The Dean Cemetery is a historically important Victorian cemetery north of the Dean Village, west of Edinburgh city centre, in Scotland. It lies between Queensferry Road and the Water of Leith, bounded on its east side by Dean Path and on its west by the Dean Gallery. A 20th-century extension lies detached from the main cemetery to the north of Ravelston Terrace. The main cemetery is accessible through the main gate on its east side, through a "grace and favour" access door from the grounds of Dean Gallery and from Ravelston Terrace. The modern extension is only accessible at the junction of Dean Path and Queensferry Road.
Thomas Wyatt may refer to:
Sophie Gengembre Anderson was a French-born British Victorian painter who was also active in America for extended periods. She specialised in genre paintings of children and women, typically in rural settings. She began her career as a lithographer and painter of portraits, collaborating with Walter Anderson on portraits of American Episcopal bishops. Her work, Elaine, was the first public collection purchase of a woman artist. Her painting No Walk Today was purchased for more than £1 million.
Thomas Jones Barker was an English historical, military, and portrait painter.
George Wallis (1811–1891) was an artist, museum curator and art educator. He was the first Keeper of Fine Art Collection at South Kensington Museum in London.
William Artaud (1763–1823) was an English painter of portraits and biblical subjects.
Charles Vacher (1818–1883) was a British painter in watercolours.
Thomas Richmond (1771–1837) was an English miniature-painter.
Thomas Heathfield Carrick was an English portrait miniature painter who portrayed many leading political and literary figures of his age. He developed the method of painting portraits on marble rather than the usual ivory.
Thomas Henry Illidge was an English portrait painter.
Thomas Crane (1808–1859) was an English artist and portrait painter.
Henry Wyatt, was an English portrait, subject and genre painter.
Ralph Nicholson Wornum (1812–1877) was a British artist, art historian and administrator. He was keeper and secretary of the National Gallery of London from 1855 until his death.
John Masey Wright (1777–1866) was an English watercolour-painter. He was the son of an organ-builder and was apprenticed to the same business, but, as it proved distasteful to him, he was allowed to follow his natural inclination for art. As a boy he was given the opportunity of watching Thomas Stothard when at work in his studio, but otherwise he was self-taught. About 1810 Wright became associated with Henry Aston Barker, for whose panorama in the Strand he did much excellent work, including the battles of Coruña, Vittoria, and Waterloo.
Thomas Wright was an engraver and portrait-painter.
Henry Room (1802–1850) was an English portrait-painter, from an evangelical background in Birmingham.
The Grafton Galleries, often referred to as the Grafton Gallery, was an art gallery in Mayfair, London. The French art dealer Paul Durand-Ruel showed the first major exhibition in Britain of Impressionist paintings there in 1905. Roger Fry's two famous exhibitions of Post-Impressionist works in 1910 and 1912 were both held at the gallery.
