Thomas Reinhold (born in 1953, Vienna, Austria) is an Austrian painter, one of the initiators of so-called “New Painting” (in German Junge Wilde).
Vienna is the federal capital and largest city of Austria, and one of the nine states of Austria. Vienna is Austria's primate city, with a population of about 1.9 million, and its cultural, economic, and political centre. It is the 7th-largest city by population within city limits in the European Union. Until the beginning of the 20th century, it was the largest German-speaking city in the world, and before the splitting of the Austro-Hungarian Empire in World War I, the city had 2 million inhabitants. Today, it has the second largest number of German speakers after Berlin. Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the eastern part of Austria and is close to the borders of the Czech Republic, Slovakia, and Hungary. These regions work together in a European Centrope border region. Along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site. In July 2017 it was moved to the list of World Heritage in Danger.
The term Junge Wilde was originally applied to trends within the art world, and was only later used with reference to politics. At present, the term is used by German-language journalists to describe any group within a tradition that seeks to undermine established authority.
From 1974 to 1978, Reinhold studied at the University of Applied Arts Vienna under Herbert Tasquil. During his university studies, Reinhold concentrated on poetic-magical paintings and photographs, dealing with the objecthood of the image.In the late 1970s, Reinhold was one of the initiators of so-called “New Painting” (in German Junge Wilde) together with Siegfried Anzinger, Erwin Bohatsch, Alfred Klinkan and Hubert Schmalix. In the mid-1980s, Reinhold has begun to focus on issues of medium reflexivity of painting and photography, which has been dominating his work until today. Reinhold lives in Vienna.
The University of Applied Arts Vienna is an arts university and institution of higher education in Vienna, the capital of Austria. It has had university status since 1970.
Reinhold’s large-scale oil paintings address such issues as medium reflexivity, the material dimension of paint, or the canvas plane and its relation to space. The paintings deal with questions of their own creation and their relation to time by showing overlapping layers of colour.Because of this, the beholder needs to see the paintings in an almost archaeological way to explore the pictorial space. In 2011, Reinhold worked on the series “Tectonics of Poise“. The subject of this group of works reflects on their own creation. Liquid paint coalesces around a dead centre, permitting – for a few moments – a process of ordered decision making. The painting procedure, in which the allocation of the centre of gravity is such an essential element, actually provokes this fleeting state where indeterminacy gives way to form. It is this point of transition that attracts attention and produces shapes seemingly suspended between rivulets.
Since the beginning of his career, Reinhold has been interested in photography. In his 1977 “Ferris wheel series” he addresses issues of space, time and chronology. The series’ central motif, the “Wiener Riesenrad” (Viennese Ferris wheel) stands for questions of mobility and immobility, object and its image.In 2010, Reinhold lived in Shanghai for three months, where worked on the series “Brushstrokes of Light, Living Shades”. The photographs for this series were taken by night, and the resulting images recall the superimposition techniques employed in Reinhold‘s paintings. The paintings in the series are ink paintings made with a Chinese calligraphy brush, which remind the beholder of the early days of photography. Both the motifs and the technique are linked to the city Shanghai.
The Wiener Riesenrad, or Riesenrad, is a 64.75-metre (212 ft) tall Ferris wheel at the entrance of the Prater amusement park in Leopoldstadt, the 2nd district of Austria's capital Vienna. It is one of Vienna's most popular tourist attractions, and symbolises the district as well as the city for many people. Constructed in 1897, it was the world's tallest extant Ferris wheel from 1920 until 1985.
Shanghai is one of the four municipalities under the direct administration of the central government of the People's Republic of China, the largest city in China by population, and the second most populous city proper in the world, with a population of 24.18 million as of 2017. It is a global financial centre and transport hub, with the world's busiest container port. Located in the Yangtze River Delta, it sits on the south edge of the estuary of the Yangtze in the middle portion of the East China coast. The municipality borders the provinces of Jiangsu and Zhejiang to the north, south and west, and is bounded to the east by the East China Sea.
In 1999, Reinhold got the assignment of designing the windows of the Chapel of the Resurrection, Rue van Maerlant in Brussels, which he completed in 2002 in cooperation with the glass painting manufactory Schlierbach, Austria.As a result of the fusion technique used in the windows' production, their transparency provides a 'display model' of visual depth, the superimposition of different layers, and the relationship between coexistence and sequence. This allows the viewer to reflect on his or her own position. Looking out, the transitional coloured layer merges with the facades of the European government buildings opposite, while trees, an expanse of lawn, passing cars and people contribute their shapes and colours to a background layer of reality and add to the view as a whole.
