The Lighthouse Keepers | |
---|---|
French | Gardiens de phare |
Directed by | Jean Grémillon |
Written by | Pierre Antier (play) P. Cloquemin (play) Jacques Feyder |
Starring | Paul Fromet Geymond Vital Genica Athanasiou |
Cinematography | Georges Périnal |
Production company | Films du Grand Guignol |
Release date |
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Running time | 82 minutes |
Country | France |
Languages | Silent French intertitles |
The Lighthouse Keepers (French: Gardiens de phare) is a 1929 French silent drama film directed by Jean Grémillon and starring Paul Fromet, Geymond Vital and Genica Athanasiou. [1] It is set on the coast of Brittany where two keepers, a father and son, work a lighthouse together.
A lighthouse keeper or lightkeeper is a person responsible for tending and caring for a lighthouse, particularly the light and lens in the days when oil lamps and clockwork mechanisms were used. Lighthouse keepers were sometimes referred to as "wickies" because of their job trimming the wicks.
Bréhan is a commune in the Morbihan department of Brittany in northwestern France.
Antigone is a play by Jean Cocteau, written in Paris in 1922.
The Count of Monte Cristo is a 1954 French-Italian historical drama film directed by Robert Vernay and starring Jean Marais, Lia Amanda and Roger Pigaut. It is based on the 1844 novel of the same title by Alexandre Dumas.
A Monkey in Winter is a 1962 French comedy-drama film directed by Henri Verneuil. It is based on the novel A Monkey in Winter by Antoine Blondin. Set in a Normandy seaside town, it recounts the meeting and parting of two men at odds with life, one an old hotel keeper who dreams of dashing deeds in pre-war China and the other a young advertising executive who imagines he is an incarnation of Hispanic masculinity.
Tower of Terror is a 1941 British wartime thriller film directed by Lawrence Huntington and starring Wilfrid Lawson, Michael Rennie and Movita. It was made at Welwyn Studios with location shooting on Flat Holm off the Welsh coast.
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Madame Récamier is a 1928 French silent historical film directed by Tony Lekain and Gaston Ravel and starring Marie Bell, Françoise Rosay, and Edmond Van Daële. The film portrays the life of Juliette Récamier, a French society figure of the Napoleonic Era. She was also the subject of a 1920 German film of the same name.
Spanish Nights is a 1931 American Pre-Code drama film directed by Henri de la Falaise and starring Jeanne Helbling, Rose Dione and Geymond Vital. It is the French-language version of Transgression, with only Adrienne D'Ambricourt appearing in both films.
Geymond Vital was a French film, stage and television actor.
The Five Cents of Lavarede is a 1939 French comedy adventure film directed by Maurice Cammage and starring Fernandel, Josette Day and Andrex. It is based on the eponymous 1894 novel by Paul d'Ivoi and Henri Chabrillat.
Count Kostia is a 1925 French silent historical film directed by Jacques Robert and starring Conrad Veidt, Genica Athanasiou and Claire Darcas. It is based on the 1863 novel of the same title by Victor Cherbuliez which is set in the Russian Empire. It is a lost film.
Genica Athanasiou was a Romanian-French stage and film actress.
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The Gardens of Murcia is a 1936 French drama film directed by Marcel Gras and Max Joly and starring Juanita Montenegro, Hubert Prélier and Geymond Vital. It was also known by the alternative title of Heritage. A 1923 silent film The Gardens of Murcia had earlier been made, based on the same story.
Cage of Girls is a 1949 French drama film directed by Maurice Cloche and starring Danièle Delorme, Jacky Flynt and Louise Lagrange. It is set in a women's prison.
Doctor Laennec is a 1949 French historical drama film directed by Maurice Cloche and starring Pierre Blanchar, Saturnin Fabre and Mireille Perrey. It portrays the work of René Laennec, the inventor of the stethoscope.
Saint Joan the Maid or The Marvellous Life of Joan of Arc is a 1929 French-German silent historical drama film directed by Marco de Gastyne and starring Simone Genevois, Fernand Mailly and Georges Paulais.
The Theatre Alfred Jarry was founded in January 1926 by Antonin Artaud with Robert Aron and Roger Vitrac, in Paris, France. It was influenced by Surrealism and Theatre of the Absurd, and was foundational to Artaud's theory of the Theatre of Cruelty. The theatre was named after Alfred Jarry, who is most known for creating Ubu Roi. Though short-lived, the theatre was attended by an enormous range of European artists, including Arthur Adamov, André Gide, and Paul Valéry.:249