"Losing My Religion" is a song by American alternative rock band R.E.M., released in February 1991 by Warner Bros. as the first single and the second track from the group's seventh album, Out of Time (1991). Built on a mandolin riff, it was written by lead singer Michael Stipe and is about unrequited love. The song was an unlikely hit for the group, garnering extensive airplay on radio as well as on MTV and VH1 due to its critically acclaimed music video, directed by Tarsem Singh. The single became R.E.M.'s highest-charting hit in the United States, reaching No. 4 on the Billboard Hot 100 and expanding the group's popularity beyond its original fan-base. At the 1992 Grammy Awards, "Losing My Religion" won two awards: Best Short Form Music Video and Best Pop Performance by a Duo or Group with Vocal. In 2017, "Losing My Religion" was inducted into the Grammy Hall of Fame.
Monster is the ninth studio album by American rock band R.E.M., released on September 27, 1994, by Warner Bros. Records. It was produced by the band and Scott Litt and recorded at four studios. The album was an intentional shift from the style of their previous two albums, Out of Time (1991) and Automatic for the People (1992), by introducing loud, distorted guitar tones and simple lyrics.
Document is the fifth studio album by American rock band R.E.M., released on August 31, 1987, by I.R.S. Records. It was the first album by the band to be produced by Scott Litt.
"What's the Frequency, Kenneth?" is a song by American alternative rock band R.E.M. from their ninth studio album, Monster (1994). The song's title refers to an incident in New York City in 1986 in which two then-unknown assailants attacked journalist Dan Rather while repeating "Kenneth, what is the frequency?"
"Shiny Happy People" is a song by the American rock band R.E.M., released as the second single from their seventh studio album, Out of Time (1991). It features guest vocals by Kate Pierson of the B-52's, who also appears in the music video.
"Everybody Hurts" is a song by American rock band R.E.M. from their eighth studio album, Automatic for the People (1992), and released as a single in April 1993. It peaked at number 29 on the US Billboard Hot 100. The song fared much better on the US Cash Box Top 100, where it peaked at number 18. It also reached the top 10 on the charts of Australia, Canada, France, Iceland, Ireland, the Netherlands, and the United Kingdom. Its music video was directed by Jake Scott. In 2003, Q ranked "Everybody Hurts" at number 31 on their list of the "1001 Best Songs Ever". In 2005, Blender ranked the song at number 238 on their list of "Greatest Songs Since You Were Born".
"Man on the Moon" is a song by American alternative rock band R.E.M., released in November 1992 as the second single from their eighth album, Automatic for the People (1992). The lyrics were written by lead singer Michael Stipe, and the music by drummer Bill Berry and guitarist Peter Buck. The song was well received by critics and reached number 30 on the US Billboard Hot 100, number 17 on the US Cash Box Top 100, number 18 on the UK Singles Chart, and number one in Iceland. It remains one of R.E.M.'s most popular songs and was included on the compilations In Time: The Best of R.E.M. 1988–2003 and Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011.
"Radio Song" is a song by American rock band R.E.M., released as the fourth single from their seventh album, Out of Time (1991), where it appears as the opening track. Lead singer Michael Stipe once said that he hoped everyone had enough sense of humor to realize that he was "kind of taking the piss of everyone," himself included. Stipe also asked KRS-One, leader of Boogie Down Productions, to contribute to the track. He provides some backing vocals for the track, as well as a closing rap, and appears prominently in the video.
"Bang and Blame" is a song by American alternative rock group R.E.M. It was released as the second single from their ninth studio album, Monster (1994), on October 31, 1994 by Warner Bros. Records. The song was R.E.M.'s last to reach the top 40 on the US Billboard Hot 100, peaking at number 19, and was also their last number-one single on the Billboard Modern Rock Tracks chart. The single reached number one in Canada—R.E.M.'s only single to do so—and peaked inside the top 40 on the charts of Australia, Belgium, Finland, Iceland, Ireland, the Netherlands, New Zealand, and the United Kingdom.
