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| The Rape of Europa | |
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| Artist | Peter Paul Rubens [1] |
| Year | 1628-1629 [2] |
| Dimensions | 182.5 cm× 201.5 cm(71.9 in× 79.3 in) |
| Location | Prado Museum, Madrid |
The Rape of Europa is a 1628-29 oil on canvas painted by Flemish artist Peter Paul Rubens, now in the Prado Museum, in Madrid. It is a copy of a 1562 work on the same subject by Titian.
The Massacreof the Innocents is an incident in the nativity narrative of the Gospel of Matthew (2:16–18) in which Herod the Great, king of Judea, orders the execution of all male children who are two years old and under in the vicinity of Bethlehem. Christians venerate them as the first Christian martyrs. A majority of Herod biographers, and "probably a majority of [...] biblical scholars", hold the event to be myth or legend.
Jean-Antoine Watteau was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of fêtes galantes, scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet.
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
A doubting Thomas is a skeptic who refuses to believe without direct personal experience — a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to the ten other apostles until he could see and feel Jesus's crucifixion wounds.
The Elevation of the Cross is the name of two paintings, a very large triptych in oil on panel and a much smaller oil on paper painting. Both pieces were painted by the Flemish artist Peter Paul Rubens in Antwerp, Belgium, the original in 1610 and the latter in 1638.
Samson and Delilah is a painting long attributed to the Flemish Baroque painter Peter Paul Rubens (1577–1640) and displayed in the National Gallery. It dates from about 1609 to 1610.
Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ended with the death of King Charles II. Antwerp, home to the prominent artists Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens, was the artistic nexus, while other notable cities include Brussels and Ghent.
The art of the Low Countries consists of painting, sculpture, architecture, printmaking, pottery and other forms of visual art produced in the Low Countries, and since the 19th century in Belgium in the southern Netherlands and the Netherlands in the north.
Jacob Matham, of Haarlem, was a famous engraver and pen-draftsman.
Sir Peter Paul Rubens was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands. He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.
Rubens Peale was an American museum administrator and artist. Born in Philadelphia, he was the son of artist-naturalist Charles Willson Peale. Due to his weak eyesight, he did not practice painting seriously until the last decade of his life, when he painted still life.
Isabella Brant,a portrait drawing, was executed in Antwerp around 1621, by Flemish artist and diplomat, Peter Paul Rubens (1577–1640). Brant (1591–1626) was Rubens' first wife and modelled for some of his portraits until her untimely death in 1626. The portrait is drawn in black and red chalk with white heightening on brown wash paper.
The Feast of Venus is an oil on canvas painting by Flemish painter Peter Paul Rubens, created in 1635–1636, now in the Kunsthistorisches Museum in Vienna. It is a fanciful depiction of the Roman festival Veneralia celebrated in honor of Venus Verticordia.
Prometheus Bound is an oil painting by Peter Paul Rubens, a Flemish Baroque artist from Antwerp. Influenced by the Greek play, Prometheus: The Friend of Man, Peter Paul Rubens completed this painting in his studio with collaboration from Frans Snyders, who rendered the eagle. It remained in his possession from 1612 to 1618, when it was traded in a group of paintings completed by Rubens, to Englishman Sir Dudley Carleton in exchange for his collection of classical statues. This work is currently in the collection of the Philadelphia Museum of Art.
Portrait of a Commander or A Commander Being Dressed for Battle is a portrait of an unknown man in plate armour, by Peter Paul Rubens. In July 2010 it was sold for £9 million by Christie's after Sotheby's turned it down, suspecting its authenticity as a Rubens. In December 2011, the portrait was placed on loan with the Metropolitan Museum of Art in New York.
The Circumcision is an oil on canvas painting of the Circumcision of Jesus by Peter Paul Rubens, produced in 1605 during his stay in Rome. It is now in the Chiesa del Gesù e dei Santi Ambrogio e Andrea church in Genoa.
The Lion Hunt is a 1621 painting by Peter Paul Rubens, now held in the Alte Pinakothek in Munich. It shows two lions attacked by hunters on horseback and on foot. It marks the end of an intensive creative phase for Rubens centered on the theme of hunting. It has the dimensions of 377 by 249 cm
Pallas and Arachne, also known as Minerva Punishing Arachne and occasionally referred to as Arachne Punished by Pallas, is an oil-on-board oil study by the Flemish artist Peter Paul Rubens completed in 1636 or 1637.
Bacchanalia is a c.1615 oil painting of Bacchus, Silenus, bacchantes and satyrs by Peter Paul Rubens. Originally painted on panel, it was transferred to canvas by A. Sidorov in 1892.
Visitation is a 1610s oil painting by the Flemish Baroque artist Peter Paul Rubens. It is now in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 198.
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