|Thou Shalt Not|
|Music||Harry Connick Jr.|
|Lyrics||Harry Connick Jr.|
|Basis|| Thérèse Raquin |
by Émile Zola
Thou Shalt Not is a musical based on Émile Zola's 1867 novel Thérèse Raquin with music and lyrics by Harry Connick Jr. and an adapted book by David Thompson. The musical deals with the consequences involved in the breaking of several Commandments, in particular the sixth and seventh. It ran on Broadway in 2001.
After 22 previews which had been delayed a week due to the September 11, 2001 attacks,the musical opened at the Plymouth Theatre on October 25, 2001. It ran until January 6, 2002 with 85 performances. It received largely negative reviews. "Simultaneously glorious and fatally flawed, this is one Broadway failure that belongs on everybody's must-see list." The Hamilton Spectator deemed it "a fabulous failure."
Under the direction of Susan Stroman, the creative team included Thomas Lynch's scenic design, William Ivey Long's costumes, Scott Lehrer's sound design, and Peter Kaczorowski's lighting design. The cast starred Craig Bierko (Laurent LeClaire), Norbert Leo Butz (Camille Raquin), Debra Monk, and Kate Levering (Therese).
The jazz pianist Laurent LeClaire returns to New Orleans from World War II and runs into his old friend Camille Raquin who is a frail man with an overprotective mother. Camille is married to his own cousin, Therese. Laurent falls in love with Therese, they become lovers, and conspire to kill her husband. Laurent murders Camille, who is pushed over the side of a rowboat. The news of his death sends Camille's mourning mother into a crippling stroke. After waiting a year, Laurent marries his friend's widow, but every time he tries to touch her, the ghost of Camille appears and drives them apart. In time, Therese is driven into madness and suicide, and Laurent kills himself.
Stroman's late husband, Mike Ockrent, had asked his employees to recommend material to be adapted into musicals during his two-year production deal at Warner Bros. His assistant recommended the Zola novel, and began developing the idea in detail with the production executive. Later, when Warner Bros. passed on this, the idea and notes that were developed by Ockrent staff members were given to Stroman. Her original impulse was to make it into a ballet, but decided against it, and felt it could be strong enough as a musical. The idea for the musical Contact had also originally been developed at Ockrent's Warner Bros. office by the same two staff members, and then also offered over to Stroman by Ockrent when it didn't fly with the film studio.
Zola's novel from Paris in the 19th century, is updated to 1946-47 New Orleans in the 9th Ward, outside of the French Quarter. David Thompson explains: "New Orleans is sort of a natural cousin to Paris, in some ways. Not in all ways, but culturally... We were looking for a way for this piece to have an American sensibility to it, while retaining some of the European flavor, which New Orleans has. And the other thing that was important was to find a reason to have music a part of the story."
While Zola set much of his novel in the "dark, low, shallow" building in which the Raquins live and tend their haberdashery on the Pont-Neuf, the musical was set to a lively jazz tavern in the French Quarter run by Mme. Raquin.
The original Broadway cast of 25 included the following:
Craig Bierko Craig Bierko ruptured one of his vocal cords on opening night, Oct. 25, when he was accidentally hit in the larynx during a fight scene. "He finished the show and went to the opening night party," spokesman Philip Rinaldi said at the time, "but the next day he was hemorrhaging and had to be brought to the hospital. It was just a freak thing that happened." The staging of the fight scene was not altered. Standby David New took over his part from the next day, and Bierko was reported as being out with "vocal problems". After two-and-a-half weeks of vocal rest, Craig Bierko again took the stage on Nov. 13.
Kate Levering Shortly after Bierko's return, Kate Levering sprained an ankle and was away for a few performances.
After several workshops of the show with co-star Craig Bierko, including a topless scene, Levering said: "It's a very physically draining show. The dance stuff in Thou Shalt Not is very physical. There's a lot of fighting. There's a big love ballet on this bed and kind of a rape scene. Every day that we did that workshop, I left with bruises."[ citation needed ]
Kate Levering had previously co-starred with Craig Bierko in the show The Music Man (reported in some articles as being "very close friends" at the time).
