Three | |
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Directed by | Aleksandar Petrović |
Written by | Aleksandar Petrović (screenplay) Antonije Isaković (story) |
Starring | Bata Živojinović Kole Angelovski Stole Aranđelović Dragomir Bojanić Milan Jelić |
Cinematography | Tomislav Pinter |
Edited by | Mirjana Mitić |
Release date |
|
Running time | 80 min |
Country | Yugoslavia |
Languages | Serbo-Croatian German |
Three (Serbo-Croatian: Tri, Serbian Cyrillic: Три) is a 1965 Yugoslav film directed by Aleksandar Petrović. It was nominated for the Academy Award for Best Foreign Language Film at the 39th Academy Awards. [1] The script, written by Petrović, is based on the motifs of the short story collection Fern and Fire by Antonije Isaković. The film belongs to the Yugoslav Black Wave movement. [2]
In April 1941, the Third Reich invaded the Kingdom of Yugoslavia. The protagonist, Miloš, witnesses violent death on three separate occasions - at the beginning, during, and at the end of the Second World War. The first story takes place at a train station where, after the outbreak of the April War, mobilized members of the royal army gather and declare a photographer without identity papers and with a speech impediment a German spy and execute him. The second story shows Miloš, who joined the partisans, pursued by German soldiers. He meets a fellow partisan who, after they flee together through a swamp, sacrifices himself for him, allowing Miloš to escape. The third story takes place shortly after liberation. Miloš, now an OZNA officer, must decide whether a group of German collaborators, including a girl he is attracted to, will be shot.
The theme of the film is death from the perspective of one man, in three forms: as witness of it, as a victim of it, and as an executor.
Three is an anti-war film. It shows the true face of war - its horrors and its absurdity. The real protagonist of this film is death. In this film, it appears in three forms - as punishment, as victim, and as an expression of the senselessness of war. One needs to be against war, but one needs to be against war as a matter of principle, against anybody who wages war, and also against those who create reasons for war.
— Aleksandar Petrović, [3]
A review from the New York Times from 1967 after the film's nomination for Best Foreign Film at the Academy Awards reads:
"War’s utter bestiality and waste, usually illustrated by armies, is brought into sharp focus by a talented few in “Three,” a prize-winning Yugoslav drama that treats its bleak and harrowing subject with a grim but poetic artistry. It had a showing at the New York Film Festival last year, and is now at the Studio Cinema and 72d Street Theaters. The film is mystifyingly abrupt in its transitions, but its effects, physical and intellectual, are unmistakably forceful and chilling. The director, Aleksandar Petrovic, with the aid of a sparse script and stunning photography by Tomislav Pinter, has pointed up war’s ravages as it affects one partisan’s fights in one small sector of the conflict. In each of three events he is part of, needless death brought about by fear, despair and defeat." [4]
Palenka award at the Acapulco Film Festival [6]
Laceno d'oro award at the Avellino Neorealism Film Festival [6]
Academy Award for Best Foreign Language Film in 1966 [7]
Crystal Globe for best film at the Karlovy Vary International Film Festival in 1966 [5]
Poretta Terme International Film Festival (1966) [6]
New York Film Festival (1966) [6]
The Yugoslav Film Archive, in accordance with its authorities based on the Law on Cultural Heritage, declared one hundred Serbian feature films (1911-1999) as cultural heritage of great importance on December 28, 2016. Three is also on that list. [8]
Three was the first Yugoslav movie released in the United States (in 1966). Aleksandar Petrović's films Three and I Even Met Happy Gypsies provided the world an introduction to Yugoslav cinema.
Velimir "Bata" Živojinović was a Yugoslav and Serbian actor and politician. He appeared in more than 340 films and TV series, and is regarded as one of the best actors in former Yugoslavia.
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Battle of Sutjeska is a 1973 Yugoslav partisan film directed by Stipe Delić. It tells the story of the famous Battle of Sutjeska, the greatest engagement of the Yugoslav Partisan War. The film is one of the most expensive ever made in Yugoslavia. It was selected as the Yugoslav entry for the Best Foreign Language Film at the 46th Academy Awards, but was not accepted as a nominee. It was also entered into the 8th Moscow International Film Festival where it won a Special Prize.
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Death and the Dervish is a 1974 Yugoslav film directed by Zdravko Velimirović based on the novel of the same name by Meša Selimović.
Kozara is a 1962 Yugoslav film directed by Veljko Bulajić. It is a well known film of the partisan film subgenre popular in Yugoslavia in the 1960s and 1970s and depicts events surrounding the Battle of Kozara.
Yugoslav Black Wave is a blanket term for a Yugoslav film and broader cultural movement starting from the early 1960s and ending in the early 1970s. Notable directors include Dušan Makavejev, Žika Pavlović, Aleksandar Petrović, Želimir Žilnik, Mika Antić, Lordan Zafranović, Mića Popović, Đorđe Kadijević and Marko Babac. Black Wave films are known for their non-traditional approach to filmmaking, dark humor and their critical examination of socialist Yugoslav society.
Hajrudin "Šiba" Krvavac was a Bosnian film director most notable for directing movies from the Partisan film genre during 1960s and 70s.
Great Transport is a 1983 Yugoslav action–drama war film directed by Veljko Bulajić. The film was selected as the Yugoslav entry for the Best Foreign Language Film at the 56th Academy Awards, but was not accepted as a nominee. Great Transport stars James Franciscus, Steve Railsback, Robert Vaughn, Helmut Berger, and Edward Albert.
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