Thomas Robinson (c. 1560 – 1610 (Christian calendar)) was an English Renaissance composer and music teacher, who flourished around 1600. He taught and wrote music for lute, cittern, orpharion, bandora, viol, and voice.
Very little is known about Robinson's life, but it is possible to draw conclusions from the dedicatory pages of his works. He and his father were in service of the Cecil family: Robinson's father worked for the 1st Earl of Salisbury, Robert Cecil, and Robinson was in the service of the 1st Earl of Exeter, Thomas Cecil, who was Robert Cecil's brother. The Cecil family fostered several artists in these days, amongst others William Byrd and Orlando Gibbons.
It was before 1589 that Robinson became Princess Anne's (1574–1619) and Queen Sophie's (1557–1631) private music teacher at Elsinore, Denmark. Princess Anne was the daughter of the King of Denmark, Frederick II (1559–1588). It is presumed that Robinson must have been in his twenties then, so that his birth can be dated back to around 1560.
The Court of Denmark, like other courts, employed many well-recognized musicians from Denmark and other countries, like England, France, Germany and the Netherlands. It is known that John Dowland – the most famous Renaissance lutenist nowadays – worked as a court lutenist in Denmark from 1598 to 1606. Besides Robinson's own mention of his employment there, no official record of it exists.
In 1603, Robinson published his first book, Medulla Musicke , of which no copy survived. It was even suggested (Ward JM, see "Literature"), that it was never published at all, although Robinson seems to be referring to it in the first pages of his second book: Right courteous Gentlemen, and gentle Readers, your fauourable acceptance of my first fruits from idlenesse, hath eccited mee further to congratulate your Musicall endeauours. [...] From: "The Schoole of Musicke", 1603
Also in 1603, Robinson brought out his second book, The Schoole of Musicke , a tutor for lute and other instruments. It displaced John Alford's book A Briefe and Easye Instruction from 1574 (an English translation of Adrian Le Roy's Briefve et facile instruction pour apprendre la tabulature ) as the most important lute tutor in England from then on.
In 1609 Robinson's third book, New Citharen Lessons , was published. It was a cittern tutor for beginners and advanced learners.
Robinson's works for the most part consist of his own compositions. But there are also arrangements of other pieces of music, some of which are still rather popular: for instance "My Lord Willoughby's Welcome Home" (in: The Schoole of Musicke) or "Can she excuse my wrongs?" (in New Citharen Lessons) – both originally composed by John Dowland.
There is no further information available about Robinson's life after 1609.
Medulla Musicke (The Stationer's Company, London, 1603) was a music tutor now presumably lost. It is supposedto have included 40 canons on the then popular plainsong Miserere after arrangements by William Byrd and Alfonso Ferrabosco.
The Schoole of Musicke, (Tho.[mas(?)] Este, London, 1603), was a tutor for lute, bandora, orpharion, viol, and singing.
Furthermore, The Schoole of Musicke contains eight short pieces, seven of them called "A Psalme" in the chapter "Rules to instruct you to sing".
New Citharen Lessons, (London, 1609), was a cittern tutor for beginners and advanced learners. It included 53 compositions, the first 47 for four-course cittern (tuned e' d' g b), pieces 48 to 53 for fourteen-course cittern (tuned e' d' g bb f d G F E D C BBb AA GG).
There are some further pieces and arrangements from Thomas Robinson in other manuscripts:
John Dowland was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe" and "In darkness let me dwell", but his instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.
A lute is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table. The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing, so that each string is tuned to a specific pitch. The lute is plucked or strummed with one hand while the other hand "frets" the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can shorten or lengthen the part of the string that is vibrating, thus producing higher or lower pitches (notes).
The Fitzwilliam Virginal Book is a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England, i.e., the late Renaissance and very early Baroque. It takes its name from Viscount Fitzwilliam who bequeathed this manuscript collection to Cambridge University in 1816. It is now deposited in the Fitzwilliam Museum at Cambridge. Although the word virginals or virginal is used today to refer to a specific instrument similar to a small, portable harpsichord, at the time of the book the word was used to denote virtually any keyboard instrument including the organ.
