Thomas Wright (2 March 1792, Birmingham – 30 March 1849, London) was an engraver and portrait-painter.
He served as an apprentice to Henry Meyer, and worked for four years as assistant to William Thomas Fry, for whom he engraved the popular plate of Princess Charlotte and Prince Leopold in a box at Covent Garden Theatre. About 1817 he began to practise independently as a stipple-engraver, and also found employment in taking portraits in pencil and miniature.
He became much associated with George Dawe, whose sister he married, and in 1822 followed him to St. Petersburg to engrave his gallery of portraits of Russian generals; there he also executed a fine plate of the Emperor Alexander, and another of the Empress Alexandra with her children, both after Dawe, on account of which he received diamond rings from members of the royal family and a gold medal from the king of Prussia.
Wright returned to England in 1826, and during the next four years was employed upon the plates to Mrs. Jameson's ‘Beauties of the Court of Charles II,’ which constitute his best work; also upon some of the plates to the folio edition of Edmund Lodge's ‘Portraits.’ In 1830 he again went to Russia, and remained for fifteen years, working under the patronage of the court. There he published a series of portraits entitled ‘Les Contemporains Russes,’ drawn and engraved by himself. On finally leaving St. Petersburg Wright presented a complete collection of impressions from his plates, numbering about 300, to the Hermitage Gallery. He was a member of the academies of St. Petersburg, Florence, and Stockholm.
Wright contributed engravings to:
Karl Pavlovich Bryullov, original name Charles Bruleau, also transliterated Briullov and Briuloff, and referred to by his friends as "Karl the Great", was a Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism.
Claudio Coello was a Spanish Baroque painter. Coello is considered the last great Spanish painter of the 17th century.
John Raphael Smith was a British painter and mezzotinter. He was the son of Thomas Smith of Derby, the landscape painter, and father of John Rubens Smith, a painter who emigrated to the United States.
George Dawe was an English portraitist who painted 329 portraits of Russian generals active during Napoleon's invasion of Russia for the Military Gallery of the Winter Palace. He relocated to Saint Petersburg in 1819, where he won acclaim for his work from the artistic establishment and complimentary verses by Pushkin. He was the son of Philip Dawe, a successful mezzotint engraver who also produced political cartoons relating to the events of the Boston Tea Party. One of his brothers was Henry Edward Dawe, also a portraitist. He died on 15 October 1829 in Kentish Town, United Kingdom.
Henry Thomas Alken was an English painter and engraver chiefly known as a caricaturist and illustrator of sporting subjects and coaching scenes. His most prolific period of painting and drawing occurred between 1816 and 1831.
Thomas Malton, was an English painter of topographical and architectural views, and an engraver. J. M. W. Turner and Thomas Girtin were amongst his pupils. He is designated "the younger" to differentiate him from his father Thomas Malton, the Elder.
Thomas Holloway was an English portrait painter and engraver.
George Clint was an English portrait painter and engraver, especially notable for his many theatrical subjects.
Henry Bryan Hall, was an English stipple engraver and portrait painter. He was apprenticed to the engravers Benjamin Smith and Henry Meyer. Later he worked for Henry Thomas Ryall who was designated 'Portrait and Historical Engraver to Her Majesty, Queen Victoria'. Hall produced plates for Ryall's Eminent Conservative Statesmen (1837–38) and assisted in the engraving of seventy portraits for Ryall's plate of The Coronation of Queen Victoria after George Hayter (1838–42). Hall also engraved portraits of English Protestant martyrs for C. Birch (1839) and provided plates for John Wilson and Robert Chambers's The Land of Burns (1840), Finden's Gallery of Beauty (1841), John William Carleton's Sporting Sketch-Book (1842), and John Kitto's Gallery of Scripture Engravings (1846–49).
Thomas Brigstocke was a Welsh portrait painter. He studied art in London, and then spent eight years in Italy before returning to England. In the 1840s he visited Egypt, where he painted portraits of Mohammed Ali Pasha and his family.
Louis Caravaque was a French portrait painter who worked in Russia.
Edward Scriven was an English engraver of portraits, in the stipple and chalk manner. Scriven was the pre-eminent engraver of his generation, with 210 portraits ascribed to him by the National Portrait Gallery.
John Smith was an English mezzotint engraver and print seller. Closely associated with the portrait painter Godfrey Kneller, Smith was one of leading exponents of the mezzotint medium during the late 17th and early 18th centuries, and was regarded among first English-born artists to receive international recognition, along the younger painter William Hogarth.
John Henry Robinson (1796–1871) was an English engraver.
James Thomson (1788–1850) was a British engraver, known for his portraits. He completed his apprenticeship in engraving and then established himself independently, following the dot and stipple style. His engravings and paintings featured both leading figures of his day and those of previous periods.
Jean Simon, anglicized as John Simon was an English mezzotint engraver and print publisher of French Huguenot birth, particularly known for his portraits. Notably associated with the German-born portrait painter Godfrey Kneller, Simon had an active career that spanned at least three and a half decades, and was regarded as one of the mezzotint medium's most prolific masters of his generation, along with the older contemporaneous engraver John Smith.
John Masey Wright (1777–1866) was an English watercolour-painter. He was the son of an organ-builder and was apprenticed to the same business, but, as it proved distasteful to him, he was allowed to follow his natural inclination for art. As a boy he was given the opportunity of watching Thomas Stothard when at work in his studio, but otherwise he was self-taught. About 1810 Wright became associated with Henry Aston Barker, for whose panorama in the Strand he did much excellent work, including the battles of Coruña, Vittoria, and Waterloo.
Benjamin Smith (1754–1833) was a British engraver, printseller and publisher, active from 1786 to 1833. He was born c. 1754 in London. He worked mainly in dot or stipple engraving, producing portraits, illustrations, and allegorical and biblical subjects after prominent artists of the day.
Peltro William Tomkins (1759–1840) was an English engraver and draughtsman.
Christina Robertson RSA or Christina Saunders was a Scottish artist who became a Russian court painter. She was the first woman honorary member of the Royal Scottish Academy.