Thoralf Knobloch

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Thoralf Knobloch (born 1962 in Bautzen) is a contemporary German painter based in Dresden. In 1994 he completed his studies at the Hochschule für Bildende Künste Dresden under Prof. Ralf Kerbach. In 2003 Knobloch received the Vattenfall Europe art award. In 2005 he among others represented Germany at the Prague Biennale. [1] Knobloch is represented by Galerie Gebr. Lehmann, Dresden/Berlin, and Wilkinson Gallery, London, where his work was exhibited in 2007 at the opening show of the new gallery space. [2]

Bautzen Place in Saxony, Germany

Bautzen is a hill-top town in eastern Saxony, Germany, and administrative centre of the eponymous district. It is located on the Spree River. As of 2013, its population is 39,607. Asteroid 11580 Bautzen is named in honour of the city.

Contemporary art art of the present time beginning with Pop Art and Conceptual Art

Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality.

Germany Federal parliamentary republic in central-western Europe

Germany, officially the Federal Republic of Germany, is a country in Central and Western Europe, lying between the Baltic and North Seas to the north, and the Alps to the south. It borders Denmark to the north, Poland and the Czech Republic to the east, Austria and Switzerland to the south, France to the southwest, and Luxembourg, Belgium and the Netherlands to the west.


His works show ordinary, seemingly trivial moments, observed within the vicinity of the artist and in familiar streets. Once his attention is attracted, the painter cautiously becomes involved with the motif. Often he returns to vary the focus or perspective of the scene. Hereby, his sight is distant, neutral, but not without sympathy. The constant review of his and our perception of what we call reality adds an observative character to his work. This becomes evident especially in works in which Knobloch depicts an identical scene more than once, but from only slightly modified perspectives. The impression of a filmic sequence is generated. Yet, Knobloch’s works do not allow the audience to make up a story, which develops logically according to cause and effect. His works appear to be oddly disconnected, deposed of the temporary. By detracting the scene from a temporal sequence, and by this means from any narrative context, Knobloch directs the perception of the audience onto the artwork itself. In most cases, he puts everyday items in the centre of his work. In doing so, the visible is not deposed of its seemingly vacuity. The power of these works comes from the intense uneventfulness of the seen. The audience is bound to fill the silence with its own memory. Thus Knobloch achieves to evoke poetic associations, and this is where the quality of his works lies. His works are not about subjective experience, but about reflection.

Introspection is the examination of one's own conscious thoughts and feelings. In psychology, the process of introspection relies exclusively on observation of one's mental state, while in a spiritual context it may refer to the examination of one's soul. Introspection is closely related to human self-reflection and is contrasted with external observation.

Solo exhibitions (selected)

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