Three Colours: White | |
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![]() Theatrical release poster | |
Directed by | Krzysztof Kieślowski |
Written by |
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Produced by | Marin Karmitz |
Starring | |
Cinematography | Edward Kłosiński |
Edited by | Urszula Lesiak |
Music by | Zbigniew Preisner |
Production companies |
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Distributed by |
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Release dates |
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Running time | 88 minutes |
Countries | France Poland Switzerland |
Languages | Polish [1] French [2] |
Box office | $1.4 million |
Three Colours: White (French : Trois couleurs: Blanc, Polish : Trzy kolory: Biały) is a 1994 arthouse psychological comedy-drama film co-written, produced and directed by Krzysztof Kieślowski. [3] [4] White is the second in the Three Colours trilogy, themed on the French Revolutionary ideals, following Blue and preceding Red . The film, like its precedent and succedent, received widespread critical acclaim and was selected as the Polish entry for the Best Foreign Language Film at the 67th Academy Awards.
White is about equality, with the film depicting Karol Karol, a shy man who, after being left by his wife in humiliating circumstances in Paris, loses his money, his residency, and his friends. As a deeply ashamed beggar in Paris, Karol begins his effort to restore equality to his life through revenge.
At a Paris divorce court, Polish barber Karol Karol is pleading with the judge. [a] Karol, through an interpreter, is made to understand that his wife Dominique does not love him as he was unable to consummate the marriage. The divorce is granted, and Dominique hands Karol a suitcase with his possessions before driving off. Karol loses access to his bank account, his passport, and ownership of a salon he and Dominique owned jointly. Karol breaks into the salon to sleep, but is discovered by Dominique the next morning. The two initiate sex, but he again suffers impotence. Dominique declares that she no longer loves him. She then sets the salon drapes on fire and frames him for arson, forcing Karol to flee and become a beggar.
While performing songs using a comb in a Paris Métro station, Karol meets fellow Pole Mikołaj. While Karol has lost his wife and his property, Mikołaj is married and successful; he offers Karol a job—he must kill someone who wants to die but does not have enough courage to do it himself. Karol declines and proceeds to show Dominique to Mikołaj from outside her window, but he sees the shadow of her with another man. Karol runs and calls her from a telephone booth at the station, only for Dominique to make him listen to her having sex, causing him to break down. Mikołaj helps Karol return to Poland hidden in the suitcase, which is later stolen by employees at the airport. After discovering how poor he is, the airport employees beat him up and leave him in a Polish countryside dump. Karol reaches Warsaw and finds his brother Jurek.
Karol soon returns to work at Jurek's hair salon and later takes on another job as a bodyguard in a cash exchange office. Using his position as a bodyguard, Karol spies on his bosses and discovers their scheme to purchase pieces of land that they know will be targeted by major companies for development and resell for large profits. Karol beats them to it and informs his former bosses that if they kill him, all his estate will go to the church, forcing them to purchase the land from him instead. Karol then tracks down Mikołaj and asks for the job he offered to him previously. Mikołaj meets Karol in a Warsaw Metro tunnel for the execution of the "suicide". Mikołaj turns out to be the intended victim and asks Karol to kill him. Karol first shoots a blank into Mikołaj's chest and asks if he really wants to go through with it, as the next bullet is real. Mikołaj changes his mind and thanks Karol for helping him feel alive again. He pays Karol the money anyway, saying that he earned it.
Karol later goes into business with Mikołaj. Karol becomes ambitious, earning a fortune while improving his French and brooding over Dominique's abandonment. One night, after waking up from a dream about Dominique, Karol calls her, but she hangs up. He devises a scheme to exact revenge on her. He gives Dominique the majority of his fortune in his will, then, with the help of Mikoľaj and Jurek as well as his financial influences, fakes his own death and prepares to frame her for it. On the day of his "burial", Karol sees Dominique mourning from afar. He later surprises her in her hotel room, apparently reconciling with her before they have sex. In the morning, Karol leaves before Dominique wakes up. She is then awakened by the local police, who arrest her on the suspicion that she murdered Karol to obtain his money.
Karol later visits a prison complex and sees Dominique through her cell window with binoculars. She uses sign language to tell Karol that she wants to marry him again, which brings him to tears.
