Thomas of Perseigne

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Thomas of Perseigne, also known as Thomas of Cîteaux, Thomas Cisterciensis, Thomas the Cistercian, Thomas of Vancelles (died c.1190), was a Cistercian monk of Perseigne Abbey, in what is now Sarthe, France. He is known for one major work, a commentary on the Song of Songs .

Perseigne Abbey abbey located in Sarthe, in France

Perseigne Abbey is a former Cistercian abbey, formally established in 1145 on land given by William III, Count of Ponthieu, and suppressed in 1791 during the French Revolution. It is located in the north of the Sarthe département near to Neufchâtel-en-Saosnois, on the edge of the Perseigne forest, not far from Alençon.

Sarthe Department of France

Sarthe is a department of Pays de la Loire situated in the Grand-Ouest of the country. It is named after the River Sarthe, which flows from east of Le Mans to just north of Angers.

Song of Songs book of the Bible

The Song of Songs, also Song of Solomon or Canticles, is one of the megillot (scrolls) found in the last section of the Tanakh, known as the Ketuvim, and a book of the Old Testament.

Contents

His theology is regarded as typical of the mystical approach current in the twelfth century. [1] The commentary contains his theories on aesthetics, [2] and is dedicated to Pons, Bishop of Clermont (in office 1170-1189), formerly Abbot of Clairvaux. It contains a number of citations from classical poets. [3]

Christian mysticism development of mystical practices and theory within Christianity

Christian mysticism refers to the development of mystical practices and theory within Christianity. Mysticism is not so much a doctrine as a method of thought. It has often been connected to mystical theology, especially in the Roman Catholic and Orthodox Christianity.

Aesthetics Branch of philosophy dealing with the nature of art, beauty, and taste

Aesthetics is a branch of philosophy that deals with the nature of art, beauty and taste and with the creation or appreciation of beauty.

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References

Notes

  1. Giles Constable, Three Studies in Medieval Religious and Social Thought (1998), p. 168.
  2. Wladyslaw Tatarkiewicz, History of Aesthetics (2006), p. 183.
  3. B. Griesser, Dichterzitate in des Thomas Cisterciensis Kommentar zum Hohenlied. Cistencienser Chronik 50 (1938), pp. 11-14, 118-122; 51(1939), pp. 73-80.
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