Uncle Bräsig is a 1936 German historical comedy film directed by Erich Waschneck and starring Otto Wernicke, Heinrich Schroth and Harry Hardt. It marked the film debut of the Swedish actress Kristina Söderbaum who went on to be a major star of Nazi cinema. Söderbaum won her part in a contest organised by UFA. It was based on the 1862 novel From My Farming Days by Fritz Reuter. The film was shot at the Grunewald Studios in Berlin with sets designed by the art director Robert A. Dietrich.
Her Grace Commands is a 1931 German romantic comedy film directed by Hanns Schwarz and starring Käthe von Nagy, Willy Fritsch and Reinhold Schünzel. It is also translated into the alternative title Her Highness Commands. It was shot at the Babelsberg Studios with sets designed by the art director Erich Kettelhut. It premiered in Mannheim on 3 March 1931, before being released at the Gloria-Palast in Berlin the next day. A French-language version was produced simultaneously, also directed by Schwarz but with a different cast. The film was remade in Hollywood as well, retitled Adorable, and released by the Fox Film Corporation in 1933.
The Other is a 1930 German drama film directed by Robert Wiene and starring Fritz Kortner, Käthe von Nagy and Heinrich George. It was based on the 1893 play Der Andere by Paul Lindau. It was shot at the Terra Studios in Berlin. A French-language version The Prosecutor Hallers was shot by Wiene immediately afterwards in the same Berlin studio, but with different actors.
The Farmer from Texas is a 1925 German silent comedy film directed by Joe May and starring Mady Christians, Willy Fritsch, and Lillian Hall-Davis. It was based on the play Kolportage by Georg Kaiser. The film was considered a costly box office failure, contributing to a financial crisis at Germany's largest studio Universum Film AG. The film's sets were designed by Paul Leni.
Storms of Passion is a 1932 German crime film directed by Robert Siodmak and starring Emil Jannings, Anna Sten and Trude Hesterberg. It is regarded as a precursor of film noir. The film was produced by Germany's leading film company UFA and shot at the Babelsberg Studios in Berlin. The sets were designed by the art director Erich Kettelhut. It premiered at the Ufa-Palast am Zoo on 22 January 1932. An alternative French language version Tumultes, starring Charles Boyer, was also released.
The Story of Christine von Herre is a 1921 German silent drama film directed by Ludwig Berger and starring Agnes Straub, Werner Krauss, and Paul Hartmann. It was based on a novella by Heinrich Zschokke. It was shot at the Babelsberg Studios of Decla-Bioscop in Berlin and on location at Glatz in Silesia. The film's sets were designed by the art directors Rudolf Bamberger and Franz Seemann. The film premiered on 30 September 1921 at the UT-Kurfürstendamm and the UT-Nollendorfplatz in Berlin. It was popular at the box office and with critics.
A Waltz Dream is a 1925 German silent drama film directed by Ludwig Berger and starring Willy Fritsch, Mady Christians and Xenia Desni. It was based on the 1907 operetta Ein Walzertraum composed by Oscar Straus. It was influential on the development of later Viennese operetta films. Unlike many of UFA's ambitious productions of the 1920s, A Waltz Dream managed to recover its production cost in the domestic market alone.
The Man in Search of His Murderer is a 1931 German comedy film directed by Robert Siodmak and starring Heinz Rühmann, Lien Deyers and Hans Leibelt. The film is partially lost; of the original 9 acts, only five remain. It was one of the early leading roles for upcoming German star Heinz Rühmann. Co-writer Billy Wilder was at the beginning of his long career. It was shot at the Babelsberg Studios in Berlin and premiered at the city's Gloria-Palast. The film's sets were designed by the art director Robert Herlth and Walter Röhrig. It was remade in 1952 as You Only Live Once.
I by Day, You by Night is a 1932 German musical comedy film directed by Ludwig Berger and starring Käthe von Nagy and Willy Fritsch. It was shot at the Babelsberg Studios and on location at the Sanssouci Palace in Potsdam. The film's sets were designed by the art director Otto Hunte. It premiered in Berlin on 29 November 1932.
You Walk So Softly is a 1927 German silent comedy film directed by Reinhold Schünzel and starring Schünzel, Yvette Darnys and Jakob Tiedtke. Schünzel ran into trouble with his superiors at UFA because he had not submitted his screenplay for approval before filming began. The film's art direction was by Erich Czerwonski.
The Night Belongs to Us, released in English as The Night Is Ours or The Night Belongs to Us, is a 1929 German sports romance film directed by Carl Froelich and Henry Roussel, and starring Hans Albers, Charlotte Ander, and Otto Wallburg.
By a Silken Thread is a 1938 German drama film directed by Robert A. Stemmle and starring Willy Fritsch, Carl Kuhlmann and Käthe von Nagy. The film was intended to be an exposure of "crooked Jewish capitalists" in line with Nazi racial policy of the era. It was shot at the Babelsberg Studios of UFA in Potsdam. The film's sets were designed by the art director Otto Hunte.
Quick is a 1932 German comedy film directed by Robert Siodmak and starring Lilian Harvey, Hans Albers and Paul Hörbiger. A separate French-language version was made, also directed by Siodmak and starring Harvey. The film is based on a play by Félix Gandéra. It was made by Germany's largest company UFA at the Babelsberg Studios, with sets by art director Erich Kettelhut. It premiered at the Ufa-Palast am Zoo. A separate French-language film Quick featuring Harvey was also produced.
Happy Days in Aranjuez is a 1933 German comedy film directed by Johannes Meyer and starring Brigitte Helm, Gustaf Gründgens and Wolfgang Liebeneiner. The film focus on a notorious jewel thief operating in high society. The title refers to Aranjuez in Spain.
The Beautiful Adventure is a 1932 West German romantic comedy film directed by Reinhold Schünzel and starring Käthe von Nagy, Wolf Albach-Retty and Alfred Abel. It was shot at the Babelsberg Studios in Berlin and premiered at the city's Gloria-Palast cinema. The film's sets were designed by the art director Werner Schlichting. A separate French language version was also made.
The White Demon is a 1932 German drama film directed by Kurt Gerron and starring Hans Albers, Gerda Maurus and Peter Lorre. The film is also known by the alternative title of Dope. The sets were designed by the art director Julius von Borsody.
Women of Luxury is a 1925 German silent comedy film directed by Erich Schönfelder and starring Lee Parry, Hans Albers and Rudolf Lettinger. It was made at the Johannisthal Studios near Berlin. The film's sets were designed by the art directors Jacek Rotmil and Siegfried Wroblewsky.
Annemarie and Her Cavalryman is a 1926 German silent film directed by Erich Eriksen and starring Colette Brettel, Sig Arno, and Hans Junkermann.
Spies at Work is a 1933 German thriller film directed by Gerhard Lamprecht and starring Karl Ludwig Diehl, Brigitte Helm, and Eduard von Winterstein. A spy film, it is set during the First World War conflict between Austria and Italy.
The Foolish Virgin is a 1935 German comedy film directed by Richard Schneider-Edenkoben and starring Rolf Wanka, Erika von Thellmann and Paul Bildt. The film's sets were designed by the art director Artur Günther.
