Related Research Articles
Chinese classic texts or canonical texts refers to the Chinese texts which originated before the imperial unification by the Qin dynasty in 221 BC, particularly the "Four Books and Five Classics" of the Neo-Confucian tradition, themselves a customary abridgment of the "Thirteen Classics". All of these pre-Qin texts were written in classical Chinese. All three canons are collectively known as the classics.
The Tao Te Ching, also known as Lao Tzu or Laozi, is a Chinese classic text traditionally credited to the 6th-century BC sage Laozi. The text's authorship, date of composition and date of compilation are debated. The oldest excavated portion dates back to the late 4th century BC, but modern scholarship dates other parts of the text as having been written—or at least compiled—later than the earliest portions of the Zhuangzi.
Romance of the Three Kingdoms is a 14th-century historical novel attributed to Luo Guanzhong. It is set in the turbulent years towards the end of the Han dynasty and the Three Kingdoms period in Chinese history, starting in 169 AD and ending with the reunification of the land in 280 by Western Jin. The novel is based primarily on the Records of the Three Kingdoms (三国志), written by Chen Shou.
Herbert Allen Giles was a British diplomat and sinologist who was the professor of Chinese at the University of Cambridge for 35 years. Giles was educated at Charterhouse School before becoming a British diplomat in China. He modified a Mandarin Chinese romanisation system established by Thomas Wade, resulting in the widely known Wade–Giles Chinese romanisation system. Among his many works were translations of the Analects of Confucius, the Lao Tzu , the Chuang Tzu, and, in 1892, the widely published A Chinese-English Dictionary.
The Thousand Character Classic, also known as the Thousand Character Text, is a Chinese poem that has been used as a primer for teaching Chinese characters to children from the sixth century onward. It contains exactly one thousand characters, each used only once, arranged into 250 lines of four characters apiece and grouped into four line rhyming stanzas to make it easy to memorize. It is sung in a way similar to children learning the Latin alphabet sing an "alphabet song." Along with the Three Character Classic and the Hundred Family Surnames, it has formed the basis of literacy training in traditional China.
The Śūraṅgama Sūtra is a Mahayana Buddhist sutra that has been especially influential in Chan Buddhism. The general doctrinal outlook of the Śūraṅgama Sūtra is that of esoteric Buddhism and Buddha-nature, with some influence from Yogacara. There have been questions regarding the translation of this sutra as it was not sponsored by the Imperial Chinese Court and as such the records regarding its translation in the early eighth century were not carefully preserved ; however, it has never been classified as apocrypha in any Chinese-language Tripitakas including the Taisho Tripitaka where it is placed in the Esoteric Sutra category (密教部). The sutra was translated into Tibetan during the late eighth to early ninth century and a complete translation exists in Tibetan, Mongolian and the Manchu languages. Current consensus is that the text is a compilation of Indic materials with extensive editing in China, rather than a translation of a single text from Sanskrit. A Sanskrit language palm leaf manuscript consisting of 226 leaves with 6 leaves missing which according to the introduction "contains the Śūraṅgama Sūtra" was discovered in a temple in China; it has yet to be verified.
The Jingjiao Documents are a collection of Chinese language texts connected with the 7th-century mission of Alopen, a Church of the East bishop from Sassanian Mesopotamia, and the 8th-century monk Adam. The manuscripts date from between 635, the year of Alopen's arrival in China, and around 1000, when the cave at Mogao near Dunhuang in which the documents were discovered was sealed.
The Classic of Filial Piety, also known by its Chinese name as the Xiaojing, is a Confucian classic treatise giving advice on filial piety: that is, how to behave towards a senior such as a father, an elder brother, or a ruler.
The Hundred Family Surnames, commonly known as Bai Jia Xing, also translated as Hundreds of Chinese Surnames, is a classic Chinese text composed of common Chinese surnames. The book was composed in the early Song dynasty. It originally contained 411 surnames, and was later expanded to 504. Of these, 444 are single-character surnames, and 60 are double-character surnames. About 800 names have been derived from the original ones.
The Three Hundred Tang Poems is an anthology of poems from the Chinese Tang dynasty (618–907). It was first compiled around 1763 by Sun Zhu (1722–1778), who was a Qing Dynasty scholar and was also known as Hengtang Tuishi. Various later editions also exist. All editions contain slightly more than 300 total poems: in this case, 300 is an estimate; the ten, twenty, or more extra poems represent a bonus. Also, the number 300 was a classic number for a poetry collection due to the influence of the Classic of Poetry, which was generally known as The Three Hundred Poems.