Norbert Leo Butz Norbert Leo Butz, as the murdered husband, received a Tony nomination for Best Featured Actor in a Musical, and a Drama Desk Award nomination for Outstanding Featured Actor in a Musical.
The previews started on September 27, 2001, only a little over two weeks after the September 11, 2001 attack on the World Trade Center in New York (the original start date was Sept. 20.). (Harry Connick's birthday, coincidentally, is September 11.) In early previews there were audience complaints about a morgue scene, which seemed tasteless to some in the light of the Sept. 11 attacks. The scene remained in a tamer revised version.
The New York Times wrote "It takes a singing dead man to bring a spark of life to Thou Shalt Not."The Village Voice wrote "Unlike Zola's sexually depressed characters, everyone in the Broadway version seems to be getting it in spades...Dramatically, the bubblier context of David Thompson's book raises more questions that it cares to answer...songs that neither advance the plot nor illuminate the characters' secret logic." Clive Barnes wrote that the musical keeps "quite faithfully to the outline and even the spirit of the original novel – which Zola himself later transposed into a play for Sarah Bernhardt – they have not only short-changed the essential drama but also failed to come up with a memorable musical."
A 77-minute original cast recording of the Tony nominated score was released on June 18, 2002.
|2002||Drama Desk Award||Outstanding Featured Actor in a Musical||Norbert Leo Butz||Nominated|
|Tony Award||Best Original Score||Harry Connick Jr.||Nominated|
|Best Performance by a Featured Actor in a Musical||Norbert Leo Butz||Nominated|
Joseph Harry Fowler Connick Jr. is an American singer, pianist, composer, actor, and television host. He has sold over 28 million albums worldwide. Connick is ranked among the top 60 best-selling male artists in the United States by the Recording Industry Association of America, with 16 million in certified sales. He has had seven top 20 US albums, and ten number-one US jazz albums, earning more number-one albums than any other artist in US jazz chart history.
Andrew Lippa is an American composer, lyricist, book writer, performer, and producer. He is a resident artist at the Ars Nova Theater in New York City.
Susan P. Stroman is an American theatre director, choreographer, film director and performer. Her notable theater productions include The Producers, Crazy for You, Contact, and The Scottsboro Boys. She is a five-time Tony Award winner, four for Best Choreography and one as Best Director of a Musical for The Producers. In addition, she is a recipient of two Laurence Olivier Awards, five Drama Desk Awards, eight Outer Critics Circle Awards, two Lucille Lortel Awards, and the George Abbott Award for Lifetime Achievement in the American Theater. She is a 2014 inductee in the American Theater Hall of Fame in New York City.
Thérèse Raquin[teʁɛz ʁakɛ̃] is an 1868 novel by French writer Émile Zola, first published in serial form in the literary magazine L'Artiste in 1867. It was Zola's third novel, though the first to earn wide fame. The novel's adultery and murder were considered scandalous and famously described as "putrid" in a review in the newspaper Le Figaro.
Norbert Leo Butz is an American actor and singer, best known for his work in Broadway theatre. He is a two-time winner of the Tony Award for Best Actor in a Musical, and is one of only nine actors ever to have won the award twice as lead actor.
Kate Levering is an American actress and dancer. She was nominated for a Tony Award for her role in the 2001 musical 42nd Street. She is best known for her role as Kim Kaswell in the Lifetime comedy-drama series Drop Dead Diva.
Craig Philip Bierko is an American actor and singer.
The Producers is a musical adapted by Mel Brooks and Thomas Meehan from Brooks's 1967 film of the same name, with lyrics written by Brooks and music composed by Brooks and arranged by Glen Kelly and Doug Besterman. As in the film, the story concerns two theatrical producers who scheme to get rich by fraudulently overselling interests in a Broadway flop. Complications arise when the show unexpectedly turns out to be successful. The humor of the show draws on ridiculous accents, caricatures of gay people and Nazis, and many show business in-jokes.
Thou Shalt Not may refer to:
Michael Robert Ockrent was a British stage director, well-known both for his Broadway musicals and smaller niche plays. He was educated at Highgate School. Through directing Educating Rita, The Nerd and Follies, he became an established figure in London theatre. In 1986 he made a successful transition to New York City with Me and My Girl that earned several Tony Award nominations. In later life Ockrent worked in film, mainly straight-to-TV movies.