The final scene of Dominique standing behind bars of her prison cell was shot months after the rest of the film, and was intended to soften Dominique's image; Kieślowski has said that he was dissatisfied with the ending shot previously and wanted her to seem less of a monster. [5] Filming began from 9 November 1992 to 1 February 1993. [6]
The film has been interpreted as an anti-comedy by Roger Ebert, in parallel with Blue being an anti-tragedy and Red being an anti-romance. [7]
Three Colours: White was met with critical acclaim; it holds an 89% rating on Rotten Tomatoes, with an average rating of 7.6/10, based on 55 reviews. The consensus reads: "Taking a lighter tone than the other films of the Three Colors trilogy, White is a witty, bittersweet comedy with heavier themes on its mind than one might at first realize". [8] On Metacritic, it was assigned a score of 91 out of 100, based on 11 critic reviews, indicating "universal acclaim". [9]
Award / Film Festival | Category | Recipient(s) | Result | Ref |
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Berlin International Film Festival | Golden Bear | Three Colours: White | Nominated | [13] |
Silver Bear for Best Director | Krzysztof Kieślowski | Won | ||
Chicago Film Critics Association | Best Foreign Language Film | Three Colours: White | Nominated | [14] |
European Film Awards | Best Film | Three Colours: White (also for Three Colours: Blue and Three Colours: Red ) | Nominated | [15] |
Turkish Film Critics Association | Best Foreign Film | Three Colours: White | 9th place | [16] |
The history of cinema in Poland is almost as long as the history of cinematography, and it has universally recognized achievements, even though Polish films tend to be less commercially available than films from several other European nations.
Three Colours: Blue is a 1993 psychological drama film co-written and directed by Polish filmmaker Krzysztof Kieślowski. It is the first instalment in the Three Colours trilogy, themed on the French Revolutionary ideals of liberty, equality and fraternity, followed by White and Red. According to Kieślowski, the subject of the film is liberty, specifically emotional liberty, rather than its social or political meaning.
Krzysztof Kieślowski was a Polish film director and screenwriter. He is known internationally for Dekalog (1989), The Double Life of Veronique (1991), and the Three Colours trilogy (1993 –1994). Kieślowski received numerous awards during his career, including the Cannes Film Festival Jury Prize (1988), FIPRESCI Prize, and Prize of the Ecumenical Jury (1991); the Venice Film Festival FIPRESCI Prize (1989), Golden Lion (1993), and OCIC Award (1993); and the Berlin International Film Festival Silver Bear (1994). In 1995, he received Academy Award nominations for Best Director and Best Original Screenplay.
Zbigniew Preisner is a Polish film score composer, best known for his work with film director Krzysztof Kieślowski. He is the recipient of the Gold Medal for Merit to Culture – Gloria Artis as well as the Knight's Cross of the Order of Polonia Restituta. He is a member of the French Film Academy.
Irène Marie Jacob is a French-Swiss actress known for her work with Polish film director Krzysztof Kieślowski. She won the 1991 Cannes Film Festival Award for Best Actress for the Kieślowski film The Double Life of Veronique, and was nominated for the BAFTA Award for Best Actress in a Leading Role for her 1994 film Three Colours: Red. Her other film appearances include The Secret Garden (1993), Beyond the Clouds (1995), U.S. Marshals (1998), and Eternity (2016).
Julie Delpy is a French and American actress, screenwriter, and film-director. She studied filmmaking at NYU's Tisch School of the Arts and has directed, written, and acted in more than 30 films, including Europa Europa (1990), Voyager (1991), Three Colours: White (1993), the Before trilogy, An American Werewolf in Paris (1997), and 2 Days in Paris (2007).
Europa Europa is a 1990 historical war drama film directed by Agnieszka Holland, and starring Marco Hofschneider, Julie Delpy, Hanns Zischler, and André Wilms. It is based on the 1989 autobiography of Solomon Perel, a German-Jewish boy who escaped the Holocaust by masquerading as a Nazi and joining the Hitler Youth. Perel himself appears briefly as "himself" in the film's finale. The film's title refers to World War II's division of continental Europe, resulting in a constant national shift of allegiances, identities, and front lines.
