Three... Extremes

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Three... Extremes
Three... Extremes film.jpg
Theatrical release poster
Directed by Fruit Chan
Park Chan-wook
Takashi Miike
Produced byAhn Soo-hyun
Peter Ho-sun Chan
Fumio Inoue
Naoki Sato
Shun Shimizu
Written byDumplings:
Lilian Lee
Cut:
Park Chan-wook
Box:
Bun Saikou
Haruko Fukushima
Starring Bai Ling
Tony Leung Ka-fai
Lee Byung-hun
Im Won-hee
Kyōko Hasegawa
Atsuro Watabe
Music by Chan Kwong-wing
Kōji Endō
Peach Present
CinematographyChung Chung-hoon
Christopher Doyle
Koichi Kawakami
Release date
  • October 28, 2005 (2005-10-28)
Running time
125 minutes
CountryHong Kong
Japan
South Korea
Language Cantonese
Mandarin
Japanese
Korean
Box office$1.59 million [1] [2]

Three... Extremes (Chinese :三更2; pinyin :Sāngēng 2; Korean : 쓰리, 몬스터; RR : Sseuli, Monseuteo; Japanese : 美しい夜、残酷な朝; Utsukushī Yoru, Zankokuna Asa) is a 2004 international East Asian horror film collaboration consisting of three segments by three directors from three countries. It is a sequel to, and follows the concept of Three (2002), this time with more established directors.

Contents

Its first film, Dumplings, was expanded into a theatrical feature film.

Films

Dumplings

Aging actress Mrs. Li wants to rejuvenate her youth and beauty to attract the attention of her husband, Li, who has secretly taken a mistress behind her back. She buys dumplings from Aunt Mei, a mysterious seller who claims to be much older than she appears. However, to her disgust, she learns that the dumplings are in fact made from aborted fetuses, which Mei takes from a nearby hospital that has a secret abortion facility, as well as working as an abortion midwife herself.

Nevertheless, Mrs. Li decides to continue eating the fetus dumplings. One of them, made from a five month old fetus (the 'oldest' of the aborted fetuses thus far), seems to have a positive effect on Mrs. Li's libido, yet it also causes her skin to exhibit a fishy smell. Eventually, Mei has to move out when the authorities are about to capture her. Mrs. Li, now two months pregnant despite being declared infertile earlier, is still desperate for a rejuvenation and chooses to abort her own fetus, presumably to make it into dumplings.

Cut

A successful film director has to face a night of misery when a man who appeared in five of his films as an extra, captures both him and his wife to play a deadly game. The wife, a pianist, is gagged and trapped in a system of sharp wires at her piano. The director is instructed to strangle a young girl the extra met while on the way, or else the extra will chop off the wife's fingers one by one every five minutes. The extra reveals that he kidnapped the couple because he is jealous that the director is able to be a rich and good man, while he is poor and abusive to his wife and son, the former of whom he murdered before the incident.

The director tries to buy time by telling stories of his infidelity, though the extra continues to chop the wife's fingers until only one remains on her left hand. The director ultimately decides to kill the young girl by strangling her. He tries, but does not quite succeed in killing her. The young girl's wig comes off and she is revealed to be boy - the extra's son. The extra is only stopped when he slips on a ring the wife was wearing before he chopped off her ring finger, and on the blood pouring from the wife's fingers. The wife then bites the extra's neck, pushing him into the wires that imprison her, leaving him bleeding to death. Traumatized and delusional, the director, now believing his wife to be the extra's son and vice versa, strangles her to death.

Box

Kyoko, a 25 year-old novelist, frequently experiences nightmares of her past as a circus performer. Back when she was 10 years old, Kyoko worked in a circus with her twin sister, Shoko, and their benefactor, Higata. Kyoko felt that Higata was favoring Shoko over her when he praised her after a performance. When Shoko was training, Kyoko forced and locked her into a box. However, Higata watched the incident and tried to rescue her, only for Kyoko to scar him in the face and then accidentally set the box in flames. Since then, Kyoko is haunted with guilt and wants to apologize to her sister. She is also struck uncannily by her literature publisher, Yoshii, who is a doppelganger of Higata, except that he is more caring to her.

One day, Kyoko follows an invitation to her old circus, only to discover the box containing Shoko's burned remains. She is confronted by Higata, who is distraught after the incident and tells her that both Kyoko and Shoko are important to him, but only as one entity. After luring her into kissing him, he forces her into a plastic sack, fits it into a box, then buries it in the nearby snowy ground. However, it is revealed that the entire event of the film is just another dream of Kyoko, who in reality has been conjoined with Shoko since birth. The sisters exit the house to meet with Higata/Yoshii, both indeed the same person.

Cast

Dumplings

Cut

Box

Dumplings theatrical

Three... Extremes' first film Dumplings was extended and turned into a full-length theatrical film of the same name that was released into British cinemas by Tartan Films in the spring of 2006.[ citation needed ]

Release

Three... Extremes was theatrically released on October 28, 2005 by Lionsgate. After its release on November 17, 2005, the film has grossed $77,532 in North America and $1,516,056 in other territories, for a worldwide total of $1,593,588. [1] [2]

Critical response

Three...Extremes received generally positive reviews. Review aggregator Rotten Tomatoes gave the film an 84% approval rating based on 62 reviews, with an average rating of 6.8 out of 10; its consensus reads: "This anthology contains brutal, powerful horror stories by three of Asia's top directors." [3] Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, gave the film an average score of 66 out of 100 based on 22 reviews, indicating "generally favorable reviews". [4]

Chicago Sun-Times critic Roger Ebert praised the film by giving it 3½ stars out of 4, describing the films as "deeply, profoundly creepy", and he attributed their qualities to the works of famous horror writers Edgar Allan Poe, H.P. Lovecraft and Stephen King. [5] The New York Times ' Dana Stevens gave a positive review, writing: "Though Three Extremes[ sic ] may seem tame to jaded fans of what has been termed New Asian Horror, it serves as a fine introduction to the genre for those who are curious but squeamish." [6] The Boston Globe's Ty Burr gave a favorable review, advising viewers to "fasten your seat belts for a bumpy ride -- narratively and artistically -- and don't go in on a full stomach." [7]

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References

  1. 1 2 "Three... Extremes (2005)". Box Office Mojo . Retrieved 10 March 2018.
  2. 1 2 "Three... Extremes (2004)". KoBiz - Korean Film Biz Zone. Retrieved 10 March 2018.
  3. "Three...Extremes (Saam gang yi)". Rotten Tomatoes . Retrieved September 6, 2016.
  4. "Three... Extremes". Metacritic . Retrieved September 6, 2016.
  5. Ebert, Roger (October 28, 2005). "Three... Extremes". Chicago Sun-Times. Retrieved September 6, 2016.
  6. Stevens, Dana (October 28, 2005). "Film in Review; Three Extremes". The New York Times. Retrieved September 6, 2016.
  7. Burr, Ty (October 28, 2005). "Terror trilogy 'Extremes' proves to be a bumpy ride". The Boston Globe. Retrieved September 6, 2016.