The Magician is a 1926 American silent fantasy horror film directed by Rex Ingram about a magician's efforts to acquire the blood of a maiden for his experiments to create life. It was adapted by Ingram from the 1908 novel The Magician by W. Somerset Maugham. It stars Alice Terry, Paul Wegener and Iván Petrovich. Critic Carlos Clarens wrote that it was "perhaps the most elusive of lost films." However, since the time Clarens wrote this, various prints of the film have surfaced. Some have screened at independent movie festivals from 1993 onwards, and the film has also been shown on Turner Classic Movies. It remained commercially unavailable until being released on DVD in the Warner Brothers Archive Collection in 2011.
Iván Petrovich was a Serbian film actor and singer.
Three Live Ghosts is a 1929 American Pre-Code comedy film directed by Thornton Freeland and starring Beryl Mercer, Harry Stubbs, and Joan Bennett; with Robert Montgomery, and Tenen Holtz. The screenplay concerns three veterans of World War I who return home to London after the armistice, only to find they have been mistakenly listed as dead. It was based on the 1920 play Three Live Ghosts by Frederic S. Isham.
The Garden of Allah is a 1927 American silent romantic drama film directed by Rex Ingram, his final film for Metro-Goldwyn-Mayer. The film stars Ingram’s wife, actress Alice Terry and Iván Petrovich. It is the second version of the Robert Hichens 1904 British novel of the same name, which had been filmed by the Selig Polyscope Company in 1916 with Helen Ware and would be filmed again in 1936 with Marlene Dietrich and Charles Boyer.
The Lodger is a 1932 British thriller film directed by Maurice Elvey, and starring Ivor Novello, Elizabeth Allan, and Jack Hawkins. It is based on the 1913 novel The Lodger by Marie Belloc Lowndes, also filmed by Alfred Hitchcock in 1927 ; by John Brahm in 1944; by Hugo Fregonese, as Man in the Attic, in 1953; and by David Ondaatje in 2009.
The Green Goddess is a 1923 American silent adventure film based on the play The Green Goddess by William Archer. Set during the British Raj, it stars George Arliss as the Rajah of Rukh, into whose land arrive three British subjects, played by Alice Joyce, David Powell, and Harry T. Morey. Arliss, Joyce and Ivan F. Simpson reprised their roles from the play and also in the 1930 talking film version The Green Goddess.
Wolf's Clothing is a 1936 British comedy film directed by Andrew Marton and starring Claude Hulbert, Gordon Harker and Lilli Palmer. The screenplay concerns a blundering group of secret agents who mistake a Foreign Office official for a dangerous international assassin.
The Chinese Bungalow is a 1926 British silent drama film directed by Sinclair Hill, and starring Matheson Lang, Genevieve Townsend and Juliette Compton. It was based on the 1925 play The Chinese Bungalow, which was adapted for further films in 1930 and 1940. It was made by Stoll Pictures, whose principal star throughout the mid-1920s was Lang.
Guy Fawkes is a 1923 British silent historical film directed by Maurice Elvey and starring Matheson Lang, Nina Vanna and Hugh Buckler. The film depicts the Gunpowder Plot of 1605 in which a group of plotters planned to blow up the Houses of Parliament. It was based on the 1840 novel Guy Fawkes by Harrison Ainsworth.
Comin' Thro the Rye is a 1923 British silent drama film directed by Cecil Hepworth and starring Alma Taylor and Ralph Forbes. The film was based on the 1875 novel of the same name by Helen Mathers. The title alludes to the Robert Burns 1782 poem "Comin' Through the Rye".
Tommy Atkins is a 1928 British silent drama film directed by Norman Walker and starring Lillian Hall-Davis, Henry Victor and Walter Byron. Based on the eponymous play by Arthur Shirley and Ben Landeck, it features a romantic drama against the backdrop of the British intervention in The Sudan in the 1880s.
The Wandering Jew is a 1923 British silent fantasy film directed by Maurice Elvey and starring Matheson Lang, Hutin Britton and Malvina Longfellow. It was based on a play by E. Temple Thurston. It was remade in 1933 as The Wandering Jew.
Diamond Cut Diamond is a 1932 British comedy crime film directed by Maurice Elvey and Fred Niblo and starring Adolphe Menjou, Claud Allister and Benita Hume. It was made at Elstree Studios by the independent producer Eric Hakim.
St. Elmo is a 1923 British silent drama film directed by Rex Wilson and starring Shayle Gardner, Gabrielle Gilroy and Madge Tree. It was an adaptation of the 1866 novel St. Elmo by Augusta Jane Evans. An American adaptation St. Elmo was released the same year.
Sailors Don't Care is a 1928 British silent comedy film directed by W. P. Kellino and starring Estelle Brody, John Stuart and Alf Goddard. It is based on a novel by Austin Small.
Menace is a 1934 British crime film directed by Adrian Brunel and starring Victor Varconi, Joan Maude and D. A. Clarke-Smith. The film was made at Shepperton Studios by the Sound City production company. It was released in America under the alternative titles When London Sleeps and Without Warning.
The Alley Cat is a 1929 British-German silent drama film directed by Hans Steinhoff and starring Mabel Poulton, Jack Trevor and Clifford McLaglen. The film was made as a co-production between the British company British & Foreign and the German Orplid-Film. Its German title was Nachtgestalten. The film was shot in Britain, partly on location in London. It was based on a novel by Anthony Carlyle.
The Indian Love Lyrics is a 1923 British silent romantic drama film directed by Sinclair Hill and starring Catherine Calvert, Owen Nares and Malvina Longfellow. It is based on the poem The Garden of Kama by Laurence Hope. The film's sets were designed by art director Walter Murton.
The Lady of Lebanon is a 1926 French silent drama film directed by Marco de Gastyne and starring Arlette Marchal, Iván Petrovich and Gaston Modot. It was based on the novel of the same name by Pierre Benoît.
Morgane, the Enchantress is a 1928 French silent drama film directed by Léonce Perret and starring Claire de Lorez, Iván Petrovich and Pierre Renoir. It was shot at the Victorine Studios in Nice. The film's sets were designed by the art director Jacques-Laurent Atthalin. The future British director Michael Powell worked as a still photographer on the film.
