Simpson, Buckinghamshire, England
|Died||1 June 1598|
Cambridge, Cambridgeshire, England
Thomas Preston (1537–1598) was an English master of Trinity Hall, Cambridge, and possibly a dramatist.
Trinity Hall is a constituent college of the University of Cambridge, England. It is the fifth-oldest college of the university, having been founded in 1350 by William Bateman, Bishop of Norwich.
Preston was born at Simpson, Buckinghamshire, in 1537, and was educated at Eton and at King's College, Cambridge, where he was elected scholar, 16 August 1553, and fellow, 18 September 1556. He graduated B.A. in 1557 and M.A. in 1561.When Queen Elizabeth visited Cambridge in August 1564, he attracted the royal favour by his performance of a part in the tragedy of Dido, and by disputing in philosophy with Thomas Cartwright in the royal presence. He also addressed the queen in a Latin oration on her departure, when she invited him to kiss her hand, and gave him a pension of 20l. a year, with the title of "her scholar." He served as proctor in the university in 1565. In 1572 he was directed by the authorities of his college to study civil law, and four years later proceeded to the degree of LL.D. In 1581 he resigned his fellowship. He seems to have joined the College of Advocates. In 1584 he was appointed master of Trinity Hall, and he served as vice-chancellor of the university in 1589–90.
Simpson is a village in Milton Keynes. It was one of the villages of Buckinghamshire that was included in the "New City" in 1967. It is located south of the centre, just north of Fenny Stratford.
Eton College is an English 13–18 independent boarding school and sixth form for boys in the parish of Eton, near Windsor in Berkshire. It was founded in 1440 by King Henry VI as The King's College of Our Lady of Eton besides Wyndsor, as a sister institution to King's College, Cambridge, making it the 18th-oldest Headmasters' and Headmistresses' Conference school.
King's College is a constituent college of the University of Cambridge in Cambridge, England. Formally The King's College of Our Lady and Saint Nicholas in Cambridge, the college lies beside the River Cam and faces out onto King's Parade in the centre of the city.
Preston died on 1 June 1598, and was buried in the chapel of Trinity Hall. A monumental brass near the altar, placed there by his wife Alice, bears a Latin inscriptionand a full-length effigy of him in the habit of a Cambridge doctor of laws.
Preston was a pioneer of the English drama, and published in 1569 A lamentable tragedy mixed ful of pleaſant mirth,conteyning the life of CAMBISES King of PERCIA, from the beginning of his kingdome vnto his death, his one good deed of execution, after that many wicked deeds and tirannous murders, committed by and through him, and laſt of all, his odious death by Gods Juſtice appointed, Doon in ſuch order as foloweth. By Thomas Preston. There are two undated editions: one by John Allde, who obtained a license for its publication in 1569, and another by Edward Allde.It was reprinted in Hawkins's Origin of the English Drama (i. 143) and in Dodsley's Old English Drama (ed. Hazlitt, iv. 157 sq.). A reference to the death of Bishop Bonner in September 1569 shows that the piece was produced after that date.
Edward Allde or Alde was an English printer in London during the Elizabethan and Jacobean eras. He was responsible for a number of significant texts in English Renaissance drama, including some of the early editions of plays by William Shakespeare.
Robert Dodsley was an English bookseller, poet, playwright, and miscellaneous writer.
William Carew Hazlitt, known professionally as W. Carew Hazlitt, was an English lawyer, bibliographer, editor and writer. He was the son of the barrister and registrar William Hazlitt, a grandson of the essayist and critic William Hazlitt, and a great-grandson of the Unitarian minister and author William Hazlitt. William Carew Hazlitt was educated at the Merchant Taylors' School and was called to the bar of the Inner Temple in 1861.
The play illustrates the transition from the morality play to historical drama. The dramatis personae include allegorical figures (e.g. Cruelty, Small Ability)as well as historical personages (such as the title character, Cambyses II of Persia). The plot, characterisation, and language are rugged and uncouth. Murder and bloodshed abound. The play is largely written in rhyming fourteener couplets, with some irregular heroic verse (as in the speeches of the comic character Ambidexter). The bombastic grandiloquence of the piece became proverbial, and Shakespeare is believed to allude to it when he makes Falstaff say "I must speak in passion, and I will do it in King Cambyses' vein" ( Henry IV, Part 1 , ii.4).
