [1] It was entered into the 1960 Cannes Film Festival. [2]
Gaspard, a very polite prisoner, is moved to a cell (block 11, cell 6) designed for, and containing, four inmates due to repair works in his block. The cellmates keep busy making cardboard boxes.
Gaspard receives a food parcel from his mistress and has to watch while the guard chops up the sausages and prods the jams, searching for concealed tools.
The four existing cellmates expect long prison sentences, ranging from 10 years to possibly execution by guillotine, and have a pre-existing plan to escape. Gaspard himself is accused of the attempted murder of his wife, and faces a potential 20-year sentence.
Gaspard shares his food parcel with the four and gains their confidence sufficiently for them to reveal their escape plan: digging a hole through the floor to reach the underground passages. The bulk of the film then focuses upon their gradual progress, which results in two men reaching an outer manhole in the public street outside the prison walls. However, the two do not escape, and instead return to the cell to organize the timing of the group escape. Geo decides not to join.
But, just as they are ready to go, Gaspard gets called to a meeting with the governor, and is told that his wife has withdrawn the charges; and that he will be released soon. Returning to the cell, Gaspard has to dispel the suspicions of his cellmates, that he had turned them in. However, in the last moments before the four are about to leave through their tunnel, a group of guards appears outside and they realize that they have been betrayed. A fight ensues in the cell and the guards intervene.
As Gaspard is returned to his original cell, the original four have been stripped to their underwear (before going into solitary confinement). But Gaspard too has been cheated, as the governor has a reputation for swapping information for supposed release rumours. Whether or not his wife has dropped the charges the state still wishes to prosecute.
According to the 1964 press materials that are included in The Criterion Collection DVD, Jacques Becker first read of the 1947 La Santé Prison escape attempt in a newspaper. Years later, he found out that José Giovanni had fictionalized the same escape attempt in his 1957 novel The Break. Becker contacted Giovanni's publisher, Gallimard, and Becker and Giovanni collaborated on the screenplay of Le Trou.
During production, Becker hired three of the attempted escapees as technical consultants. One of the consultants, Roland Barbat (using the stage name Jean Keraudy), appears in the film as the character Roland Darbant, who plans the escape tunnel and improvises all the tools they use. [3]
Barbat also appears at the beginning of the film as himself, working on a Citroën 2CV. (Barbat became a mechanic after prison.) He states directly to the camera that we are about to see his true story.
The black and white cinematography is by Ghislain Cloquet ( Mickey One , Au hasard Balthazar , Tess).
The scene where three different characters take turns breaking through the concrete floor of their cell is filmed in a single, nearly four minute long, shot.
There is no musical score except under the end credits.
The film has no opening credits.
Le Trou has a Rotten Tomatoes score of 94% based on 17 reviews, with an average score of 8.59/10. Dave Kehr, writing for Chicago Reader , hailed it as "the last great flowering of French classicism; the 'tradition of quality' here goes out with a masterpiece." [4] The New York Times' Bosley Crowther noted that the non-professional actors "play their roles with such simple, natural force that they become not only bold adventurers but also deeply appreciable friends." [5] "As long as men have been placed behind bars" wrote Kenneth Turan, "they've plotted to escape, and those plans have powered prison-break movies without end. But even in that large group, "Le Trou" stands apart." [6]
Whilst praising the film otherwise, Richard Brody of The New Yorker wrote that Becker's "deeply empathetic, fanatically specific view of his protagonists leaves out some elements. [José] Giovanni was no common criminal—a Nazi collaborator, he blackmailed, tortured, and murdered Jews during, and even after, the Occupation. The charm of France’s underworld depended not just on criminals’ own code of silence but on Becker’s, and on all of France’s." [7]
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La Santé Prison is a prison operated by the French Prison Service of the Ministry of Justice located in the east of the Montparnasse district of the 14th arrondissement in southern Paris, France at 42 Rue de la Santé. It is one of the most famous prisons in France, with both VIP and maximum security sections.
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Jacques Becker was a French film director and screenwriter. His films, made during the 1940s and 1950s, encompassed a wide variety of genres, and they were admired by some of the filmmakers who led the French New Wave movement.
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Le Doulos is a 1962 French crime film written and directed by Jean-Pierre Melville, adapted from the novel of the same name by Pierre Lesou. It was released theatrically as The Finger Man in the English-speaking world, but all video and DVD releases have used the French title. Intertitles at the beginning of the film explain that the French title refers both to a kind of hat and to the slang term for a police informant.
Ghislain Cloquet was a Belgian-born French cinematographer. Cloquet was born in Antwerp, Belgium in 1924. He went to Paris to study and became a French citizen in 1940.
Philippe Leroy-Beaulieu is a French actor. He has appeared in over 150 films since 1960, and has worked extensively in Italian cinema, as well as in his native country. He was nominated for the BAFTA Award for Best Foreign Actor for his debut performance in Jacques Becker’s The Hole (1960), and for a Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie for playing the titular role in the Italian miniseries The Life of Leonardo da Vinci (1971). He was previously a decorated paratrooper in the French Foreign Legion, where he served in the First Indochina War and the Algerian War.
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Jean Keraudy (1920–2001) was the stage name of Roland Barbat, a French prisoner, later came to fame playing himself in the French film The Hole. He was one of five inmates involved in a 1947 escape attempt from France's La Santé Prison.
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