Thomas Roger Smith

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Thomas Roger Smith (1830–1903) was an English architect and academic. He is now best known for his views and writings on public buildings, in terms of their style and acoustics, and their influence on other architects, particularly in relation to British imperial architecture. His own building designs are not considered distinguished. [1]

Contents

Life

Born at Sheffield on 14 July 1830, he was the only son of the Rev. Thomas Smith of Sheffield by his wife Louisa Thomas of Chelsea. After private education he entered the office of Philip Hardwick; and spent a year and a half in travel before beginning independent practice as an architect in 1855. Arthur John Gale was in partnership with him until 1891 and from 1888 his son, Ravenscroft Elsey Smith. His office was at Temple Chambers, Temple Avenue, E.C., London. [2] [3] An employee was the novelist Thomas Hardy, for a few months in 1872 as he was struggling to establish himself as a writer. [4]

Sheffield City and Metropolitan borough in England

Sheffield is a city and metropolitan borough in South Yorkshire, England. Historically part of the West Riding of Yorkshire, its name derives from the River Sheaf, which runs through the city. With some of its southern suburbs annexed from Derbyshire, the city has grown from its largely industrial roots to encompass a wider economic base. The population of the City of Sheffield is 577,800 (mid-2017 est.) and it is one of the eight largest regional English cities that make up the Core Cities Group. Sheffield is the third-largest English district by population. The metropolitan population of Sheffield is 1,569,000.

Philip Hardwick English architect

Philip Hardwick was an English architect, particularly associated with railway stations and warehouses in London and elsewhere. Hardwick is probably best known for London's demolished Euston Arch and its twin station, the original Birmingham Curzon Street, which stands today as the oldest railway terminus building in the world.

Thomas Hardy English novelist and poet

Thomas Hardy was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England.

Smith lectured on architecture and became in 1851 a member of the Architectural Association, of which he was president in 1860–1 and again in 1863–4. At the Royal Institute of British Architects (RIBA) he was elected an associate in 1856, in 1863 a fellow, and was for several sessions a member of its council. [2] In 1869 he was a founding editor of The Architect. [3]

Royal Institute of British Architects professional body for architects primarily in the United Kingdom

The Royal Institute of British Architects (RIBA) is a professional body for architects primarily in the United Kingdom, but also internationally, founded for the advancement of architecture under its charter granted in 1837 and Supplemental Charter granted in 1971.

Smith became chairman in 1899 of the statutory board of examiners (under the London Building Acts) which the Institute appointed. In 1874 he was made district surveyor under the Metropolitan Board of Works for Southwark and North Lambeth and was transferred in 1882 to the district of West Wandsworth. Smith's other official appointments were numerous. At the Carpenters' Company, he attained in 1901 the office of master. He was an examiner in architecture to the Science and Art Department, South Kensington Museum, as well as to the City and Guilds Institute. [2]

From 1880 to his death, Smith was Professorship of Architecture at University College, London, which he held from 1880 to his death. He was brought in on questions of rights of light, and as an architectural assessor in competitions. Seriously lame for many years, Smith worked on until the end of 1902. He died on 11 March 1903 at his residence, Gordon Street, Gordon Square, London. [2]

Right to light form of easement in English law

Right to light is a form of easement in English law that gives a long-standing owner of a building with windows a right to maintain the level of illumination. It is based on the Ancient Lights law. The rights are most usually acquired under the Prescription Act 1832.

Indian experience and British imperial architecture

Selected to design exhibition buildings in Bombay, Smith went there in 1864. The project was abandoned, after the contract was signed, because of the cotton famine. Buildings were erected in India from his designs, including the post office and British Hospital at Bombay, and the residency at Ganeshkhind. [2]

Lancashire Cotton Famine

The Lancashire Cotton Famine, also known as the Cotton Famine or the Cotton Panic (1861–65), was a depression in the textile industry of North West England, brought about by overproduction in a time of contracting world markets. It coincided with the interruption of baled cotton imports caused by the American Civil War, and speculators buying up new stock, for storage in the shipping warehouses at the ports of entry.

In 1873 Smith made much-noted comments on the architectural styles appropriate to the British Empire and its public buildings. Speaking to the Society of Arts, he urged that "European" styles should be adopted. On that occasion he was opposed by William Emerson, whose view was that "Indic" styles should be used on such buildings, in India. The debate ran on for decades. [5] Smith had made the same case in a RIBA lecture in 1868. [3] The topical context in which he spoke in 1873 was that (what became known as) Indo-Saracenic Revival architecture had strong proponents, in particular Lord Napier in Madras. Smith was defending the Gothic Revival style that was being introduced to Bombay. [6] This style had the favour of Henry Bartle Frere, the governor, but was in fact a hybrid. [7] Part of Smith's thesis denied a characteristically "English" architectural style. [8]

Josiah Conder, a relation, worked for Smith and William Burges, and might be interested in Orient. Conder was influenced by James Fergusson's works, and brought Pseudo-Saracenic style to Meiji Japan. [9] This style was partially accepted by Tatsuno Kingo for his design of the KOKUGI KAN (National Sumo Wrestling Hall), [10] but soon rejected by other graduates except Itō Chūta. [3]

