|The Silent Battle|
|Directed by||Pierre Billon|
|Produced by||Robert Aisner|
|Edited by||Léonide Azar|
|Music by||Louis Beydts|
|Distributed by||Pathé Consortium Cinéma|
|9 September 1937|
The Silent Battle (French: La bataille silencieuse) is a 1937 French thriller film directed by Pierre Billon and starring Käthe von Nagy, Pierre Fresnay and Michel Simon.  The film's sets were designed by the art director Aimé Bazin. It was remade as a British film of the same title in 1939.
A journalist on the trail of a group of arms smugglers becomes aware of an impending attack on the Orient Express.
Monsieur Vincent is a 1947 French film about Vincent de Paul, the 17th-century priest and charity worker. It depicts his struggle to help the poor in the face of obstacles such as the Black Death.
At the Grand Balcony is a 1949 French drama film directed by Henri Decoin and starring Pierre Fresnay, Georges Marchal and Félix Oudart. It was entered into the 1949 Cannes Film Festival. The film's sets were designed by the art director René Renoux.
Street of Shadows is a 1937 French spy film directed by G. W. Pabst. An English-language version with exactly the same plot was filmed at the same time under the direction of Edmond T. Gréville, but with some changes in the cast. Dita Parlo remained as Mademoiselle Docteur, but Erich von Stroheim took over the part of the German spy chief. The English-language version was released in the United States under the title Under Secret Orders. It was shot at the Joinville Studios in Paris. The film's sets were designed by the art directors Robert Hubert and Serge Piménoff.
Captain Craddock is a 1931 German French-language musical comedy film directed by Max de Vaucorbeil and Hanns Schwarz and starring Jean Murat, Käthe von Nagy and Charles Redgie. It is a French-language version of the 1931 German film Bombs on Monte Carlo. It is sometimes known as Bombe Sur Monte Carlo.
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A Bomb for a Dictator or The Fanatics is a 1957 French thriller film directed by Alex Joffé and starring Pierre Fresnay, Michel Auclair and Tilda Thamar. It was shot at the Boulogne Studios in Paris and on location at Nice Airport. The film's sets were designed by the art director Jacques Paris.