The Thornham Parva Retable is a medieval altarpiece, now in Thornham Parva, Suffolk, England. The retable is thought to have been created in the 1330s for a Dominican Priory. 15 feet (4.6 m) long, it is the largest surviving altarpiece from the English Middle Ages.At
The retable survived the iconoclastic reformers of the 16th Century, who destroyed much of England's medieval culture, by being removed from its church. It was discovered in 1927 in a wood pile in a loft at Thornham Hall, belonging to a Suffolk landowner, Lord Henniker. He donated it to St Mary's Church, Thornham Parva, where his brother was parson.
The Thornham Parva Retable has eight panels of saints in niches surrounding a Crucifixion. The origins of the retable were a puzzle but the images provides clues. The figures pinpointed links with the Dominican Order. At either end are St Dominic and St Peter Martyr, joint patrons of the Dominicans. St Catherine and St Margaret of Antioch were the order's mascots. The Apostles Peter and Paul, who were believed to have spoken to St Dominic, all point towards Dominican interest. The presence of Edmund the Martyr suggests an East Anglian link. John the Baptist's figure might seem more obscure, but the benefactors of the Dominican Priory at Thetford, John de Warenne, 7th Earl of Surrey and Edmund Gonville would have expected their namesakes to be part of the finished painting.
It is believed that an altar frontal now in the Musée de Cluny in Paris was once associated with the Thornham Parva retable as a single decorative fixture.The hypothesis is that they became separated when Henry VIII dissolved the Blackfriars, Thetford friary in 1538. The Thetford Priory contained a statue of the Virgin which was claimed to work miracles and the frontal shows scenes from the life of the Virgin.
The retable returned to St Mary's Church, Thornham Parva, in 2003, following eight years of restoration by the Hamilton Kerr Institute in Cambridge.Using sturgeon glue, applied with tiny dabs of cotton buds, inch by inch the layers of grime were removed to reveal rich gold and glowing autumnal palette of translucent reds, purples and greens which the original artist used.
Fra Angelico was an Italian painter of the Early Renaissance, described by Vasari in his Lives of the Artists as having "a rare and perfect talent".
Edmund the Martyr was king of East Anglia from about 855 until his death.
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation.
A reredos is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images.
The Bishop of Norwich is the ordinary of the Church of England Diocese of Norwich in the Province of Canterbury. The diocese covers most of the county of Norfolk and part of Suffolk. The Bishop of Norwich is Graham Usher.
A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum it may be a simple shelf for candles behind an altar, but it can also be a large and elaborate structure. A retable which incorporates sculptures or painting is often referred to as an altarpiece.
The Madonna of the Rosary is a painting finished in 1607 by the Italian Baroque painter Caravaggio, now in the Kunsthistorisches Museum in Vienna. It is the only painting by Caravaggio that could be called a standard Baroque altarpiece.
A Dossal, from French dos (back), is one of a number of terms for something rising from the back of a church altar. In modern usage it is generally restricted to, firstly, a cloth hanging or, secondly, a board, often carved or containing a painting, rising vertically from the back of the altar, to which it is attached. Retable and reredos are alternative terms for solid structures, as is altarpiece, all of them rather more commonly used today.
The Dominican Church, also known as the Church of St. Maria Rotunda, is an early Baroque parish church and minor basilica in the historic center of Vienna, Austria. It is the third church built on the same site in the course of time.
Thornham Magna is the sister village of Thornham Parva, about 3.5 miles (5.6 km) from Eye, Suffolk and close to the A140 main road from Norwich to Ipswich, the county towns of Norfolk and Suffolk.
Bartolomé Bermejo was a Spanish painter who adopted Flemish painting techniques and conventions. Born in Cordoba, he is known for his work in the Kingdom of Aragon, including what is now Cataluña and the Kingdom of Valencia. His real name was Bartolomé de Cárdenas: the name Bermejo, which means auburn in Spanish, possibly relates to his hair colour. Bermejo may relate also to his name, Cardenas; Cardeno means purplish.
Jacques de Baerze was a Flemish sculptor in wood, two of whose major carved altarpieces survive in Dijon, now in France, then the capital of the Duchy of Burgundy.
The Hamilton Kerr Institute is a branch of the Fitzwilliam Museum in Cambridgeshire, England, dedicated to the study and conservation of easel paintings. It is also part of the University of Cambridge.
Thornham Parva is a village and civil parish in the Mid Suffolk district of Suffolk in eastern England. Located to the north of sister village Thornham Magna and around five miles south of Diss, in 2005 its population was 50. By the time of the 2011 Census populations of less than 100 were not maintained separately and this village was included in the population of Thornham Magna.
The Coronation of the Virgin is a painting of the Coronation of the Virgin by the Italian early Renaissance master Fra Angelico, executed around 1434-1435. It is now in the Musée du Louvre of Paris, France. The artist executed another Coronation of the Virgin, now in the Uffizi in Florence.
Nicolas Colombel (c.1644–1717) was a French painter, much influenced by Poussin.
San Domenico is a Renaissance style, Roman Catholic church located on Via Amondi in Orzinuovi, Province of Brescia, in the region of Lombardy, Italy.
The Nailloux Altarpiece is a retable-type altarpiece made of five alabaster panels carved in high relief. Dedicated to the Passion of Jesus Christ, it is conserved in a chapel of St. Martin Church of Nailloux, in the Haute-Garonne department in southwestern France.
The Buhl Altarpiece is a late 15th-century, Gothic altarpiece of colossal dimensions now kept in the parish church Église Saint-Jean-Baptiste of Buhl in the Haut-Rhin département of France. It was painted by followers of Martin Schongauer, most probably for the convent of the Dominican sisters of Saint Catherine of Colmar, and moved to its present location in the early 19th century. It is classified as a Monument historique by the French Ministry of Culture.
St Mary's Church is a medieval church in Thornham Parva, Suffolk, England. Much of the fabric dates from the 12th century, and it is a Grade I listed building. Originally the church served not only Thornham Parva but the neighbouring village of Thornham Magna, which is now a separate parish.