Thomas Roseingrave

Last updated

St George's, Hanover Square, where Thomas Roseingrave was appointed organist in 1725 Saint George Church, Hanover Square.jpg
St George's, Hanover Square, where Thomas Roseingrave was appointed organist in 1725

Thomas Roseingrave (1690 or 1691 – 23 June 1766), like his father Daniel Roseingrave, was an English-born Irish composer and organist.


Early years

He was born at Winchester, where his father Daniel Roseingrave was the Cathedral organist, but spent his early years in Dublin, studying music with his father (who, by then, was organist of both St Patrick’s Cathedral, Dublin and Christ Church Cathedral, Dublin. In 1707 he entered Trinity College but failed to complete his degree. In 1710 he was sent to Italy with the financial assistance of St Patrick’s Cathedral, Dublin (awarded in 1709) in order "to improve himself in the art of music". In Venice he met Domenico Scarlatti and was greatly impressed by his harpsichord playing. He followed Scarlatti to Naples and Rome and, later in life, he published an edition of Scarlatti's sonatas for harpsichord which led to a "Scarlatti cult" in England.

Roseingrave composed several works in Italy including an anthem and a cantata. He returned to England in 1717 (having left Italy for Dublin in 1713). In 1720 he produced Scarlatti's opera Amor d'un'ombra e gelosia d'un'aura under the title Narciso at the Haymarket Theatre, to which he added two arias and two duets of his own. He was appointed organist of St George's, Hanover Square, in 1725. He became known as an accomplished improviser, especially of fugues. He had a great admiration for the music of Palestrina and was highly skilled at contrapuntal writing. According to Charles Burney he could play the most difficult music by sight.

Later years

In the 1730s he was at the height of his technique and skill. However, his successful career came to an end when he was denied permission to marry a young lady with whom he had become infatuated. Her father would not allow her to marry a musician. The disappointment affected Roseingrave psychologically; his behaviour reportedly became irrational at times, and he neglected his duties. Eventually he retired to Dublin in 1747 where he lived with his nephew William in Dún Laoghaire. In Ireland, he mainly seems to have spent his retirement, a remarkable exception being the first and only performance of his opera Phaedra and Hippolitus on 6 March 1753 in Dublin. He died at Dún Laoghaire in 1766 and was buried in his family's grave in the churchyard of St Patrick's Cathedral, Dublin.


Roseingrave's best compositions are his keyboard works which show surprisingly little influence of continental composers. His harpsichord works occasionally reflect the influence of Scarlatti, but the organ works are closer to the English style of Purcell and Blow. They are at times highly chromatic, reflecting the dissonant approach of English music such as Purcell's viol fantasies. They show irregular phrasing and form, suggesting that they may have arisen from freely extemporised performances for which he had been so famous. He also wrote solos for flute, and Italian cantatas. His contemporaries often criticised him for his "harsh, ungrateful harmony, and extravagant and licentious modulations". Most English composers in the 18th century had adopted the Italianate style in the Handelian manner, and the ears of English music lovers were becoming accustomed to the easier harmony and form of the galant style. Thus Roseingrave's music would have appeared to many to be too intellectual and old-fashioned.

One factor which led to increased esteem for Roseingrave in the 20th century (though even now his music is seldom heard in concert, as opposed to being included on recordings) was the enthusiasm demonstrated for his output by Constant Lambert. Indeed, Lambert actually oversaw the first modern editions of several Roseingrave pieces.


Selectively cited from Klein (2001) [1]


Loudspeaker.svg Gigue  


Related Research Articles

Domenico Scarlatti Italian composer (1685–1757)

Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti, was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families.

Dieterich Buxtehude Danish-German organist and composer (1637–1707)

Dieterich Buxtehude was a Danish organist and composer of the Baroque period, whose works for the organ represent a central part of the standard organ repertoire usually performed at recitals and church services. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as his student Johann Sebastian Bach. Historically, Buxtehude is among the important composers of the mid-Baroque period in Germany.

John Ireland (composer) British composer and teacher of music (1879-1962)

John Nicholson Ireland was an English composer and teacher of music. The majority of his output consists of piano miniatures and of songs with piano. His best-known works include the short instrumental or orchestral work "The Holy Boy", a setting of the poem "Sea-Fever" by John Masefield, a formerly much-played Piano Concerto, the hymn tune Love Unknown and the choral motet "Greater Love Hath No Man".

Trevor Pinnock English harpsichordist and conductor

Trevor David Pinnock is a British harpsichordist and conductor.

The year 1727 in music involved some significant events.

Angela Hewitt

Angela Hewitt, is a Canadian classical pianist. She is best known for her Bach interpretations.

Cat fugue

The Fugue in G minor by Domenico Scarlatti is a one-movement harpsichord sonata popularly known as the Cat fugue or Cat's fugue.

The year 1707 in music involved some significant events.

The year 1705 in music involved some significant events.

Daniel Roseingrave was an English-born organist and composer mainly active in Dublin, Ireland.

Wolfgang Friedrich Rübsam is a German-American organist, pianist, composer and pedagogue.

Percy William Whitlock, was an English organist and post-romantic composer.

Alan Gray

Alan Gray was an English organist and composer.

Hugh Blair (composer) English composer and organist (1864–1932)

Hugh Blair was an English musician, composer and organist.

Christopher Herrick Musical artist

Christopher Herrick is an English organist.

Johann Peter Kellner was a German organist and composer. He was the father of Johann Christoph Kellner.

Philip Cogan was an Irish composer, pianist, and conductor.

Charles Thomas Carter was an Irish composer and organist with mixed success as an opera composer in London, but with some songs that remained popular beyond his lifetime.

William Spark was an English musician, writer, composer and organist based in Leeds.


  1. Axel Klein: Irish Classical Recordings (Westport CT: Greenwood Press, 2001), pp. 143–5.

Peter Holman, Gerald Gifford and Richard Platt (2001). "Roseingrave family". Grove Music Online (8th ed.). Oxford University Press.

Free scores by Thomas Roseingrave at the International Music Score Library Project (IMSLP)