Thomas Morley was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, The New Grove Dictionary of Music and Musicians states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music."
Thomas Ford was an English composer, lutenist, viol player and poet.
Anthony [Antony] Holborne [Holburne] was a composer of music for lute, cittern, and instrumental consort during the reign of Queen Elizabeth I.
Amazing Blondel are an English acoustic progressive folk band, containing Eddie Baird, John Gladwin, and Terry Wincott. They released a number of LPs for Island Records in the early 1970s. They are sometimes categorised as psychedelic folk or as medieval folk rock, but their music was much more a reinvention of Renaissance music, based around the use of period instruments such as lutes and recorders.
The Ceterone (Italian), was an enlarged cetera, believed to be similar to the chitarrone as a development of the chitarra and lute to enhance the bass capabilities of these instruments.
"Flow, my tears" is a lute song by the accomplished lutenist and composer John Dowland (1563–1626). Originally composed as an instrumental under the name "Lachrimae pavane" in 1596, it is Dowland's most famous ayre, and became his signature song, literally as well as metaphorically: he would occasionally sign his name "Jo. Dolandi de Lachrimae".
"My Lord Chamberlain, His Galliard " is a piece by John Dowland for the lute. It was printed in his First Booke of Songes or Ayres. The Lord Chamberlain of the title was George Carey, 2nd Baron Hunsdon; to whom The First Booke of Songs or Ayres was dedicated.
Elizabeth Rogers' Virginal Book is a musical commonplace book compiled in the mid-seventeenth century by a person or persons so far unidentified. Of all the so-called English "virginal books" this is the only one to mention the name of the instrument in the title, the others being so-called at a far later date.
Gregory Doc Rossi known professionally as Doc Rossi, is a citternist, composer and scholar born in Dayton, Ohio in 1955, emigrating to Europe in 1984. Today, he lives in Portugal after spending some years in Italy and Corsica. He studied music from an early age and began performing at 14. He has B.A.s in Music and English Literature, and was awarded the Ph.D. in 1991 from the University of London, where he wrote on Shakespeare and Brecht under the supervision of René Weis and Keith Walker. He studied historical technique with Andrea Damiani and has had tuition from John Renbourn, Ugo Orlandi, Richard Strasser, Christopher Morrongiello, Ljubo Majstorovic and John Anthony Lennon. Rossi has had a lifelong interest in the cittern, having built one at the age of 13. He now performs on a variety of instruments, including the diatonic Renaissance cittern, the modern Celtic cittern, the Corsican cetera, and especially the so-called English guittar (sic) or cetra, an 18th-century instrument. He also plays fingerstyle guitar, bass guitar, tenor banjo, mandolin family instruments.
Lachrimæ or seaven teares figured in seaven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts is a collection of instrumental music composed by John Dowland. It was published by John Windet in London in 1604 when Dowland was employed as lutenist to Christian IV of Denmark. The publication was dedicated to Anne of Denmark.
Anne Cromwell's Virginal Book is a manuscript keyboard compilation dated 1638. Whilst the importance of the music it contains is not high, it reveals the sort of keyboard music that was being played in the home at this time.
Christopher Wilson is a British lutenist who has performed widely and recorded several albums.
"Can She Excuse My Wrongs" is a late 16th-century song by the English Renaissance composer John Dowland, the fifth song in his First Booke of Songes or Ayres. The words are set to a dance-tune, a galliard.
"My Robin is to the Greenwood Gone" or "Bonny Sweet Robin" is an English popular tune from the Renaissance.
The Hermit is the 1976 solo album by British folk musician John Renbourn. On this release, Renbourn drew from lute and harp sources, and pieces from Turlough O'Carolan such as O'Carolan's Concerto transcribed for guitar.
John Alford was a lutenist in London. He published there in 1568 a translation of Adrian Le Roy's work on the lute under the title of A Briefe and Easye Instruction to learne the tableture, to conduct and dispose the hande unto the Lute. Englished by J. A., with a cut of the lute. A 1574 edition added additional music. The work was the dominant English lute tutor until Thomas Robinson's The Schoole of Musicke (1603).