Other works

Mount Vernon, former hospital in Hampstead Mount Vernon - geograph.org.uk - 1133105.jpg
Mount Vernon, former hospital in Hampstead

In England Smith's work included the Technical Schools (and Baths) of the Carpenters' Company at Stratford, and the Ben Jonson schools at Stepney (1872), as well as other schools for the London School Board. [2] In school design, Smith employed what was then called the "German system", or "Prussian plan", in the Jonson Street School in Stepney, providing in particular one classroom per class. Still a contentious approach, it was criticised by Edward Robert Robson, who had objections on grounds of expense. At that date, Robson as School Board architect was making a reasonable case based on the existing supply of teachers. [11] [12]

Smith designed also Emmanuel church and vicarage, South Croydon, and the Sanatorium at Reedham (1883). [2] The North London Hospital for Consumption at Hampstead, known as Mount Vernon, was built in 1880, enlarged in 1892, completed 1903. [13] Its French-influenced style was a pattern repeated in hospitals built over the next two decades. [14] Laboratories at University College London (opened 1892) formed part of an uncompleted scheme for the Gower Street front of the large quadrangle. [2]

99 Southwark Street, London, 1877 building designed by Thomas Roger Smith 99 Southwark Street - geograph.org.uk - 1347063.jpg
99 Southwark Street, London, 1877 building designed by Thomas Roger Smith

Domestic architectural work included Armathwaite Hall, Cumberland; Brambletye House, East Grinstead; Hitcham Hall, Hitcham, Buckinghamshire for George Hanbury, [15] and Beechy Lees at Otford, Kent. [2]

Writings

Smith's published books were: [2]

Family

Smith married in 1858 Catherine, daughter of Joseph Elsey of Highgate. He was survived by his widow, one daughter, and three sons, of whom Ravenscroft Elsey Smith became in 1899 professor of architecture at King's College, London. [2]

Notes

  1. Hanna Lerski, Josiah Conder's Bank of Japan, Tokyo, Journal of the Society of Architectural Historians Vol. 38, No. 3 (Oct. 1979), pp. 271–274, at p. 271 note 2. Published by: University of California Press on behalf of the Society of Architectural Historians. Stable URL: https://www.jstor.org/stable/989388
  2. 1 2 3 4 5 6 7 8 9 10 11 Lee, Sidney, ed. (1912). "Smith, Thomas Roger"  . Dictionary of National Biography (2nd supplement). 3. London: Smith, Elder & Co.
  3. 1 2 3 4 Ellen P. Conant (2006). Challenging Past And Present: The Metamorphosis of Nineteenth-Century Japanese Art. University of Hawaii Press. p. 240. ISBN   978-0-8248-2937-7.
  4. Michael Millgate (September 2006). Thomas Hardy: A Biography Revisited. Oxford University Press. pp. 129–31. ISBN   978-0-19-927566-3.
  5. Thomas R. Metcalf, Architecture and the Representation of Empire: India, 1860–1910, Representations No. 6 (Spring, 1984), pp. 37–65, at p. 37. Published by: University of California Press. Stable URL: https://www.jstor.org/stable/2928537
  6. Preeti Chopra (2011). A Joint Enterprise: Indian Elites and the Making of British Bombay. U of Minnesota Press. p. 46. ISBN   978-0-8166-7036-9.
  7. Ian Baucom (25 January 1999). Out of Place: Englishness, Empire, and the Locations of Identity. Princeton University Press. p. 83. ISBN   978-1-4008-2303-1.
  8. Ellen P. Conant (2006). Challenging Past And Present: The Metamorphosis of Nineteenth-Century Japanese Art. University of Hawaii Press. p. 290. ISBN   978-0-8248-2937-7.
  9. Izumida Hideo, Design as National Identity - Islamic Style in Modern Japan, Proceedings of the SAHANZ Conference Asia-Australinesia, July 1992, pp.131-146.
  10. Twin entrance towers were crown by Chhatri
  11. Franz Bosbach; William Filmer-Sankey; Hermann Hiery (1 January 2000). Prinz Albert und die Entwicklung der Bildung in England und Deutschland im 19. Jahrhundert / Prince Albert and the Development of Education in England and Germany in the 19th Century. Walter de Gruyter. pp. 50–1. ISBN   978-3-11-095440-1.
  12. History of Education Society (15 April 2013). Local Studies and the History of Education. Routledge. p. 71. ISBN   978-1-135-03114-5.
  13. Bridget Cherry (January 1998). London: North. Yale University Press. p. 221. ISBN   978-0-300-09653-8.
  14. Donald Bassett, 'Queen Anne' and France, Architectural History Vol. 24, (1981), pp. 83-91+155-158 Published by: SAHGB Publications Limited. Stable URL: https://www.jstor.org/stable/1568400
  15. Nikolaus Pevsner; Elizabeth Williamson; Geoffrey K. Brandwood (1 January 1994). Buckinghamshire. Yale University Press. p. 811. ISBN   978-0-300-09584-5.
  16. scottisharchitects.org.uk, John Slater.
Attribution

Wikisource-logo.svg  This article incorporates text from a publication now in the public domain :  Lee, Sidney, ed. (1912). "Smith, Thomas Roger". Dictionary of National Biography (2nd supplement). 3. London: Smith, Elder & Co.

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