Thomas Whitty (1713–1792) was an English carpet manufacturer who founded Axminster Carpets in 1755.
Whitty was impressed by a large Turkish carpet he saw at Cheapside Market in London, and upon his return to Axminster he used his skills as a weaver to work out how to produce a product of similar quality. After several months work he completed his first carpet on midsummer's day 1755. [1] His carpets were then chosen by wealthy aristocrats to have in their English country homes and town houses. Axminster Carpets were produced for the music room of the Brighton Royal Pavilion, Saltram House, Warwick Castle, Chatsworth House and in 1800 for the Sultan of Turkey.
King George III and Queen Charlotte purchased Axminster carpets and also visited the factory which dominated the English carpet market between 1755 and 1835 when Samuel Ramson Whitty, the grandson of the founder was declared bankrupt following a disastrous fire seven years earlier which destroyed the weaving looms.
Blackmores of Wilton, near Salisbury, bought the remaining stock and looms and extended their business to include hand-knotted carpets which were still called Axminsters.
Axminster is a market town and civil parish on the eastern border of the county of Devon in England. It is 28 miles (45 km) from the county town of Exeter. The town is built on a hill overlooking the River Axe which heads towards the English Channel at Axmouth, and is in the East Devon local government district. At the 2001 census, it had a population of 5,626, increasing to 5,761 at the 2011 census. The town contains two electoral wards whose combined population is 7,110. The market is still held every Thursday.
A carpet is a textile floor covering typically consisting of an upper layer of pile attached to a backing. The pile was traditionally made from wool, but since the 20th century synthetic fibers such as polypropylene, nylon, or polyester have often been used, as these fibers are less expensive than wool. The pile usually consists of twisted tufts that are typically heat-treated to maintain their structure. The term carpet is often used in a similar context to the term rug, but rugs are typically considered to be smaller than a room and not attached to the floor.
A Persian carpet or Persian rug, also known as Iranian carpet, is a heavy textile made for a wide variety of utilitarian and symbolic purposes and produced in Iran, for home use, local sale, and export. Carpet weaving is an essential part of Persian culture and Iranian art. Within the group of Oriental rugs produced by the countries of the "rug belt", the Persian carpet stands out by the variety and elaborateness of its manifold designs.
A kilim is a flat tapestry-woven carpet or rug traditionally produced in countries of the former Persian Empire, including Iran, but also in the Balkans and the Turkic countries. Kilims can be purely decorative or can function as prayer rugs. Modern kilims are popular floor coverings in Western households.
Uşak carpets, Ushak carpets or Oushak Carpets are Turkish carpets that use a particular family of designs, called by convention after the city of Uşak, Turkey – one of the larger towns in Western Anatolia, which was a major center of rug production from the early days of the Ottoman Empire, into the early 20th century.
An oriental rug is a heavy textile made for a wide variety of utilitarian and symbolic purposes and produced in "Oriental countries" for home use, local sale, and export.
Anatolian rug or Turkish carpet is a term of convenience, commonly used today to denote rugs and carpets woven in Anatolia and its adjacent regions. Geographically, its area of production can be compared to the territories which were historically dominated by the Ottoman Empire. It denotes a knotted, pile-woven floor or wall covering which is produced for home use, local sale, and export, and religious purpose. Together with the flat-woven kilim, Anatolian rugs represent an essential part of the regional culture, which is officially understood as the Culture of Turkey today, and derives from the ethnic, religious and cultural pluralism of one of the most ancient centres of human civilisation.
A. & M. Karagheusian, Inc. was a rug manufacturer headquartered at 295 Fifth Avenue in Manhattan. Manufacturing was located in Freehold Borough, New Jersey and operated for 60 years before closing in 1964. It employed 1,700 people at its peak operation in the 1930s. Bruce Springsteen wrote about the Karagheusian Rug Mill’s closing in his 1984 song "My Hometown".
Events from the year 1755 in Great Britain.
Axminster Museum was the town museum situated in the Old Police Station and Courthouse opposite St. Mary's Church in the centre of the town of Axminster, Devon, England. It was founded in 1982.
Hereke carpets are Turkish handmade carpets produced and sold in Hereke, a coastal town in Turkey. For a long time, they were produced only in Hereke, 60 km from Istanbul. The materials used are silk, a combination of wool and cotton, and sometimes gold or silver threads.
A Sarouk rug is a type of Persian rug from Markazi Province in Iran. Sarouk rugs are those woven in the village of Saruk and also the city of Arak and the surrounding countryside.