"Strange Currencies" is a song by American rock band R.E.M. It was included on their ninth studio album, Monster (1994), and was released as the album's third single on April 18, 1995, by Warner Bros. Records. The song reached number nine on the UK Singles Chart and peaked at number 47 in the United States. Like "Everybody Hurts" on R.E.M.'s previous album, it has a time signature of 6
8. The song's music video was directed by Mark Romanek.
"It's the End of the World as We Know It (And I Feel Fine)" is a song by American rock band R.E.M., which first appeared on their 1987 album, Document. It was released as the album's second single in November 1987, reaching No. 69 in the US Billboard Hot 100 and later reaching No. 39 on the UK Singles Chart on its re-release in December 1991.
"Electrolite" is a song by R.E.M. released as their third single and closing track from their tenth studio album, New Adventures in Hi-Fi. The song is a piano-based ballad to Los Angeles, Hollywood icons and the closing 20th century. Initially, Michael Stipe objected to including the song on the album, but was won over by Peter Buck and Mike Mills. It has since become one of his favorite R.E.M. songs as well as one of Radiohead lead singer Thom Yorke's; Radiohead has covered the song.
"E-Bow the Letter" is the first single from American rock band R.E.M.'s 10th studio album, New Adventures in Hi-Fi (1996). It was released on August 19, 1996, several weeks before the album's release. During the same month, R.E.M. signed a then record-breaking five-album contract with Warner Bros. Records. The song features American singer-songwriter and "Godmother of Punk" Patti Smith performing backing vocals. Smith was cited as a major influence by band members Michael Stipe and Peter Buck, and she also provided backing vocals for "Blue", the closing track on the band's final studio album, Collapse into Now, in 2011.
"At My Most Beautiful" is a song by the American alternative rock band R.E.M. During the song's creation, members of the group noted its similarity to the work of the Beach Boys and purposefully fashioned it to resemble that band's output. Singer Michael Stipe strove to make his lyrics the most romantic he had ever written, and the piano-driven ballad became R.E.M.'s first straightforward love song. Released on the group's 1998 album Up, it was issued as the third single from that record the following year, reaching number 10 on the UK Singles Chart.
"Bad Day" is a song recorded by American alternative rock band R.E.M. It is one of two previously unreleased songs from their 2003 compilation album, In Time: The Best of R.E.M. 1988–2003, and was released as the album's lead single on September 15, 2003.
"Drive" is a song by American alternative rock band R.E.M. It is the first track on and the lead single from their eighth studio album, Automatic for the People (1992), and was the first song lead singer Michael Stipe wrote on a computer. "Drive" peaked at number 28 on the US Billboard Hot 100, number one on the Billboard Modern Rock Tracks chart, and number two on the Billboard Album Rock Tracks chart. Internationally, "Drive" became R.E.M.'s then-second-biggest hit on the UK Singles Charts, peaking at number 11, and their biggest hit in Norway until "Supernatural Superserious" in 2008, reaching number three. Elsewhere, the song reached the top 10 in Canada, Ireland, New Zealand, and Switzerland.
"Daysleeper" is a song by American alternative rock band R.E.M. It was released as the first single from their eleventh studio album Up on October 12, 1998. Sung from the point of view of a night shift worker corresponding with colleagues, "Daysleeper" focuses on the disorientation of time and circadian rhythm in such a lifestyle, leading to despair and loss of identity. Lead singer Michael Stipe developed the song's concept after noticing a sign reading "daysleeper" on a New York City apartment door.
"Lotus" is a song by American rock band R.E.M., released as the second single from their eleventh studio album, Up (1998). The song is somewhat minimalist, with Michael Stipe singing surreal lyrics in a percussive manner. It builds on a four-note keyboard part, with a distorted guitar riff at the beginning and after the second chorus. The song's recurring line "I ate the lotus" appeared in an alternate form in a previous R.E.M. song, "Be Mine". The line "dot dot dot and I feel fine" is a reference to R.E.M.'s 1987 hit "It's the End of the World as We Know It ".
"Supernatural Superserious" is a song by American alternative rock band R.E.M. It is the first single and third track from the band's fourteenth album Accelerate and premiered on now defunct New York City radio station WRXP on February 5, 2008, without the consent of Warner Bros. Records. The single was first released on February 11, 2008 as an MP3, and February 25, 2008 on CD. Michael Stipe considers the song to be "one of the best things we've ever wrote."
Live at the Borderline 1991 is a 2019 live album released for Record Store Day on April 13. The recording features alternative rock band R.E.M. performing under the pseudonym Bingo Hand Job at a 1991 surprise gig around the release of Out of Time.
