Denys de La Patellière was a French film director and scriptwriter. He also directed Television series.
At the Grand Balcony is a 1949 French drama film directed by Henri Decoin and starring Pierre Fresnay, Georges Marchal and Félix Oudart. It was entered into the 1949 Cannes Film Festival. The film's sets were designed by the art director René Renoux.
Street of Shadows is a 1937 French spy film directed by G. W. Pabst. An English-language version with exactly the same plot was filmed at the same time under the direction of Edmond T. Gréville, but with some changes in the cast. Dita Parlo remained as Mademoiselle Docteur, but Erich von Stroheim took over the part of the German spy chief. The English-language version was released in the United States under the title Under Secret Orders. It was shot at the Joinville Studios in Paris. The film's sets were designed by the art directors Robert Hubert and Serge Piménoff.
Captain Craddock is a 1931 German French-language musical comedy film directed by Max de Vaucorbeil and Hanns Schwarz and starring Jean Murat, Käthe von Nagy and Charles Redgie. It is a French-language version of the 1931 German film Bombs on Monte Carlo. It was shot at the Babelsberg Studios of UFA in Berlin. The film's sets were designed by the art director Erich Kettelhut. It is sometimes known as Bombe Sur Monte Carlo.
Ekaterina Nagy von Cziser, stage name Käthe von Nagy, was a Hungarian actress, model, dancer, and singer who worked in German and French cinema.
Adrienne Lecouvreur is a 1938 French-German biographical film directed by Marcel L'Herbier and starring Yvonne Printemps, Pierre Fresnay and Junie Astor. The film was a co-production between the two countries, and was made at UFA's Berlin Studios. It was based on the 1849 play Adrienne Lecouvreur by Eugène Scribe and Ernest Legouvé about the life of the eighteenth century actress Adrienne Lecouvreur.
The Victor is a 1932 German comedy film directed by Hans Hinrich and Paul Martin and starring Hans Albers, Käthe von Nagy and Julius Falkenstein. A postal clerk loses his money gambling on horses, but eventually meets and falls in love with a wealthy man's daughter. It premiered on 23 March 1932 at the Gloria-Palast in Berlin.
Just Once a Great Lady is a 1934 German comedy film directed by Gerhard Lamprecht and starring Käthe von Nagy, Wolf Albach-Retty and Gretl Theimer. Nagy plays a car saleswoman. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle. A separate French-language version A Day Will Come (1934) was also released, with Nagy reprising her role alongside Jean-Pierre Aumont.
Cargaison blanche or Le Chemin de Rio is a 1937 French crime film directed by Robert Siodmak and starring Käthe von Nagy, Jules Berry and Suzy Prim. in which two journalists go on the trail of gangsters who are kidnapping women to sell in South America. The film was made by Nero Film, with sets designed by the art director Lucien Aguettand. It was remade in 1958 directed by Georges Lacombe.
Under Western Eyes is a 1936 French drama film directed by Marc Allégret and starring Pierre Fresnay, Danièle Parola and Michel Simon. It is an adaptation of Joseph Conrad's 1911 novel Under Western Eyes. It was shot at the Billancourt Studios in Paris. The film's sets were designed by the art director Eugène Lourié.
A Day Will Come is a 1934 comedy film directed by Gerhard Lamprecht and Serge Véber and starring Käthe von Nagy, Jean-Pierre Aumont and Simone Héliard. It was made by the German studio UFA as the French-language version of Just Once a Great Lady.
Turandot, Princess of China is a 1935 comedy film directed by Gerhard Lamprecht and Serge Véber and starring Käthe von Nagy, Pierre Blanchar and Marcel Dalio. It is the French language version of the German film Princess Turandot. Such multi-language versions were common during the first decade of sound.
Mahlia the Mestiza is a 1943 French drama film directed by Walter Kapps and starring Käthe von Nagy, Jean Servais and Georges Paulais. The film had a lengthy and troubled production, as it began shooting in 1939 before the outbreak of the Second World War.
Secret Cargo is a 1947 French drama film directed by Alfred Rode and starring Luis Mariano, Käthe von Nagy and Claudine Dupuis. It was shot at the Boulogne Studios in Paris. The film's sets were designed by the art director Emile Alex.
Barry is a 1949 French historical drama film directed by Richard Pottier and Karl Anton and starring Pierre Fresnay, Simone Valère and Pauline Carton. The film's sets were designed by the art director Roland Quignon. It is set in the Napoleonic era.
The Devil in the Bottle is a 1935 French-German drama film directed by Heinz Hilpert, Reinhart Steinbicker and Raoul Ploquin. It stars Käthe von Nagy, Pierre Blanchar and Gina Manès. It was made by the German studio UFA as a French-language remake of its 1934 film Liebe, Tod und Teufel. Both films are based on Robert Louis Stevenson's story The Bottle Imp. The film's sets were designed by the art directors Otto Hunte and Willy Schiller.
I Am with You is a 1943 French musical comedy film directed by Henri Decoin and starring Yvonne Printemps, Pierre Fresnay and Jacques Louvigny. It was shot at the Joinville Studios in Paris. The film's sets were designed by the art director Lucien Aguettand.
Moscow Nights is a 1934 French war drama film directed by Alexis Granowsky and starring Annabella, Harry Baur and Pierre Richard-Willm. It is based on a story by Pierre Benoît. The film's sets were designed by the art director Andrej Andrejew. It marked the screen debut of the Corsican singer Tino Rossi, who went on to star in a number of films.
A Bomb for a Dictator or The Fanatics is a 1957 French thriller film directed by Alex Joffé and starring Pierre Fresnay, Michel Auclair and Tilda Thamar. It was shot at the Boulogne Studios in Paris and on location at Nice Airport. The film's sets were designed by the art director Jacques Paris.
Final Accord is a 1938 French-Swiss musical comedy film directed by Douglas Sirk and Ignacy Rosenkranz and starring Käthe von Nagy, Jules Berry and George Rigaud. It was shot at the Epinay Studios in Paris and on location around Montreux in Switzerland. The film's sets were designed by the art director Jacques Krauss.