The Alexander Smith Carpet Mills Historic District is a national historic district located at Yonkers, Westchester County, New York. It includes 85 contributing buildings. It encompasses 19 stylistically varied mill buildings and six rows of workers' housing. They were developed between 1871 and 1930 in the vicinity of northeastern Getty Square along the banks of the Saw Mill River. The main mill building was originally built in 1871 and expanded between 1876 and 1883. It is a three-story, rectangular building, 52 bays wide and five bays deep in the Second Empire style. It features a four-story tower and a five-story tower. The workers' housing, known as Moquette Row, North and South, was built between 1881 and 1886. Many workers that lived in this housing originally were immigrants to the United States. They came from Scotland, Ireland, and Ukraine. The carpet works were developed by Alexander Smith (1818-1878) The company closed the Yonkers mills and relocated to Greenville, Mississippi, in 1954. At the time of its closing, there were 2,400 who worked at the carpet mill. At the time of World War II, there was 7,000 employees who worked at the mill.It was later absorbed into Mohawk Carpet, later Mohasco Corporation. The carpet weaving industry was revolutionized by looms invented in this plant by Alexander Smith and Halcyon Skinner. Skinner, an engineer, designed a loom known as the Axminster power loom, which revolutionized the production of carpets. A patent for this loom was created in 1877 and royalty rights were sold to European and American companies at the rate of twenty cents per yard of carpet produced.
The Dilmaghani family, the oldest existing manufacturers of hand knotted carpets and oriental rugs, can be traced back to the 1850s Qajar dynasty, Persia. In an industry which largely produces untitled items often identifiable only by experts, the history and lineage of any name relating to specific types of rugs for so many decades is unusual. Through the 1960s, the Dilmaghani family was still designing, manufacturing and importing Persian carpets from Iran to the United States. Dilmaghani is seen as an important connection of 19th and 20th century Persian rug and carpet production in and around the cities of Tabriz and Kermān. Dilmaghani remained as of 1980 among the best known names of branded hand knotted carpets.
Varamin carpets and rugs or Veramin carpets and rugs are carpets and rugs woven in city of Varamin and its surrounding area, southeast of Tehran. Many rug and carpet experts see Varamins as being among those Persian carpets most authentic in terms of traditional style and motif.
Axminster Carpets Ltd is an Axminster, Devon based English manufacturer of carpets, particularly the same-named Axminster carpets.
The Oriental Carpet Manufacturers (OCM) was a London-based company involved in the production of, and trade with, Oriental carpets. Established in 1907/8 in Istanbul, the company set up and controlled their own carpet manufactures in the central Anatolian region around the town of Konya, and from 1911 onwards, in the Hamadan Province in northwestern Iran. In 1983 it was sold, and merged with one of its former affiliates, the Eastern Kayam Company. From 1924 until 1948, OCM was led by Arthur Cecil Edwards, who, after retiring, wrote a text book on Persian Carpets, which is still in print today.
Carpet weaving in Isparta developed towards the end of the 19th century. Isparta (Sparta) in Pisidia was one of the late regions to develop a carpet-weaving tradition. The Greek Orthodox population played a vital role in this development. As they were keen merchants, they linked their carpet production to the activity of the Oriental Carpet Manufacturers, a major company for carpets' production and export from the Ottoman Empire to the European countries and the United States. Pioneers in this process were the Isparta-born and of Greek Orthodox stock carpet-makers such as Prodromos Gregoriades, Iordanis and Damianos Styloglou, Philippos Kahramanoglou, Socrates and Damian Kahramanoglou, Minas Kehagioglou, Theodoris and Ioannis Papazoglou, Athanasios Pesmazoglou, Nikolaos Soutsoglou etc. Carpet weaving in Asia Minor belongs to a long tradition of carpet weaving, intrinsically related to the nomadic life of the turkic tribes which settled this region gradually from the 11th century onwards. As the nomads became sedentary, local styles in flat and pile rugs appeared; therefore we now discern styles according to place-names where these styles were more popular, such as Ushak carpet, Bergama Carpets, Konya carpets etc.
James Kitchenman was an English-American textile manufacturer who owned the Kitchenman & Neal carpet manufacturing operations in the Kensington neighborhood of Philadelphia, Pennsylvania.
William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop and designed dozens of patterns for hand-produced woven and printed cloth, upholstery, and other textiles.