Ben Daniels is an English actor. Initially a stage actor, Daniels was nominated for an Olivier Award for Best Supporting Actor for Never the Sinner (1991), the Evening Standard Award for Best Actor for 900 Oneonta (1994), Best Actor in the M.E.N. Theatre Awards for Martin Yesterday (1998), and won the 2001 Olivier Award for Best Supporting Actor for his performance in the Arthur Miller play All My Sons.
Thérèse Raquin is a 1928 drama film directed by Jacques Feyder. It is the third silent film adaptation of the 1867 novel of the same name by Émile Zola. The film stars Gina Manès as Thérèse Raquin, Wolfgang Zilzer as Monsieur Raquin, and Jeanne Marie Laurent as Madame Raquin. The décors of the Paris suburbs for the film were built by André Andrejew. The film was produced by Deutsche Film Union in Germany, with German and French actors, in a French-German co-production, to be later released at the same time in France as Thérèse Raquin and Germany as Du sollst nicht ehebrechen!. As no words were spoken, both versions differed only with the language of intertitles. The British title at the time of the film's original release was Thou Shalt Not. This is the last of the silent film imports distributed by Warner Bros.' newly acquired First National subsidiary, containing no dialogue with music score and sound effects.
A 77-minute original cast recording of Harry Connick Jr.'s Tony nominated score from the 2001 Broadway musical Thou Shalt Not. Music and lyrics by Connick who does not sing on this album, but plays the piano as an "additional musician", and does the orchestrations and arrangements, and is a producer on the album.
Thérèse Raquin is an American opera in two acts composed by Tobias Picker to a libretto by Gene Scheer based on the 1867 novel Thérèse Raquin by Émile Zola. It is Picker's third opera, following Emmeline (1996) and Fantastic Mr. Fox (1998). It was commissioned by the Dallas Opera, San Diego Opera, and the Opéra de Montréal. It premiered in November 2001. In 2006, a version with reduced orchestration was commissioned by Opera Theatre Europe; it premiered that year at the Royal Opera House and had its first New York performance in 2007 at Dicapo Opera Theatre. This version was subsequently produced by Boston University Opera Institute in 2009, Pittsburgh's Microscopic Opera Company in 2013, and both Long Beach Opera and the Chicago Opera Theater in 2015.
Interior, also known as The Rape, is an oil painting on canvas by Edgar Degas (1834–1917), painted in 1868–1869. Described as "the most puzzling of Degas's major works", it depicts a tense confrontation by lamplight between a man and a partially undressed woman. The theatrical character of the scene has led art historians to seek a literary source for the composition, but none of the sources proposed has met with universal acceptance. Even the painting's title is uncertain; acquaintances of the artist referred to it either as Le Viol or Intérieur, and it was under the latter title that Degas exhibited it for the first time in 1905. The painting is housed in the Philadelphia Museum of Art.
Thérèse Raquin is a 1953 French-Italian drama film directed by Marcel Carné and starring Simone Signoret and Raf Vallone. The story is loosely based on the 1867 novel of the same title by Émile Zola but updated to 1953. It was screened at the 14th Venice International Film Festival where it won the Silver Lion.
Portrait of Émile Zola is a painting of Émile Zola by Édouard Manet. Manet submitted the portrait to the 1868 Salon.
In Secret is a 2013 American erotic thriller romance film written and directed by Charlie Stratton. Based on Émile Zola's classic 1867 novel Thérèse Raquin and the 2009 stage play by the same name penned by Neal Bell, the film stars Elizabeth Olsen, Tom Felton, Oscar Isaac and Jessica Lange. It was screened in the Special Presentation section at the 2013 Toronto International Film Festival. The film received a regional release on February 21, 2014.
Gabriel Ebert is an American stage actor and singer.
Big Fish is a musical with music and lyrics by Andrew Lippa and book by John August. It is based on Daniel Wallace's 1998 novel, Big Fish: A Novel of Mythic Proportions, and the 2003 film Big Fish written by John August and directed by Tim Burton.