The morality play is a genre of Medieval and early Tudor theatrical entertainment. In their own time, these plays were known as interludes, a broader term for dramas with or without a moral. Morality plays are a type of allegory in which the protagonist is met by personifications of various moral attributes who try to prompt him or her to choose a good life over one of evil. The plays were most popular in Europe during the 15th and 16th centuries. Having grown out of the religiously based mystery plays of the Middle Ages, they represented a shift towards a more secular base for European theatre. Hildegard von Bingen's Ordo Virtutum composed c. 1151, is the earliest known morality play by more than a century, and the only Medieval musical drama to survive with an attribution for both the text and the music.
As a literary device, an allegory is a metaphor in which a character, place or event is used to deliver a broader message about real-world issues and occurrences. Allegory has occurred widely throughout history in all forms of art, largely because it can readily illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners.
In poetry, a fourteener is a line consisting of 14 syllables, which are usually made of seven iambic feet for which the style is also called iambic heptameter. It is most commonly found in English poetry produced in the 16th and 17th centuries. Fourteeners often appear as rhymed couplets, in which case they may be seen as ballad stanza or common metre hymn quatrains in two rather than four lines.
Critics objecting to the style of Cambyses have doubted whether the playwright may not have been a different Thomas Preston. M. Channing Linthicum lists some of these possibilities:
Those who dislike to think of Cambyses as even a puerile attempt of the Latin scholar Thomas Preston, may entertain Chambers' suggestion that it may have been composed by a popular writer of the same name. He mentions, (Elizabethan Stage, III, 469), a "quarterly waiter at Court" under Edward VI, and a choirmaster at Windsor. A "gentleman waiter" of this name was detailed to the service of the Princess of Castile in 1514 (see Letters & Papers of Henry VIII , I, ii, entry 2656 ); a Thomas Preston was rewarded by Princess Mary Tudor, 1537 (see Madden, Privy Purse Expenses of Princess Mary, 59); in 1544, Thomas Preston—presumably the same person—was granted, as the King's "servant" a tenement "called le Crystofer in St Botulphs parishe without Aldrychgate" (see Letters & Papers of Henry VIII, XIX, i, p. 644); "le messuage called le White Beare" was said in 1548, to have been "lately in tenure of Thomas Preston" (see Cal. Pat. Rolls , July 25, 1548, m. 34). None of these—if they were different persons—is termed writer or "player," but the references show that the name was not uncommon in London, and the subject needs to be investigated.
Edward VI was King of England and Ireland from 28 January 1547 until his death. He was crowned on 20 February at the age of nine. Edward was the son of Henry VIII and Jane Seymour, and England's first monarch to be raised as a Protestant. During his reign, the realm was governed by a regency council because he never reached his majority. The council was first led by his uncle Edward Seymour, 1st Duke of Somerset (1547–1549), and then by John Dudley, 1st Earl of Warwick (1550–1553), who from 1551 was Duke of Northumberland.
Thomas Preston was an English organist and composer who held posts at Magdalen College, Oxford, Trinity College, Cambridge, and St George's Chapel at Windsor Castle.
The Crown of Castile was a medieval state in the Iberian Peninsula that formed in 1230 as a result of the third and definitive union of the crowns and, some decades later, the parliaments of the kingdoms of Castile and León upon the accession of the then Castilian king, Ferdinand III, to the vacant Leonese throne. It continued to exist as a separate entity after the personal union in 1469 of the crowns of Castile and Aragon with the marriage of the Catholic Monarchs up to the promulgation of the Nueva Planta decrees by Philip V in 1715.
On the other hand, Émile Legouis has noted, "The marked and yet artless bad taste of the style has thrown doubt on the authorship, yet the play shows signs of having been written by a humanist, for Herodotus is followed step by step, and there are many mythological reminiscences."But it has since been argued that the Herodotean account may have been mediated by a chronicle such as Johann Carion's Chronica; a more recent refinement of this theory suggests that Preston used Richard Taverner's 1539 The Garden of Wysedom, which drew on Carion.
