|Three Girls Spinning|
|Directed by||Carl Froelich|
|Produced by||Hermann Brüning|
|Music by||Hanson Milde-Meissner|
|Edited by||Liselotte Cochius|
|Distributed by||Neue Filmverleih|
|27 October 1950|
Three Girls Spinning (German : Drei Mädchen spinnen) is a 1950 West German comedy film directed by Carl Froelich and starring Albrecht Schoenhals, Adelheid Seeck and Axel von Ambesser.
German is a West Germanic language that is mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, South Tyrol in Italy, the German-speaking Community of Belgium and Liechtenstein. It is one of the three official languages of Luxembourg and a co-official language in the Opole Voivodeship in Poland. The languages that are most similar to the German are the other members of the West Germanic language branch, including Afrikaans, Dutch, English, the Frisian languages, Low German/Low Saxon, Luxembourgish, and Yiddish. There are strong similarities in vocabulary with Danish, Norwegian and Swedish, although those belong to the North Germanic group. German is the second most widely spoken Germanic language, after English.
A comedy film is a genre of film in which the main emphasis is on humour. These films are designed to make the audience laugh through amusement and most often work by exaggerating characteristics for humorous effect. Films in this style traditionally have a happy ending. One of the oldest genres in film – and derived from the classical comedy in theatre –, some of the very first silent movies were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. When sound films became more prevalent during the 1920s, comedy films took another swing, as laughter could result from burlesque situations but also dialogue.
Carl August Hugo Froelich was a German film pioneer and film director. He was born and died in Berlin.
The film's sets were designed by the art director Erich Kettelhut.
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games.
Erich Karl Heinrich Kettelhut was a German production designer, art director and set decorator. Kettelhut is considered as one of the most important artists in the history of early German cinema, mainly for his set direction for Die Nibelungen (1924) and his design and visual effects for Metropolis (1927). His early career was defined by a working relationship with fellow designers Otto Hunte and Karl Vollbrecht, the trio working on many of Fritz Lang's early German films. Despite being best known for his iconic visuals on several of the most important films of German Expressionist cinema, he is also noted for a career spanning into the 1960s and his work on more light-hearted films and musicals.
Albrecht Moritz James Karl Schoenhals was a German film actor.
Adelheid Seeck was a German film actress. She appeared in 27 films between 1941 and 1972. She starred in The Last Ones Shall Be First, which was entered into the 7th Berlin International Film Festival.
Axel Eugen Alexander von Oesterreich, better known as Axel von Ambesser, was a German actor and film director.
The Last Ones Shall Be First is a 1957 West German crime film directed by Rolf Hansen and starring O.E. Hasse, Ulla Jacobsson and Maximilian Schell. It is based on the short play The First and the Last by John Galsworthy which had previously been adapted into a British film 21 Days. It was entered into the 7th Berlin International Film Festival.
Breakfast in Bed is a 1963 German comedy film directed by Axel von Ambesser and starring O.W. Fischer, Liselotte Pulver and Ann Smyrner. The wife of a newspaper editor grows sick of his frequent absences.
Red Orchids is a 1938 German crime film directed by Nunzio Malasomma and starring Olga Tschechowa, Albrecht Schoenhals and Camilla Horn.
Devil in Silk is a 1956 West German drama film directed by Rolf Hansen and starring Lilli Palmer, Curd Jürgens and Winnie Markus. After leaving his overbearing wife for another woman, a composer is suspected of her murder when she is found dead.
Maria the Maid is a 1936 German drama film directed by Veit Harlan and starring Hilde Körber, Hilde Hildebrand and Alfred Abel.
The Day Before the Wedding is a 1952 West German comedy film directed by Rolf Thiele and starring Paul Dahlke, Elisabeth Müller and Joachim Brennecke.
Dancing Stars is a 1952 West German musical comedy film directed by Géza von Cziffra and starring Germaine Damar, Georg Thomalla and Fita Benkhoff.
Once I Will Return or Dalmatian Wedding is a 1953 German-Yugoslav comedy film directed by Géza von Bolváry and starring Paul Dahlke, Helene Stanley and Adelheid Seeck. A millionaire returns from the United States to his native Dubrovnik.
One Too Many on Board is a 1935 German drama film directed by Gerhard Lamprecht and starring Lída Baarová, Albrecht Schoenhals and René Deltgen.
Hannerl and Her Lovers is a 1936 Austrian comedy film directed by Werner Hochbaum and starring Olly von Flint, Albrecht Schoenhals and Hans Moser. It was based on a novel that had previously been adapted as a 1921 silent film of the same title.
Life Begins at Seventeen is a 1953 West German romance film directed by Paul Martin and starring Sonja Ziemann, Paul Hubschmid and Paul Hörbiger.
Don't Play with Love is a 1949 West German comedy film directed by Hans Deppe and starring Lil Dagover, Albrecht Schoenhals and Bruni Löbel.
Ripening Youth is a 1955 West German drama film directed by Ulrich Erfurth and starring Adelheid Seeck, Maximilian Schell and Albert Lieven.
Nanette is a 1940 German musical film directed by Erich Engel and starring Jenny Jugo, Hans Söhnker and Albrecht Schoenhals.
Portrait of an Unknown Woman is a 1954 West German comedy film directed by Helmut Käutner and starring Ruth Leuwerik, O. W. Fischer and Irene von Meyendorff.
Dreaming Days is a 1951 French-West German drama film directed by Emil-Edwin Reinert and starring Aglaja Schmid, O.W. Fischer and Axel von Ambesser.
The Noltenius Brothers is a 1945 German drama film directed by Gerhard Lamprecht and starring Willy Birgel, Karl Mathias and Hilde Weissner.
The King's Prisoner is a 1935 German historical comedy film directed by Carl Boese and starring Michael Bohnen, Paul Kemp and Susi Lanner. It is based around the development of Meissen porcelain during the eighteenth century, particularly the role of the alchemist Johann Friedrich Böttger.
The Glass Ball is a 1937 German drama film directed by Peter Stanchina and starring Albrecht Schoenhals, Sabine Peters and Hilde von Stolz.
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