|Also known as||Mogul|
|Created by||John Elliot|
|Starring|| Geoffrey Keen |
|Country of origin||United Kingdom|
|No. of series||7|
|No. of episodes||136|
|Producers|| Peter Graham Scott |
|Running time||50 minutes|
|Original release||7 July 1965 –|
3 January 1972
The Troubleshooters (titled Mogul for the first series) is a British television series made by the BBC between 1965 and 1972, created by John Elliot. It recounted events in an international oil company – the "Mogul" of the title. The first series was mostly concerned with the internal politics within the Mogul organisation, with episodes revolving around industrial espionage, internal fraud and negligence almost leading to an accident on a North Sea oil rig.
The series' upbeat theme music was by Tom Springfield, brother of Dusty.
Although Mogul was popular, it did not do as well as hoped for. However, it was renewed for a second series with the format radically changed. The show was renamed The Troubleshooters and it altered its focus, broadening its horizons by showing the actual workings of the company. The series now focused on the younger, dynamic Mogul field agents - the eponymous "troubleshooters" - like Peter Thornton, who flew around the world to "hotspots" to protect the company's interests.
The show's storylines concentrated on disasters such as explosions and earthquakes, company take-overs, racial and political tensions, the discovery of new oil fields and the negotiation of drilling rights. There was extensive use of stock footage of locations.
As time went on, The Troubleshooters began to experiment with ongoing narratives as storylines arched over several series. Because of the nature of his profession requiring him to be away from home, Peter Thornton found his marriage to the glamorous Steve collapsing. Brian Stead was diagnosed with a heart condition, and he struggled to maintain control of Mogul at the top. Ranged against him was new "troubleshooter" Alec Stewart, a young, ruthless operative keen to progress in the organisation with his eye on Stead's position. Stead kept sending Stewart out on dangerous assignments in the hope that he would fail, but Stewart was able to work every situation to his advantage. In the latter series, a rival oil company to Mogul was introduced – Zenith.
The Troubleshooters never shied away from portraying Mogul as a faceless, uncaring and profit-driven corporation. Some episodes showcased industrial crisis through the perspective of striking Teesside dockyard workers and foregrounded ecological concerns through storylines about local opposition to a Mogul refinery in Wales and a chemical offshoot of Mogul's, which developed a crop spray with deadly side effects. There was also no loyalty or sentimentality amongst the Mogul men – Peter Thornton, sent to the Arctic by Brian Stead to investigate possible oil concessions, nearly freezes to death and considers getting out of the oil business entirely. In another episode, Thornton is sent to Saigon, against the backdrop of the Vietnam war. Alec Stewart is arrested in Algiers as a spy and imprisoned – although eventually released, he receives little trust or support from his colleagues. Brian Stead, returning to Berlin for the first time since 1945 to oversee a natural gas drilling deal, finds his past coming back to haunt him in a nasty plot to discredit him by a rival company.
The Mogul organisation was reputed to have been based on BP and there were many similarities and coincidences in terms of the international events The Troubleshooters predicted.
The Troubleshooters lasted for seven series from 1965 to 1972, making the transition from black-and-white to colour along the way. In the final episodes, Brian Stead maintains control of Mogul and fends off hostile enemies, but at the cost of his own health. Stead eventually steps down as company director, but not before finally naming his successor.
Today the legacy of The Troubleshooters lies in its bridging the gap between "quality drama" and populist entertainment and charting a linear path trod by later British television serials, such as The Brothers and Howards' Way . The series struck a chord with the 1960s audience thanks to its format - a potent combination of the oil business, globe trotting power politics, corporate wheeler-dealing and sex. It had parallels with the contemporaneous ATV board-room drama The Plane Makers (later renamed The Power Game ).
The series was subject to the BBC's wiping policy of the era, but some episodes still remain in the BBC archive, including the series opener "Kelly's Eye". Only one colour episode survives as broadcast ("Camelot on a Clear Day", a copy of which can be viewed at the National Media Museum in Bradford, UK); all other existing colour episodes only survive in the form of black-and-white film recordings. 
A previously missing episode from series two - "Birdstrike" - was returned to the BBC by a private collector in May 2010, with the assistance of classic TV organisation Kaleidoscope. 
The five surviving episodes of series one were released on DVD in the UK by Danann Publishing Ltd.  in 2016.
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