Preston (or the author of Cambyses) also wrote a broadside ballad entitled A Lamentation from Rome how the Pope doth bewayle the Rebelles in England cannot prevayle. To the tune of "Rowe well, ye mariners" (London by William Griffith, 1570; reprinted in Collier's Old Ballads, edited for the Percy Society, and in the Borderer's Table Book by Moses Aaron Richardson, vii. 154).This ballad is written "in the person of a fly who happens to be lodged in the pope's nose when news comes about the Catholic uprising in the north of England" and describes the pope raging and hurling furniture, to the fly's terror. Another ballad, titled A Ballad from the Countrie, sent to showe how we should Fast this Lente is extant and dated 1589. Both the surviving ballads, as well as Cambyses, are subscribed at the end "Quod Thomas Preston".
A third ballad by Preston, not now extant, A geliflower of swete marygolde, wherein the frutes of tyranny you may beholde, was licensed for publication to William Griffith, 1569–70.
Besides the orations connected to the queen's 1564 Cambridge visit, Preston contributed Latin verses to the university collection on the restitution of Martin Bucer and Paul Fagius (1560), and to Nicholas Carr's Latin translation of seven orations of Demosthenes (London, 1571).
English Renaissance theatre—also known as Renaissance English theatre and Elizabethan theatre—refers to the theatre of England between 1562 and 1642.
This article presents lists of the literary events and publications in 1569.
This article presents lists of the literary events and publications in 1560.
This article presents lists of the literary events and publications in 1537.
Henry Chettle was an English dramatist and miscellaneous writer of the Elizabethan era, best known for his pamphleteering.
City comedy, also known as citizen comedy, is a genre of comedy in the English early modern theatre.
Jasper Heywood was an English Jesuit priest. He is known as the English translator of three Latin plays of Seneca, the Troas (1559), the Thyestes (1560) and Hercules Furens (1561).
William Alabaster was an English poet, playwright, and religious writer.
George Lillo was an English playwright and tragedian. He was also a jeweller in London. He produced his first stage work, Silvia, or The Country Burial, in 1730, and a year later his most famous play, The London Merchant. He wrote at least six more plays before his death in 1739, including The Christian Hero (1735), Fatal Curiosity (1737) and Marina (1738).
Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature.
Lust's Dominion, or The Lascivious Queen is an English Renaissance stage play, a tragedy written perhaps around 1600, probably by Thomas Dekker in collaboration with others and first published in 1657.
William Ponsonby was a prominent London publisher of the Elizabethan era. Active in the 1577–1603 period, Ponsonby published the works of Edmund Spenser, Sir Philip Sidney, and other members of the Sidney circle; he has been called "the leading literary publisher of Elizabethan times."
Richard Hawkins was a London publisher of the Jacobean and Caroline eras. He was a member of the syndicate that published the Second Folio collection of Shakespeare's plays in 1632. His bookshop was in Chancery Lane, near Sergeant's Inn.
Andrew Wise, or Wyse or Wythes, was a London publisher of the Elizabethan era who issued first editions of five Shakespearean plays. "No other London stationer invested in Shakespeare as assiduously as Wise did, at least while Shakespeare was still alive."
Thomas Millington was a London publisher of the Elizabethan era, who published first editions of three Shakespearean plays. He has been called a "stationer of dubious reputation" who was connected with some of the "bad quartos" and questionable texts of Shakespearean bibliography.
Thomas Tomkis was an English playwright of the late Elizabethan and the Jacobean eras, and arguably one of the more cryptic figures of English Renaissance drama.
Augustine Matthews was a printer in London in the Jacobean and Caroline eras. Among a wide variety of other work, Matthews printed notable texts in English Renaissance drama.
John Studley (1545?-1590?) was an English academic, known as a translator of Seneca. He contributed to the Seneca his tenne tragedies translated into English (1581), compiled by Thomas Newton and the sole printed translations of Seneca available in Elizabethan England; some echoes of his work have been detected in Shakespeare.
| Master of Trinity Hall, Cambridge |