Douglas G. Shearer was a Canadian American pioneering sound designer and recording director who played a key role in the advancement of sound technology for motion pictures. He won seven Academy Awards for his work. In 2008, he was inducted into Canada's Walk of Fame.
Ray Binger was an American cinematographer. He started working in Hollywood in 1924, mastering the art of process photography. By 1934 he had gravitated towards special effects work. He was one of the many technicians involved in bringing authenticity to The Hurricane in 1937, and was instrumental in the plane crash sequence in Alfred Hitchcock’s Foreign Correspondent in 1940. Not all his assignments were quite that showy, however. He received an Oscar nomination in the category Best Special Effects for generating fake crowds to fill up the baseball stands in 1942's The Pride of the Yankees. He was nominated twice more in the same category for The Long Voyage Home (1940) and The North Star (1943).
Daniel J. Bloomberg was an Academy Award-winning audio engineer. Bloomberg's first Hollywood credit was in 1934, his last his Oscar-nominated work on John Ford’s The Quiet Man 18 years later. In the intervening time, he worked on several films in the Dick Tracy and Zorro series.
Howard and Theodore Lydecker, always known—and billed—as such, were Howard "Babe" Lydecker and Theodore Lydecker, a special effects team primarily working as contract staff members of Republic Pictures. They are best remembered as the producers and photographers of some of the best miniature effects of their time.
Perry Ferguson was an American art director. He was nominated for five Academy Awards in the category Best Art Direction. He was born in Texas and died in Los Angeles, California.
Vincent Korda was a Hungarian-born art director, later settling in Britain. Born in Túrkeve in the then Austro-Hungarian Empire, he was the younger brother of Alexander and Zoltan Korda. He was nominated for four Academy Awards, winning once. He died in London, England. He is the father of writer and editor Michael Korda.
Gordon Jennings, A.S.C. was an American special effects artist. He received seven Academy Awards and was nominated for eight more in the same category. After starting 1919 in Hollywood as camera assistant he worked from 1932 until 1953 on the visual and special effects of more than 180 films. His older brother was cinematographer Devereaux Jennings (1884-1952), who filmed, for instance, Buster Keaton's monumental The General in 1926.
Franklin Hansen was an American sound engineer. He won an Academy Award in the category Sound Recording for the film A Farewell to Arms and was nominated for four more in the same category.
Nathan Levinson was an American sound engineer. He won an Oscar in the category Sound Recording for the film Yankee Doodle Dandy and was nominated for 16 more in the same category. He was also nominated seven times in the category Best Special Effects.
Edmund H. Hansen was an American sound engineer. He won two Academy Awards; one for Best Sound Recording and the other Best Visual Effects. He was nominated for another 12 films across the two categories.
Elmer R. Raguse was an American sound engineer mostly associated with the Hal Roach Studios. He was nominated for eight Academy Awards in the categories Best Sound Recording and Best Effects.
Loren L. Ryder was an American sound engineer. He won five Academy Awards and was nominated for twelve more in the categories Best Sound Recording and Best Effects.
Bernard B. Brown was an American sound engineer and composer, who wrote the scores for many early animated cartoons produced by Leon Schlesinger Productions for distribution by Warner Bros. Pictures. He won an Academy Award in the category Sound Recording and was nominated for seven more in the same category. He was also nominated three times in the category Best Visual Effects. He worked on more than 520 films between 1930 and 1958.
Jack Whitney was an American sound engineer. He won two Academy Awards, one for Best Sound Recording and the other for Best Visual Effects. He was nominated six more times in the category Best Sound.
Stephen Dunn was an American sound engineer. He won two Academy Awards in the category Best Sound Recording and was nominated twice more in the same category.
Carlton W. Faulkner was an American sound engineer. He won an Oscar in the category Sound Recording for the film The King and I. He was also nominated for four more Academy Awards, three in the same category and the fourth for Best Effects, Special Effects.
Farciot Edouart, ASC was a motion picture special effects artist and innovator, a recognized specialist and innovator in the area of "process photography", also known as rear projection.
Jack Cosgrove was an American special effects artist. He was nominated for five Academy Awards for Best Special Effects.
Louis Mesenkop was an American sound engineer. He won two Academy Awards for Best Special Effects and was nominated for another in the same category. Mesenkop was part of the production team who received an Academy Honorary Award at the 11th Academy Awards for their efforts on the Paramount film Spawn of the North.
Roger Heman Sr. was an American sound engineer. He won an Academy Award for Best Special Effects and was nominated for four more in the same category. He worked on more than 350 films during his career. His son was also a sound engineer.
