Thomas T. Moulton
|Born||January 1, 1896|
Wausau, Wisconsin, United States
|Died||March 29, 1967 71) (aged|
Fresno, California, United States
Thomas T. Moulton (January 1, 1896 – March 29, 1967) was an American sound engineer. He won five Academy Awards in the category Sound Recording and was nominated for eleven more in the same category. He was also nominated four times in the category Best Visual Effects.
The Academy Awards, also known as the Oscars, are a set of awards for artistic and technical merit in the film industry. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements as assessed by the Academy's voting membership. The various category winners are awarded a copy of a golden statuette, officially called the "Academy Award of Merit", although more commonly referred to by its nickname "Oscar".
The Academy Award for Best Sound Mixing is an Academy Award that recognizes the finest or most euphonic sound mixing or recording and is generally awarded to the production sound mixers and re-recording mixers of the winning film. Compare this award to the Academy Award for Best Sound Editing. In the lists below, the winner of the award for each year is shown first, followed by the other nominees.
The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects.
Moulton won five Academy Awards for Best Sound, was nominated for eleven more in the same category and four more for Best Visual Effects:
The Hurricane is a 1937 film set in the South Seas, directed by John Ford and produced by Samuel Goldwyn Productions, about a Polynesian who is unjustly imprisoned. The climax features a special effects hurricane. It stars Dorothy Lamour and Jon Hall, with Mary Astor, C. Aubrey Smith, Thomas Mitchell, Raymond Massey, John Carradine, and Jerome Cowan. James Norman Hall, Jon Hall's uncle, co-wrote the novel of the same name on which The Hurricane is based.
The Cowboy and the Lady is a 1938 American western romantic comedy film directed by H.C. Potter, and starring Gary Cooper and Merle Oberon. Written by S.N. Behrman and Sonya Levien, based on a story by Frank R. Adams and veteran film director Leo McCarey, the film is about a beautiful socialite masquerading as a maid who becomes involved with an unpretentious, plain-spoken cowboy who is unaware of her true identity. The Cowboy and the Lady won an Academy Award for Sound Recording, and was nominated for Original Score and Original Song.
The Snake Pit is a 1948 American film noir directed by Anatole Litvak and stars Olivia de Havilland, Mark Stevens, Leo Genn, Celeste Holm, Beulah Bondi, and Lee Patrick. Based on Mary Jane Ward's 1946 semi-autobiographical novel of the same name, the film tells the story of a woman who finds herself in an insane asylum and cannot remember how she got there.
The Affairs of Cellini (1934) is a comedy film set in Florence over 400 years ago. This film was adapted by Bess Meredyth from the play The Firebrand of Florence by Edwin Justus Mayer. It was directed by Gregory La Cava.
The Dark Angel is a 1935 film which tells the story of three childhood friends, two male, one female. When the woman chooses one of the men to marry, the other, jealous, sends his rival off into a dangerous situation during wartime. The film stars Fredric March, Merle Oberon, and Herbert Marshall.
Dodsworth is a 1936 American drama film directed by William Wyler and starring Walter Huston, Ruth Chatterton, Paul Lukas and Mary Astor. Sidney Howard based the screenplay on his 1934 stage adaptation of the 1929 novel of the same name by Sinclair Lewis. Huston reprised his stage role.
Foreign Correspondent is a 1940 American spy thriller film directed by Alfred Hitchcock. It tells the story of an American reporter who tries to expose enemy spies in Britain who are involved in a fictional continent-wide conspiracy in the prelude to World War II. It stars Joel McCrea and features 19-year old Laraine Day, Herbert Marshall, George Sanders, Albert Bassermann, and Robert Benchley, along with Edmund Gwenn.
The Long Voyage Home is a 1940 American drama film directed by John Ford. It stars John Wayne, Thomas Mitchell and Ian Hunter. It also features Barry Fitzgerald, Wilfrid Lawson, John Qualen, Mildred Natwick, and Ward Bond, among others.
The North Star is a 1943 war film produced by Samuel Goldwyn Productions and distributed by RKO Radio Pictures. It was directed by Lewis Milestone, written by Lillian Hellman and featured production design by William Cameron Menzies. The film starred Anne Baxter, Dana Andrews, Walter Huston, Walter Brennan and Erich von Stroheim. The music was written by Aaron Copland, the lyrics by Ira Gershwin, and the cinematography was by James Wong Howe. The film also marked the debut of Farley Granger.