The Huangdi Yinfujing, or Yinfujing, is a circa 8th century CE Daoist scripture associated with Chinese astrology and Neidan-style Internal alchemy. In addition, Huangdi Yinfujing is also the name of a Chinese Fengshui text on military strategy.
The Wenzi is a Daoist classic allegedly written by a disciple of Laozi. The text was widely read and highly revered in the centuries following its creation, and even canonized as Tongxuan zhenjing in the year 742 CE. However, soon afterwards scholars started questioning its authenticity and dismissing it as a forgery that was created between the Han dynasty and the Tang dynasty. The text's fate changed in 1973, when archeologists excavated a 55 BCE tomb and discovered remnants of a Wenzi copied on bamboo strips, which offer us a glimpse of what the text looked like prior to its drastic revision into the textus receptus.
The Qingjing Jing is an anonymous Tang Dynasty Daoist classic that combines philosophical themes from the Dao De Jing with the logical presentation of Buddhist texts and a literary form reminiscent of the Heart Sutra. It instructs students of the Dao to practice the elimination of desire in order to cultivate spiritual purity and stillness.
The Thirteen Classics is a term for the group of thirteen classics of Confucian tradition that became the basis for the Imperial Examinations during the Song dynasty and have shaped much of East Asian culture and thought. It includes all of the Four Books and Five Classics but organizes them differently and includes the Classic of Filial Piety and Erya. They are, in approximate order of composition:
The Mouzi Lihoulun is a classic Chinese Buddhist text. It comprises a purportedly autobiographical preface by Master Mou, a late 2nd-century Confucian scholar-official who converted to Buddhism, and an imaginary dialogue of questions and answers about Buddhist practices.
Manchu became a literary language after the creation of the Manchu script in 1599. Romance of the Three Kingdoms was translated by Dahai. Dahai translated Wanbao quanshu 萬寶全書.
The Shenglei 聲類, compiled by the Cao Wei dynasty lexicographer Li Deng 李登, was the first Chinese rime dictionary. Earlier dictionaries were organized either by semantic fields or by character radicals. The last copies of the Shenglei were lost around the 13th century, and it is known only from earlier descriptions and quotations, which say it was in 10 volumes and contained 11,520 Chinese character entries, categorized by linguistic tone in terms of the wǔshēng 五聲 "Five Tones " from Chinese musicology and wǔxíng 五行 "Five Phases/Elements" theory.
The (1254) Zitong 字通 or Mastery of Characters is a Chinese dictionary of orthography that was compiled by the Southern Song dynasty (1127-1279) scholar Li Congzhou 李從周. It discussed logographic differences among Chinese characters written in the ancient Qin dynasty seal script, standard Han dynasty clerical script, and contemporary Song regular script.
The Yiqiejing yinyi 一切經音義 "Pronunciation and Meaning in the Complete Buddhist Canon" is the oldest surviving Chinese dictionary of Buddhist technical terminology, and was the archetype for later Chinese bilingual dictionaries. This specialized glossary was compiled by the Tang dynasty lexicographer monk Xuanying 玄應, who was a translator for the famous pilgrim and Sanskritist monk Xuanzang. When Xuanying died he had only finished 25 chapters of the dictionary, but another Tang monk Huilin 慧琳 compiled an enlarged 100-chapter version with the same title, the (807) Yiqiejing yinyi.
The Yiqiejing yinyi 一切經音義 "Pronunciation and Meaning in the Complete Buddhist Canon" was compiled by the Tang dynasty lexicographer monk Huilin 慧琳 as an expanded revision of the original Yiqiejing yinyi compiled by Xuanying 玄應. Collectively, Xuanying's 25-chapter and Huilin's 100-chapter versions constitute the oldest surviving Chinese dictionary of Buddhist technical terminology. A recent history of Chinese lexicography call Huilin's Yiqiejing yinyi "a composite collection of all the glossaries of scripture words and expressions compiled in and before the Tang Dynasty" and "the archetype of the Chinese bilingual dictionary".
References
- Rutledge, Jayne (Translator) (2005). Three Character Primer. ISBN 7-80702-148-9. Original Chinese Text plus pinyin, modern Chinese translation, modern Chinese commentary and stories, plus complete translation of all material into English.
- Rawski, Evelyn Sakakida (1979). Education and Popular Literacy in Ch'ing China. Ann Arbor: University of Michigan Press. ISBN 0472087533.