Dekalog is a 1989 Polish drama television miniseries directed by Krzysztof Kieślowski and co-written by Kieślowski with Krzysztof Piesiewicz, with music by Zbigniew Preisner. It consists of ten one-hour films, inspired by the decalogue of the Ten Commandments. Each installment explores characters facing one or several moral or ethical dilemmas as they reside in an austere housing project in 1980s Poland.
The Three Colours trilogy is the collective title of three psychological drama films directed by Krzysztof Kieślowski: Three Colours: Blue (1993), Three Colours: White (1994), and Three Colours: Red (1994), represented by the Flag of France. The trilogy is an international co-production between France, Poland, and Switzerland in the French language, with the exception of White in Polish and French.
The Double Life of Veronique is a 1991 drama film directed by Krzysztof Kieślowski, and starring Irène Jacob and Philippe Volter. Written by Kieślowski and Krzysztof Piesiewicz, the film explores the themes of identity, love, and human intuition through the characters of Weronika, a Polish choir soprano, and her double, Véronique, a French music teacher. Despite not knowing each other, the two women share a mysterious and emotional bond that transcends language and geography.
Before Sunset is a 2004 American romantic drama film directed by Richard Linklater, who co-wrote the screenplay with Ethan Hawke and Julie Delpy, from a story by Linklater and Kim Krizan. It is the first film by Warner Independent Pictures. The sequel to Before Sunrise (1995) and the second installment in the Before trilogy, Before Sunset follows Jesse (Hawke) and Céline (Delpy) as they reunite nine years later in Paris.
A Short Film About Love is a 1988 Polish romantic drama film directed by Krzysztof Kieślowski, starring Grażyna Szapołowska and Olaf Lubaszenko. Written by Kieślowski and Krzysztof Piesiewicz, the film is about a young post office worker deeply in love with a promiscuous older woman who lives in an adjacent apartment building. The film is set in Warsaw, the Polish capital.
Jerzy Oskar Stuhr was a Polish film and theatre actor. Considered one of the most popular, influential and versatile Polish actors and an icon of Polish cinema, he also worked as a screenwriter, film director, voice actor and drama professor. He served as the rector of the Ludwik Solski Academy for the Dramatic Arts in Kraków for two terms: from 1990 to 1996 and again from 2002 to 2008.
Zbigniew Zamachowski is a Polish actor. He is a two-time recipient of the Polish Academy Award for Best Actor.
Voyager is a 1991 English-language drama film directed by Volker Schlöndorff and starring Sam Shepard, Julie Delpy, and Barbara Sukowa. Adapted by screenwriter Rudy Wurlitzer from the 1957 novel Homo Faber by Max Frisch, the film is about a successful engineer traveling throughout Europe and the Americas whose world view based on logic, probability, and technology is challenged when he falls victim to fate, or a series of incredible coincidences.
Hell is a French film, released in 2005 and directed by Danis Tanović. It is based on a script originally drafted by Krzysztof Kieślowski and Krzysztof Piesiewicz, which was meant to be the second film in a trilogy with the titles Heaven, Hell and Purgatory. The script was finished by Piesiewicz after Kieślowski died in 1996. The movie stars Emmanuelle Béart, Marie Gillain, and Carole Bouquet. This is the second film Emmanuelle Beart has starred in with the title "L'enfer", the first being directed by Claude Chabrol in 1994. The two films are otherwise unrelated.
Camera Buff is a 1979 Polish comedy-drama film written and directed by Krzysztof Kieślowski and starring Jerzy Stuhr. The film is about a humble factory worker whose newfound hobby, amateur film, becomes an obsession, and transforms his modest and formerly contented life. Camera Buff won the Polish Film Festival Golden Lion Award and the FIPRESCI Prize and Golden Prize at the 11th Moscow International Film Festival, and the Berlin International Film Festival Otto Dibelius Film Award in 1980.
Blind Chance is a Polish film written and directed by Krzysztof Kieślowski and starring Bogusław Linda. The film presents three separate storylines, told in succession, about a man running after a train and how such an ordinary incident could influence the rest of the man's life. Originally completed in 1981, Blind Chance was suppressed by the Polish authorities for several years until its delayed release in Poland on 10 January 1987 in a censored form.
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