Douglas G. Shearer was a Canadian American pioneering sound designer and recording director who played a key role in the advancement of sound technology for motion pictures. He won seven Academy Awards for his work. In 2008, he was inducted into Canada's Walk of Fame.
Ray Binger was an American cinematographer. He started working in Hollywood in 1924, mastering the art of process photography. By 1934 he had gravitated towards special effects work. He was one of the many technicians involved in bringing authenticity to The Hurricane in 1937, and was instrumental in the plane crash sequence in Alfred Hitchcock’s Foreign Correspondent in 1940. Not all his assignments were quite that showy, however. He received an Oscar nomination in the category Best Special Effects for generating fake crowds to fill up the baseball stands in 1942's The Pride of the Yankees. He was nominated twice more in the same category for The Long Voyage Home (1940) and The North Star (1943).
Daniel J. Bloomberg was an Academy Award-winning audio engineer. Bloomberg's first Hollywood credit was in 1934, his last his Oscar-nominated work on John Ford’s The Quiet Man 18 years later. In the intervening time, he worked on several films in the Dick Tracy and Zorro series.
Howard and Theodore Lydecker, always known—and billed—as such, were Howard "Babe" Lydecker and Theodore Lydecker, a special effects team primarily working as contract staff members of Republic Pictures. They are best remembered as the producers and photographers of some of the best miniature effects of their time.
Perry Ferguson was an American art director. He was nominated for five Academy Awards in the category Best Art Direction. He was born in Texas and died in Los Angeles, California.
Vincent Korda was a Hungarian-born art director, later settling in Britain. Born in Túrkeve in the then Austro-Hungarian Empire, he was the younger brother of Alexander and Zoltan Korda. He was nominated for four Academy Awards, winning once. He died in London, England. He is the father of writer and editor Michael Korda.
Gordon Jennings, A.S.C. was an American special effects artist. He received seven Academy Awards and was nominated for eight more in the same category. After starting 1919 in Hollywood as camera assistant he worked from 1932 until 1953 on the visual and special effects of more than 180 films. His older brother was cinematographer Devereaux Jennings (1884-1952), who filmed, for instance, Buster Keaton's monumental The General in 1926.
Franklin Hansen was an American sound engineer. He won an Academy Award in the category Sound Recording for the film A Farewell to Arms and was nominated for four more in the same category.
Nathan Levinson was an American sound engineer. He won an Oscar in the category Sound Recording for the film Yankee Doodle Dandy and was nominated for 16 more in the same category. He was also nominated seven times in the category Best Special Effects.
Edmund H. Hansen was an American sound engineer. He won two Academy Awards; one for Best Sound Recording and the other Best Visual Effects. He was nominated for another 12 films across the two categories.
Elmer R. Raguse was an American sound engineer mostly associated with the Hal Roach Studios. He was nominated for eight Academy Awards in the categories Best Sound Recording and Best Effects.
Loren L. Ryder was an American sound engineer. He won five Academy Awards and was nominated for twelve more in the categories Best Sound Recording and Best Effects.
Bernard B. Brown was an American sound engineer and composer, who wrote the scores for many early animated cartoons produced by Leon Schlesinger Productions for distribution by Warner Bros. Pictures. He won an Academy Award in the category Sound Recording and was nominated for seven more in the same category. He was also nominated three times in the category Best Visual Effects. He worked on more than 520 films between 1930 and 1958.
Jack Whitney was an American sound engineer. He won two Academy Awards, one for Best Sound Recording and the other for Best Visual Effects. He was nominated six more times in the category Best Sound.
Stephen Dunn was an American sound engineer. He won two Academy Awards in the category Best Sound Recording and was nominated twice more in the same category.
Carlton W. Faulkner was an American sound engineer. He won an Oscar in the category Sound Recording for the film The King and I. He was also nominated for four more Academy Awards, three in the same category and the fourth for Best Effects, Special Effects.
Farciot Edouart, ASC was a motion picture special effects artist and innovator, a recognized specialist and innovator in the area of "process photography", also known as rear projection.
Jack Cosgrove was an American special effects artist. He was nominated for five Academy Awards for Best Special Effects.
Louis Mesenkop was an American sound engineer. He won two Academy Awards for Best Special Effects and was nominated for another in the same category. Mesenkop was part of the production team who received an Academy Honorary Award at the 11th Academy Awards for their efforts on the Paramount film Spawn of the North.
Roger Heman Sr. was an American sound engineer. He won an Academy Award for Best Special Effects and was nominated for four more in the same category. He worked on more than 350 films during his career. His son was also a sound engineer.
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