Thomas Selle (23 March 1599 – 2 July 1663) was a seventeenth-century German baroque composer.
A composer is a musician who is an author of music in any form, including vocal music, instrumental music, electronic music, and music which combines multiple forms. A composer may create music in any music genre, including, for example, classical music, musical theatre, blues, folk music, jazz, and popular music. Composers often express their works in a written musical score using musical notation.
Selle was born in Zörbig but received his first instruction in 1622 in Leipzig where he was a pupil of Johann Hermann Schein. It was around this time that he encountered the works of Thomaskantor Sethus Calvisius. Selle was cantor in Heide (Holstein) in 1624 and in 1625 in nearby Wesselburen. From 1634 he was cantor in Itzehoe and from 1641 Music Director at the Johanneum of the four main churches of Hamburg; from 1642 as well as minor canon at St Mary's. While in Hamburg, he premiered his Passion nach dem Evangelisten Johannes, which garnered favorable reviews. He died in Hamburg after serving 22 years in his position as music director.
Leipzig is the most populous city in the German federal state of Saxony. With a population of 587,857 inhabitants as of 2018, it is Germany's eighth most populous city as well as the second most populous city in the area of former East Germany after (East) Berlin. Together with Halle (Saale), the largest city of the neighbouring state of Saxony-Anhalt, the city forms the polycentric conurbation of Leipzig-Halle. Between the two cities lies Leipzig/Halle International Airport.
Johann Hermann Schein was a German composer of the early Baroque era. He was born in Grünhain and died in Leipzig. He was one of the first to import the early Italian stylistic innovations into German music, and was one of the most polished composers of the period.
Thomas Selle’s contributions to the German Passion tradition include his use of intermedia, which are poly-choral motets that are interspersed within the Passion story to summarize and comment on the narrative. These were the first non-gospel texts that were included as part of the Passion tradition. Selle himself allowed for the removal of these intermedia to accommodate more conservative churches.
1663 (MDCLXIII) was a common year starting on Monday of the Gregorian calendar and a common year starting on Thursday of the Julian calendar, the 1663rd year of the Common Era (CE) and Anno Domini (AD) designations, the 663rd year of the 2nd millennium, the 63rd year of the 17th century, and the 4th year of the 1660s decade. As of the start of 1663, the Gregorian calendar was 10 days ahead of the Julian calendar, which remained in localized use until 1923.
A witch-hunt or a witch purge is a search for people who have been labelled "witches" or a search for evidence of witchcraft, and it often involves a moral panic or mass hysteria. The classical period of witch-hunts in Early Modern Europe and Colonial North America took place in the Early Modern period or about 1450 to 1750, spanning the upheavals of the Reformation and the Thirty Years' War, resulting in an estimated 35,000 to 100,000 executions, with the most recent estimate at 40,000. The last executions of people convicted as witches in Europe took place in the 18th century. In other regions, like Africa and Asia, contemporary witch-hunts have been reported from Sub-Saharan Africa and Papua New Guinea and official legislation against witchcraft is still found in Saudi Arabia and Cameroon today.
This page indexes the individual year in art pages; see also Art periods. This is a list of the Visual Arts only; for Music see Timeline of musical events.
17th-century French literature was written throughout the Grand Siècle of France, spanning the reigns of Henry IV of France, the Regency of Marie de Medici, Louis XIII of France, the Regency of Anne of Austria and the reign of Louis XIV of France. The literature of this period is often equated with the Classicism of Louis XIV's long reign, during which France led Europe in political and cultural development; its authors expounded the classical ideals of order, clarity, proportion and good taste. In reality, 17th-century French literature encompasses far more than just the classicist masterpieces of Jean Racine and Madame de La Fayette.
The Gardes-du-Corps was the senior formation of the King of France's Household Cavalry within the Maison militaire du roi de France.
The diocese of Bagnoregio is a former Roman Catholic territory, located in the modern Province of Viterbo in the Italian region of Lazio, located about 90 kilometres (56 mi) northwest of Rome. Prior to the creation of the Kingdom of Italy, it belonged to the Papal States, and was located in the region of Umbria. It had been given to the Papal States by the Emperor Louis I in 822. In terms of religious administration, it was directly dependent upon the Holy See (Papacy). The pope appointed an Apostolic Administrator for the diocese of Bagnoregio on 8 June 1970, and the bishop was not replaced when he died in 1971. The diocese was suppressed on 30 September 1986 by Pope John Paul II.
A Christian Hebraist is a scholar of Hebrew who comes from a Christian family background/belief, or is a Jewish adherent of Christianity. The main area of study is that commonly known as the Old Testament to Christians, but Christians have occasionally taken an interest in the Talmud, and Kabbalah.
Jesus Christus ist um unsrer Missetat willen verwundet is a St Mark Passion which originated in the early 18th century and is most often attributed to Reinhard Keiser. It may also have been composed by his father Gottfried or by Friedrich Nicolaus Bruhns. Johann Sebastian Bach produced three performance versions of the Passion, the last of which is a pasticcio with arias from George Frideric Handel's Brockes Passion. There are two other extant 18th-century versions of the Passion, both of them independent of Bach's versions. The Passion was performed in at least three cities in the first half of the 18th century: in Hamburg in 1707 and 1711, in Weimar around 1712, and in Leipzig in 1726 and around 1747.
The Catalogue of paintings in the National Gallery, London lists the named painters of the collection of the National Gallery, London, as they were catalogued in 2010 by the Public Catalogue Foundation. The collection contains roughly 2,300 paintings by 750 artists, and only attributed artists are listed here. Painters with more than twenty works in the collection are Jean-Baptiste-Camille Corot, Carlo Crivelli, Anthony van Dyck, Francesco Guardi, Rembrandt van Rijn, Peter Paul Rubens, Jacob van Ruisdael, and David Teniers II. The only women artists with works in the collection are Artemisia Gentileschi, Marie Blancour, Rosa Bonheur, Rosalba Giovanna Carriera, Catharina van Hemessen, Judith Leyster, Rachel Ruysch, and Elisabeth Louise Vigée-LeBrun. The only British artists with works in the collection are William Boxall, John Constable, Thomas Gainsborough, William Hogarth, John Hoppner, John Callcott Horsley, John Jackson, Thomas Jones, Cornelis Janssens van Ceulen, Thomas Lawrence, John Linnell, Henry Raeburn, Joshua Reynolds, Martin Archer Shee, George Stubbs, Joseph Mallord William Turner, Richard Wilson, and Joseph Wright of Derby. However, because of the historical links between the National Gallery and its offshoot in the 19th century, Tate Britain, the National has in the past transferred and recalled works by British artists to and from its collection.
A church cantata or sacred cantata is a cantata intended to be performed during a liturgical service. The liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Georg Philipp Telemann composed cycles of church cantatas comprising all 72 of these occasions. Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum amount of Sundays after Epiphany and the maximum amount of Sundays after Trinity could not all occur.
The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based project for the creation of a virtual library of public-domain music scores. Since its launch on February 16, 2006, over 370,000 scores and 42,000 recordings for over 110,000 works by over 14,000 composers have been uploaded. Based on the wiki principle, the project uses MediaWiki software. Since June 6, 2010, the IMSLP has also included public domain and licensed recordings in its scope, to allow for study by ear.