Brussels, officially the Brussels-Capital Region, is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region and the Walloon Region. Brussels is the most densely populated and the richest region in Belgium in terms of GDP per capita. It covers 161 km2 (62 sq mi), a relatively small area compared to the two other regions, and has a population of 1.2 million. The metropolitan area of Brussels counts over 2.1 million people, which makes it the largest in Belgium. It is also part of a large conurbation extending towards Ghent, Antwerp, Leuven and Walloon Brabant, home to over 5 million people.
Austria, officially the Republic of Austria, is a country of nearly 9 million people in Central Europe. It is bordered by the Czech Republic and Germany to the north, Hungary and Slovakia to the east, Slovenia and Italy to the south, and Switzerland and Liechtenstein to the west. The territory of Austria covers 83,879 km2 (32,386 sq mi). The terrain is highly mountainous, lying within the Alps; only 32% of the country is below 500 m (1,640 ft), and its highest point is 3,798 m (12,461 ft). The majority of the population speaks local Bavarian dialects as their native language, and German in its standard form is the country's official language. Other local official languages are Hungarian, Burgenland Croatian, and Slovene.
2011: Award for Fine Arts, City of Vienna
Admont Abbey is a Benedictine monastery located on the Enns River in the town of Admont, Austria. The oldest remaining monastery in Styria, Admont Abbey contains the largest monastic library in the world as well as a long-established scientific collection. It is known for its Baroque architecture, art, and manuscripts.
The Vienna Secession was an art movement formed in 1897 by a group of Austrian artists who had resigned from the Association of Austrian Artists, housed in the Vienna Künstlerhaus. This movement included painters, sculptors, and architects. The first president of the Secession was Gustav Klimt, and Rudolf von Alt was made honorary president. Its official magazine was called Ver Sacrum.
Peter Weibel is an Austrian artist, curator and theoretician.
Ludwig Merwart was an influential Austrian painter and graphic artist. He is an important representative of Tachism and was a major force in graphic arts and prints, especially after World War II. His work belongs to the most significant and interesting contributions to graphic arts in Austria to this day.
Martina Schettina is an Austrian artist. The main part of her work is Mathematical art.
Tobias G. Natter is an Austrian art historian and internationally renowned art expert particularly for "Vienna around 1900".
Franz Rosei is an Austrian sculptor and draughtsman. His brother is the writer Peter Rosei.
museum in progress is a private art association based in Vienna. The non-profit art initiative was created in 1990 by Kathrin Messner and Josef Ortner with the aim to develop new presentation forms for contemporary art. The projects are implemented in each case on the basis of co-operation between economy, art and media.
Renate Bertlmann is an Austrian feminist avant-garde artist, living and working in Vienna. She is a contemporary of Birgit Jürgenssen and VALIE EXPORT, and her work focuses on the relationship between masculine and feminine forms.
Ilse Haider is an Austrian artist. She focuses on photography and her photographic works use three dimensional surfaces. She has received a number of awards for her work and her work has appeared in exhibitions throughout Europe and the United States.
Bernhard Cella is an Austrian artist and curator.
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Leo Zogmayer is an Austrian artist, living and working in Vienna and Krems. Between 1975 and 1981 he studied at the University of Applied Arts in Vienna at Herbert Tasquil´s master class. His preferred media are drawing, graphic arts, photography, computer drawings, painting and glass painting, sculpture. Since the end of the Eighties, Zogmayer has created art projects that inhabit space in various architectural and urban contexts, bordering on design. He has made work for a number of liturgical places, e. g. in churches. Between 1998 und 2000 he led a class for aesthetics in space at the International Summer Academy at Topolcianky/Slovakia. Around 1990 Zogmayer came off the narrative, mimetic, and expressive components of his previous art, realised as painting, drawing, and prints. He then creates objects applied to the wall or set in a room, based on clear stereometric forms which he combines to site-specific installations. By the mid-Nineties he radicalised the reductive process in his works, his paintings become the site for words and texts. In his glass paintings single words or short sentences are left free-standing in a monochrome colour surface,alternatively, they are engraved in rectangular blocks and cylinders, objects made of aluminium or steel, as well as being realised as large-format installations in public spaces. Zogmayer´s art deals with different subjects, such as the aesthetic concept of the “beautiful”, its rehabilitation as well as its rejuvenation; furthermore he initiates intercultural discourses, addresses art and spirituality, and maintains a reductive and iconoclastic aesthetic.
Peter Zimmermann born in Freiburg im Breisgau in 1956, and is a German painter, sculptor, object artist and university professor.
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