Related Research Articles
Li Bai, also known as Li Bo, courtesy name Taibai, was a Chinese poet acclaimed from his own day to the present as a genius and a romantic figure who took traditional poetic forms to new heights. He and his friend Du Fu (712–770) were the two most prominent figures in the flourishing of Chinese poetry in the Tang dynasty, which is often called the "Golden Age of Chinese Poetry". The expression "Three Wonders" denote Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy.
Wang Wei was a Chinese poet, musician, painter, and politician during the Tang dynasty. He was one of the most famous men of arts and letters of his time. Many of his poems are preserved, and twenty-nine were included in the highly influential 18th-century anthology Three Hundred Tang Poems.
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, Classical Chinese poetry and Modern Chinese poetry.
Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang Dynasty. Its existence was documented at least as early as the publication of the Classic of Poetry. Various combinations of forms and genres exist. Many or most of these were developed by the end of the Tang Dynasty, in 907 CE.
Bai Juyi, courtesy name Letian, was a renowned Chinese poet and Tang dynasty government official. Many of his poems concern his career or observations made about everyday life, including as governor of three different provinces.
Meng Haoran was a major Tang dynasty poet, and a somewhat older contemporary of Wang Wei, Li Bai and Du Fu. Despite his brief pursuit of an official career, Meng Haoran mainly lived in and wrote about the area in which he was born and raised, in what is now Hubei province, China. Meng Haoran was a major influence on other contemporary and subsequent poets of the High Tang era because of his focus on nature as a main topic for poetry. Meng Haoran was also prominently featured in the Qing dynasty poetry anthology Three Hundred Tang Poems, having the fifth largest number of his poems included, for a total of fifteen, exceeded only by Du Fu, Li Bai, Wang Wei, and Li Shangyin. These poems of Meng Haoran were available in the English translations by Witter Bynner and Kiang Kanghu, by 1920, with the publication of The Jade Mountain. The Three Hundred Tang Poems also has two poems by Li Bai addressed to Meng Haoran, one in his praise and one written in farewell on the occasion of their parting company. Meng Haoran was also influential to Japanese poetry.
Liu Yuxi (772–842) was a Chinese poet, philosopher, and essayist, active during the Tang Dynasty.
The arts of China have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers, religious figures and even political leaders. The arrival of Buddhism and modern Western influence produced especially large changes. Chinese art encompasses fine arts, folk arts and performance arts.
Kanshi (漢詩) is a Japanese term for Chinese poetry in general as well as the Japanese poetry written in Chinese by Japanese poets. It literally means "Han poetry". Kanshi was the most popular form of poetry during the early Heian period in Japan among Japanese aristocrats and proliferated until the modern period.
Tang poetry refers to poetry written in or around the time of or in the characteristic style of China's Tang dynasty, and/or follows a certain style, often considered as the Golden Age of Chinese poetry. The Quantangshi includes over 48,900 poems written by over 2,200 authors. During the Tang dynasty, poetry continued to be an important part of social life at all levels of society. Scholars were required to master poetry for the civil service exams, but the art was theoretically available to everyone. This led to a large record of poetry and poets, a partial record of which survives today. Two of the most famous poets of the period were Li Bai and Du Fu. Tang poetry has had an ongoing influence on world literature in modern times.
Jueju, or Chinese quatrain, is a type of jintishi that grew popular among Chinese poets in the Tang Dynasty (618–907), although traceable to earlier origins. Jueju poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables.
Wei Yingwu , courtesy name Yibo(義博), art name Xizhai(西齋) was a Chinese poet of the Tang dynasty. Twelve of Wei's poems were included in the influential Three Hundred Tang Poems anthology. He was also known by his honorific name Wei Suzhou(韋蘇州); his service as the governor of Suzhou earned him the name.
Qiu Wei (traditional Chinese: 邱為; simplified Chinese: 邱为; pinyin: Qiū Wéi, 694–789? was a Chinese poet of the Tang Dynasty, with one of his poems being included in the famous anthology Three Hundred Tang Poems.
Gushi is one of the main poetry forms defined in Classical Chinese poetry, literally meaning "old poetry" or "old style poetry": gushi is a technical term for certain historically exemplary poems, together with later poetry composed in this formal style.
Regulated verse – also known as Jintishi – is a development within Classical Chinese poetry of the shi main formal type. Regulated verse is one of the most important of all Classical Chinese poetry types. Although often regarded as a Tang Dynasty innovation, the origin of regulated verse within the Classical Chinese poetic tradition is associated with Shen Yue (441–513), based on his "four tones and eight defects" (四聲八病) theory regarding tonality. There are three types of regulated verse: the eight-lined lüshi, the four-lined jueju, and the linked couplets of indeterminate length pailu. All regulated verse forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled. Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang Dynasty, the "Shen-Song" team of Shen Quanqi and Song Zhiwen greatly contributed to the development of this Classical Chinese verse form.
Lüshi refers to a specific form of Classical Chinese poetry verse form. One of the most important poetry forms of classical Chinese poetry, the lüshi refers to an eight-line regulated verse form with lines made up of five, six, or seven characters; thus:
Sun Zhu (1711–1778) was a Qing scholar. He was also known as Hengtang Tuishi and was the original compiler and editor of the anthology Three Hundred Tang Poems, a popular compilation of Tang poetry, partly designed as a study aid for students. An enduring classic, Sun Zhu's version has often been reprinted, often in revised or re-edited editions.
References
- 1 2 Yu, 64–65
- ↑ Rexroth, xvi
- 1 2 Weichang Chan, ed. (1997). "Home of 300 Tang Poems". Chinese Text Initiative (in Chinese and English). Translated by Witter Bynner. University of Virginia. Archived from the original on 2007-09-25. Retrieved 2007-09-12.
- ↑ "Tang Shi – 300 Tang poems". Wengu – Chinese Classics and Translations (in Chinese, English, and French). AFPC. Archived from the original on 2007-09-27. Retrieved 2007-09-12.
- ↑ Watson 127
- ↑
- ↑ https://www.amazon.com/Three-Hundred-Everymans-Library-Pocket/dp/0307269736
