Thomas Stuart Smith
1874 portrait by Alfred Wilson Cox
Thomas Stuart Smith (1815–1869) was a Scottish painter and philanthropist known for creating what is now called the Stirling Smith Museum and Art Gallery, located in Stirling, Scotland.
Thomas Stuart Smith was born in 1815 as the secret illegitimate nephew of Alexander Smith, who had the estate at Glassingall, Dunblane, Scotland. Alexander's brother, the father, sent Thomas to a school in France whilst he conducted his business in Canada and the East Indies. In 1831 no fees were paid and Thomas thought his father must have died. He returned to England, when he and his uncle learned of each other for the first time. They did not meet, but Alexander advanced sums to him from time to time.
Smith started working as a tutor. He later became interested in painting from an Italian master painter whom he met whilst serving as a traveling tutor to a British family. His uncle Alexander supplied funding so that he could travel and paint in Italy starting in 1840.
By the end of that decade, Smith was having his work accepted by both the Salon des Beaux Arts in Paris and the Royal Academy in London. His first painting at the Royal Academy was bought by Professor Owen, an acquaintance of Edwin Landseer, who was said to have admired it repeatedly.
The Salon, or rarely Paris Salon, beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. From 1881 onward, it has been managed by the Société des Artistes Français.
Sir Edwin Henry Landseer was an English painter and sculptor, well known for his paintings of animals – particularly horses, dogs, and stags. However, his best known works are the lion sculptures in Trafalgar Square.
In 1849 Alexander Smith died intestate. Thomas took possession of the family's estate in 1857 after vying at great expense with eighteen other aspirants. During the eight years that he had waited in hope of his inheritance, he taught art at the Nottingham School of Design. James Orrock, the collecter and watercoulourist, was one of his pupils; he commented on how Smith could paint anything. Smith was known to the Barbizon School of realistic painting, including the animal painters Constant Troyon and John Phillip RA.
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James Orrock R.I., R.O.I., was a prominent Scottish collector of art and oriental ceramics, illustrator and landscape watercolourist. The scale of his involvement with the art trade and with top collectors such as John Ruskin is highlighted in the large two volume set of books published about him by Byron Webber: published in London, Chatto and Windus 1903: James Orrock R.I., Painter, Connoisseur, Collector. Rather than being a forger as some modern scholars like to believe Orrock was a dedicated enthusiast of contemporary British art and emulated some of those artists in his own work. He illustrated three books in the style of Turner: Mary Queen-of-Scots, 1906; Old England : her story mirrored in her scenes, 1908; and, In the Border country, 1906.
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Having gained the estate, he kept it just six years. He sold it and used the funds to move to London. His legal costs had been high. His new fortune enabled him to create an art collection at a studio in Fitzroy Square that included his own work. He decided to create an Institute in Stirling to house his new collection. He drew up plans for a library, museum, and a reading room and he offered £5,000 to the council if they could donate a site within two years. He signed the trust into existence in November 1869 with himself, James Barty, the Provost of Stirling and A.W.Cox, a fellow artist, as trustees. He did not see his plans fulfilled as he died the next month in Avignon.
Fitzroy Square is one of the Georgian squares in London and is the only one found in the central London area known as Fitzrovia.
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Smith is known primarily for founding the Smith Institute, which is now called the Stirling Smith Museum and Art Gallery. Smith also has hundreds of paintings in public ownership.
Two of Smith's works that are still thought to be important are portraits he painted of black men. Unlike other depictions at the time, in which black people were included as servants, Smith's portraits Fellah of Kinneh and Pipe of Freedom show his subjects as independent and free; they were painted to celebrate the abolition of slavery in America in 1865 following the American Civil War.He also did a smaller painting called The Cuban Cigarette, which has a similar presence. The Pipe of Freedom shows a man lighting a pipe; behind him a slave sale notice has been partially covered by an abolition notice.
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