Le Doulos is a 1962 French crime film written and directed by Jean-Pierre Melville, adapted from the novel of the same name by Pierre Lesou. It was released theatrically as The Finger Man in the English-speaking world, but all video and DVD releases have used the French title. Intertitles at the beginning of the film explain that the French title refers both to a kind of hat and to the slang term for a police informant.
Michael William Marshall was a French American actor.
Claude Dauphin was a French actor. He appeared in more than 130 films between 1930 and 1978, including Barbarella, The Quiet American, and a voice role in The Tale of the Fox, considered to be one of the earliest stop-motion animated films.
Juliette, or Key of Dreams is a 1951 French drama film directed by Marcel Carné. It was entered into the 1951 Cannes Film Festival. The film is based on a play by Georges Neveux.
Jean-François Stévenin was a French actor and filmmaker. He appeared in 150 films and television shows since 1968. He starred in the film Cold Moon, which was entered into the 1991 Cannes Film Festival.
Mollenard is a 1938 French drama film directed by Robert Siodmak and starring Harry Baur, Gabrielle Dorziat and Pierre Renoir. It was also known by the alternative titles of Hatred and Capitaine Corsaire. The film's sets were designed by Alexandre Trauner. It is based on the novel of the same name by the Belgian writer Oscar-Paul Gilbert. The film's plot divides sharply into halves, with the first an action thriller set in China while the second is a social drama with the title character struggling to cope with what he regards as the suffocating atmosphere of his home port in France.
Captain Fracasse is a 1943 French-Italian historical adventure film directed by Abel Gance and starring Fernand Gravey, Assia Noris and Alice Tissot. It is an adaptation of the novel Captain Fracasse by Théophile Gautier. The scenario and dialogue is by Abel Gance and Claude Vermorel and the music composed by Arthur Honegger. Honegger's score for the film consists of around 50 minutes of music for chorus and large orchestra.
Three Telegrams is a 1950 French drama film directed by Henri Decoin and starring Gérard Gervais, Pierrette Simonet and Olivier Hussenot. The film's art direction was by Auguste Capelier. It was made at the Billancourt Studios in Paris.
Hélène is a 1936 French drama film directed by Jean Benoît-Lévy and starring Madeleine Renaud, Jean-Louis Barrault and Constant Rémy. It is based on the 1928 novel Helene Willfüer, Student of Chemistry by Vicki Baum, which had previously been adapted into a 1930 German film of the same title. The film's sets were designed by the art director Lucien Carré.
It Happened at the Inn is a 1943 French mystery film directed by Jacques Becker and starring Fernand Ledoux, Robert Le Vigan, Georges Rollin and Blanchette Brunoy. It follows an investigation into the family members of an old woman who has been murdered. The film is based on the 1937 novel with the same title by Pierre Véry. It was released in France on 14 April 1943.
Fort Dolorès is a 1939 French western film directed by René Le Hénaff and starring Roger Karl, Gina Manès and Pierre Larquey. The film's sets were designed by the art director Aimé Bazin.
The Little Thing is a 1938 French drama film directed by Maurice Cloche and starring Robert Lynen, Arletty and Marcelle Barry. It is based on Alphonse Daudet's 1868 novel Le Petit Chose.
The Agony of the Eagles is a 1933 French historical film directed by Roger Richebé and starring Annie Ducaux, Pierre Renoir and Constant Rémy.
The House on the Dune is a 1952 French crime drama film directed by Georges Lampin and starring Ginette Leclerc, Jean Chevrier and Roger Pigaut. It was a remake of the 1934 film of the same title, which was in turn based on the 1932 novel The House on the Dune by Maxence Van Der Meersch. The film's sets were designed by the art director Maurice Colasson.
Death on the Run is a 1954 French comedy film directed by André Berthomieu and starring Jean Richard, Jean-Marc Thibault and Edith Georges. It is a remake of the 1936 film of the same title which Berthomieu had also directed.
Their Last Night is a 1953 French crime drama film directed by Georges Lacombe and starring Jean Gabin, Madeleine Robinson and Robert Dalban. It was shot at the Billancourt Studios in Paris and on location around the city. The film's sets were designed by the art director Léon Barsacq.
The Affair of the Poisons is a 1955 French-Italian historical drama film directed by Henri Decoin and starring Danielle Darrieux, Viviane Romance and Paul Meurisse. The film is adapted from the 1907 play of the same title by Victorien Sardou. It was shot in Technicolor at the Boulogne Studios in Paris. The film's sets were designed by the art director Jean d'Eaubonne. The film is set against the backdrop of the real Affair of the Poisons in seventeenth century France, and demonstrates a darker tone than many more nostalgic depictions of the past.
Wolves Between Them is a 1936 French spy thriller film directed by Léon Mathot and starring Roger Duchesne, Jules Berry and Renée Saint-Cyr. The film's sets were designed by the art director Jacques Colombier. It is a sequel to the 1935 film Second Bureau. Two further entries in the series A Man to Kill (1937) and Captain Benoît (1938) were released. The film was remade as the 1939 British release Secret Journey.
Happy Arenas is a 1935 French musical comedy film directed by Karl Anton and starring Lucien Baroux, Betty Stockfeld and André Alerme. It is an operetta film, based on the 1934 operetta of the same title by Henri Allibert and Vincent Scotto. Location shooting took place around Martigues on the French Riviera. The film's sets were designed by the art director Jean Lafitte. It was remade as a 1958 film of the same name directed by Maurice de Canonge.
Happy Arenas is a 1958 French musical comedy film directed by Maurice de Canonge and starring Fernand Raynaud, Danielle Godet and Colette Ripert. It is an operetta film, based on the 1934 operetta of the same title by Henri Allibert, René Sarvil and Vincent Scotto. Location shooting took place around Martigues and the Camargue. The film's sets were designed by the art director Robert Giordani. The operetta had previously been made into the 1935 film Happy Arenas directed by Karl Anton.
